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The Conquest of Happiness (1930) is Bertrand Russell’s short, practical guide to living more happily in the modern world. Russell argues that much unhappiness comes from patterns of thought and social pressures—like envy, fear of opinion, boredom, and the obsessive pursuit of status—and that these can be unlearned.

This book introduces a new grammar of value grounded in First Principles and First Values as the interior structure of the Universe. To live aligned with these principles is to become a post-tragic hero—not the old hero of conquest, but a new, tender, fierce lover of value. The hero is the one who stands for value and is willing to even die for value. The premodern hero is pre-tragic. For him, value is clear. There are no conflicts, there is only one version of value that is right. That version is sourced in direct revelation which takes place only within his native or chosen religion.

不自由で、貧しく、生きづらい――この国の不出来なシステムを悪用するか、逃げ出すか、それとも……ウチダ流「日本人論」最新刊！！失われた３０年で「不自由な国」になってしまった日本。

「バーチャル世界」で格差を埋める人々が急増「パラサイト・シングル」「希望格差」「婚活」などの言葉を世に出した、稀代の社会学者による現代日本社会の実像私の分析は楽観的なものではない。

Ever wondered why your college roommate won't shut up about The Stranger? Curious about why French intellectuals spent the 1950s chain-smoking and arguing about whether you should kill yourself? Want to sound smart at dinner parties without actually reading 800 pages of dense existential philosophy? Welcome to the only Camus guide you'll ever need and the only one honest enough to admit that "imagine Sisyphus happy" is either profound wisdom or the philosophical equivalent of "good vibes only."

This book advances the Principle of Anti-Symmetry: the claim that symmetry has never existed in nature as more than a cognitive projection. What science repeatedly reveals as “symmetry breaking” is not the loss of an original balance, but the disclosure of reality’s true structure—irreducible imbalance.

El texto ofrece una explicación genealógica de los vínculos que unen el planteamiento kantiano con cuatro presuposiciones pragmáticas inevitables en la acción comunicativa: un mundo objetivo común, la responsabilidad de los sujetos racionales, la validez incondicional de las pretensiones de verdad y de corrección normativa, y la necesaria dependencia de justificación discursiva.

This audiobook explores how human mentality—our ingrained habits of perception and emotional logic—shapes conflict in families, workplaces, and politics. It shows how changing the way we see can change the way we live together. At its core lies the idea of antihabitus: the capacity to step beyond automatic reactions, cultural scripts, and inherited patterns.

This audiobook is a call to reclaim value as real—because the future of the world depends on it. We live in a time between worlds and a time between stories, as the very existence of humanity is threatened by a meta-crisis. The meta-crisis is a series of interlocking social, political, educational, climate and technological crises, that we can all see and feel in our lives.

This audiobook explores the dangers of a broken sensemaking and information ecology in a time between worlds and time between stories. We are faced with two bad alternatives: to blindly dismiss all conspiracy theories or to blindly buy into all their claims. Both are wrong choices.

In this book, we point towards the ontologies of story and value. Story is real. And value is real. That is the reality consideration that we engage in this book. Along the way we engage Yuval Harari’s rejection of the ontology of both Story and Value. Harari is perhaps the most popular parrot of the postmodern zeitgeist at this moment in time. Harari’s key idea is that we need a new story around which open societies can cohere in order to respond to the meta crisis.

In this rigorous and unsettling study, Boris Kriger reconstructs Georges Bataille’s vision of the sacred as a trembling border between reason and its own undoing. Moving beyond biography and commentary, the book situates Bataille’s thought within the crises of twentieth-century modernity—the collapse of transcendence, the exhaustion of eroticism, and the metamorphosis of sacrifice into aesthetics.

This book is not here to comfort you. It does not promise hope, progress, or some tender reassurance about the nobility of the human project. It will not tell you that everything happens for a reason, or that there is meaning to be found in our collective struggle. Instead, it stands firmly within the logic of Jean Baudrillard’s simulacra—a philosophy that does not seek to reveal a hidden truth, but to diagnose the condition of our reality. We no longer live in the world; we live within our own perception of it.

Every act of knowing carries within it a quiet act of forgetting. Knowledge as Oblivion reveals the hidden symmetry between learning and loss, understanding and erasure, showing that progress in thought is not an accumulation but a perpetual renewal through disappearance. In this bold and luminous work, Boris Kriger dismantles the myth of intellectual continuity and invites the listener to reconsider what it means to “know.”

In thirteen iconoclastic essays, Slavoj Žižek disrupts the death-grip that neoliberalists, Trumpian populists, toxic self-improvement industries and accelerationists alike have established on the idea of progress. Anatomizing what is lost when opponents of the future are allowed to define it, Žižek ruthlessly exposes what different visions of progress exclude or sacrifice and the dynamics of desire, denial and disavowal at work in Hollywood blockbusters, Buddhist economics, decolonization movements and other engines of vision.

The Emergence of Awe: Reimagining Human Progress for the 21st Century explores how humanity stands at a crossroads, where exponential technological advancement meets stagnant political and social systems. Drawing from science, philosophy and history, Hayk Sarkissian offers a bold new way of thinking – challenging us to align human values with objective reality. He questions the deep-rooted assumptions and foundations of modern society to propose a philosophical shift to empower human flourishing in the 21st century.

En este libro se realiza, mediante la filosofia de la historia, la tan necesaria “sospecha de la sospecha”, y que el gran error posmoderno sea finalmente expuesto. Error, la cual va a mas alla de la simple contradiccion logica formal. Y cuya revelación; al mismo tiempo le da su nascimiento a la nueva filosofía metamoderna. Esta nueva filosofía no solo busca destruir, sino también construir verdades. Verdades más allá de la superficialidad de la izquierda y derecha hegelianas.

The Modern Know-it-all: A Handbook To Achieving An Infallible Worldview is a profound philosophical guide that completely flips the script on our world's common definition of a know-it-all. This enlightening literary journey dismantles the negative stereotype of the conventional "know-it-all" by introducing a transformative new archetype—the Modern Know-it-all—who attains wisdom through rigorous self-deconstruction, critical thinking, and a hybrid philosophical approach to life.

What if the greatest danger to humanity is not ignorance, but the illusions of knowledge? In this provocative collection of essays, Boris Kriger unravels the deceits of human thought—its rationalizations, its comforting lies, its masks of philosophy, religion, and economics. From the absurdities of bohemia to the corruption of charity, from the false promises of systems to the fragile brilliance of uncalculated kindness, Tricks of the Mind exposes how easily we mistake coherence for truth, greed for prudence, ritual for spirit.

Story is the source code of culture and consciousness and of all Reality-all the way up and down the evolutionary chain. Story is the attempt to gather information about the nature of Reality and translate it into narrative frameworks bounded by Value. Stories that organize culture are Stories of Value backed by the Universe. Postmodernity argues that Reality is just a story, and that all stories are created equal (equally meaningless of inherent value) because value itself is not real. And therefore, all stories of value are but social constructs, fictions, figments of our imagination.