検索キーワード： 美学

よりよい“世界制作”のために、私たちの家を考えよう――。哲学の一分野である美学の中でも、とりわけ新しい学問領域「日常美学」初の入門書。

A vigorous call to restore imagination, judgment, and intellectual courage to American culture. In this essay from Civilization in the United States, J. E. Spingarn challenges universities and critics to recover the purpose behind their learning. He questions scholarship reduced to collecting...

当现代生活的极速运转让你深陷焦虑与内耗时，汲取东方哲学的正念智慧，正是你重建内心秩序的破局之法。这套历经千年的心智修炼工具，将高深的思想转化为应对高压日常的实用指南，让你在喧嚣中迅速找回专注与清明。...

تخلص من ضجيج الحياة المعاصرة واستعد هدوءك الداخلي عبر مبادئ التأمل والحضور الذهني المستمدة من الحكمة الشرقية. سواء كنت تستمع أثناء تنقلك المزدحم أو تبحث عن مساحة...

In Praise of Shadows is an eloquent tribute to the austere beauty of traditional Japanese aesthetics. Through architecture, ceramics, theatre, food, women, and even toilets, Tanizaki explains the essence of shadows and darkness, and how they are able to augment beauty. He laments the heavy electric lighting of the West and its introduction to Japan, and shows how the artificial, bright, and polished aesthetic of the West contrasts unfavorably with the moody and natural light of the East.

日本民族に独自の美意識をあらわす語「いき（粋）」とは何か．「運命によって〈諦め〉を得た〈媚態〉が〈意気地〉の自由に生きるのが〈いき〉である」――九鬼は「いき」の現象をその構造と表現から明快に把えてみせたあと，こう結論する．

血塗られた凄惨な戦闘技術が、いかにして息を呑むほど美しい身体芸術へと昇華されたのか、歴史の深淵と心身の調和を紐解く知的な探求へご案内します。静かな夜のリラックスタイムや一人で過ごす移動中に、この深く...

絶え間ない情報と終わりのない不安に疲弊する日々の中で、禅とわびさびの哲学は、完璧主義を手放し、揺るがない心の平穏を取り戻すための最強の自己啓発ツールとなります。満員電車に揺られる通勤時や就寝前の静か...

The classic study of alienation, creativity and the modern mind 'Excitingly written, with a sense of revelation' GUARDIAN THE OUTSIDER was an instant literary sensation when it was first published in 1956, thrusting its youthful author into the front rank of contemporary writers and thinkers...

An argument for taking a stolen title back. In 1595, in the Italian city of Padua, a medical student climbed a dark staircase and came out standing at a wooden rail, inside a funnel of carved walnut six galleries deep, every eye aimed at one lit table. The Greek word for a theater means the seeing-place, and the men at that rail knew what kind of room they were in. The anatomists knew too. They had built a theater on purpose. For most of Western history, art meant a principled, teachable discipline of making and doing, judged by its work.

In his Introduction, Abraham Kaplan places Dewey's philosophy of art within the context of his pragmatism. Kaplan demonstrates in Dewey's esthetic theory his traditional "movement from a dualism to a monism" and discusses whether Dewey's viewpoint is that of the artist, the respondent, or the critic.

Discover long term minimalist strategies that will get your home cleaned and organized in just seven days! Are you feeling stressed and overwhelmed with all the clutter in your life? Do you sometimes get the horrible impression that someday you will drown under all the unnecessary stuff piling in your life? Yet despite all your efforts the clutter always come back doesn't it. Well not anymore! With this guide you will finally have the secret weapon you need to live a life free of clutter!

An updated version of the seminal 1994 classic volume on the beauty of things imperfect, impermanent, and incomplete. Nearly every book with "wabi" or "wabi sabi" in the title is based on the concepts first elucidated in this book. Wabi-sabi is the quintessential Japanese aesthetic. It is a...

In this Very Short Introduction audiobook, the renowned philosopher Roger Scruton explores the concept of beauty, asking what makes an object - either in art, in nature, or the human form - beautiful and examining how we can compare differing judgments of beauty when it is evident all around us that our tastes vary so widely.  

Postmodernism has become the buzzword of contemporary society over the last decade. But how can it be defined? In this highly engaging introduction, the mysteries of this most elusive of concepts are unraveled, casting a critical light upon the way we live now, from the politicizing of museum culture to the cult of the politically correct. The key postmodernist ideas are explored and challenged, as they figure in the theory, philosophy, politics, ethics, and artwork of the period, and it is shown how they have interacted within a postmodernist culture. 

Bologna, the 1920s. Giorgio Morandi spends his working life in a small room at 36 Via Fondazza, painting the same bottles and boxes from a low shelf. The objects barely change. The arrangements barely change. What changes across forty years is what Morandi sees in the space between the bottles. London, the 1830s. Michael Faraday spends his working life arranging iron filings on paper around magnets, watching how the patterns shift when the magnets shift. The filings are mundane. The magnets are common.

Bloomsbury presents About Looking by John Berger, read by John Sackville. The centenary edition, with a newly commissioned introduction by Berger’s biographer, Tom Overton. 'Instant readability . . . [Berger] makes one see [paintings] as statements or questions in a living language.' New...

The Phaedrus by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. It was probably written around 370 BC, at about the same time as Plato's Republic and Symposium. Ostensibly about love, the discussion in the dialogue focuses on the art of rhetoric and how it ought to be practiced. The dialogue appears in the direct words of Socrates and Phaedrus, without an introduction.

The Aesthetic Brain takes the listener on a wide-ranging journey through the world of beauty, pleasure, and art. Chatterjee uses neuroscience to probe how an aesthetic sense is etched in our minds and evolutionary psychology to explain why aesthetic concerns feature centrally in our lives. Along the way, Chatterjee addresses fundamental questions: What is beauty? Is beauty universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art?

A philosopher/mechanic's wise (and sometimes funny) look at the challenges and pleasures of working with one's hands “This is a deep exploration of craftsmanship by someone with real, hands-on knowledge. The book is also quirky, surprising, and sometimes quite moving.” —Richard Sennett...