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Wie Frauen Geschichte schrieben – und Männer dafür den Ruhm bekamen. Muse, Sekretärin, Ehefrau – es gibt viele Bezeichnungen für Frauen, deren Einfluss aus der Geschichte radiert wurde. Für deren Leistungen Männer die Auszeichnungen und den Ruhm bekamen. Männer, wie Karl Marx, Bertolt Brecht oder Albert Einstein, deren Bekannte, Töchter oder Geliebte an ihren Werken mitwirkten – und deren Namen damals wie heute kaum jemand kennt.

Se in passato le donne erano soprattutto casalinghe, mamme e cuoche a tempo pieno, sempre indaffarate ma instancabili, oggi per loro prendersi cura della casa è una scelta, non più un dovere. Sono finalmente libere di fare i lavori più disparati, anche restando a lungo lontano da casa, e non sono più relegate soltanto al ruolo di mogli e madri affettuose, ma possono diventare campionesse olimpiche, ricercatrici, astronaute, manager o designer di successo.

In 13 Prozessen aus Geschichte und Gegenwart begegnet Marion Gibson Menschen vom Rande der Gesellschaft, meist Frauen, die als böse und gefährlich abgestempelt, als Hexen angeklagt, verurteilt und nicht selten getötet werden. Die Geschichte hat sie zum Schweigen gebracht, Marion Gibson gibt ihnen ihre Stimmen zurück. Sie erforscht die Überschneidungen von Geschlecht und Macht, indigener Spiritualität und kolonialer Herrschaft sowie politischer Verschwörung und individuellem Widerstand - und zeigt, wie in jeder Epoche und an jedem Ort der Welt Angst als Waffe gegen unliebsame Menschen eingesetzt werden kann.

Recoding History: The Audacious Women Who Shaped Our Digital World is an immersive look into the lives of some of computer history's most ingenious and audacious women. Pulling from the Computer History Museum’s archives and hosted by Reshma Saujani, the founder of Girls Who Code, listeners will learn and laugh along with these great minds as they recount their stories in their own words.

In the early '60s, four friends from Liverpool formed a band. But this is not the 'fab four' story we know... Mary, Sylvia, Valerie and Pamela - also known as The Liverbirds - were one of the world's first all-female rock'n'roll bands. At an early gig, backstage at the Cavern Club, a young John Lennon told them that 'girls don't play guitars'. But they took that as a challenge. Despite the early scepticism, they won over tough crowds, toured stadiums, recorded two hit albums, and played with the Kinks, Rolling Stones and Chuck Berry - all in the space of just five years.

Slut. Shrew. Sinful. Scold. The 19th- and early 20th-century American women profiled in this collection were called all these names and worse when they were alive. And that’s just fine. These glorious dames earned those monikers, and one hundred years later they can wear them proudly! With irresistible charm and laugh-out-loud impertinence, New York Times bestselling author Therese Oneill chronicles the lives of eighteen unbecoming ladies whose audacity, courage, and sheer disdain for lady-like expectations left them out of so many history books.

In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men: Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney; Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry; Elizabeth Cary, who published the first original play by a woman and Anne Clifford, a lifelong diarist.

Most days, Shalene Gupta was the person she’d always aspired to be. She was hardworking, excelled at work, and had a long-term boyfriend who she desperately loved. Then, every month like clockwork, it all came crashing down in fits of rage and inconsolable sorrow. Work became meaningless, and she struggled to get through the day. The lows were subterranean. After years of struggling to get an answer from doctors, Shalene learned she was one of millions who live with premenstrual dysphoric disorder (PMDD), a severe form of PMS.

This is not a history of the First World War. It is the story of the women of the resistance in Belgium and Occupied northern France during that conflict. Stroud uses six main characters as a lens to describe the work of an extraordinarily brave group of women. In 1914, before the Germans invaded, they were ordinary people – some were poor, some were rich, some were low born and others from the top echelons of society – they were drawn together by war and they show what the individual can do when faced with apparently overwhelming odds.

This is a neglected history. Not a sweeping, definitive, exhaustive history of the world but something quieter, more intimate and particular. A single journey, picked out in 101 objects, through the fascinating, too-often-overlooked, manifold histories of women.

One name links Betrand Russell and Axel Munthe, Augustus John and Henry Lamb, H.H. Asquith and Duncan Grant, Aldous Huxley and Lytton Strachey. To some she was a lover, to others a confidant and adviser. To many she was a mother substitute. But wherever the phrase ‘Bloomsbury group’ is spoken, Lady Ottoline Morrell’s name is not far behind.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

It's the dawn of the Swinging Sixties. The Cold War is at its height and support for the Campaign for Nuclear Disarmament is building. The Berkshire Constabulary's Detective Gwen Crockford is promoted to Woman Police Sergeant in Newbury – the town at the heart of Britain's atomic weapons program. Gwen's initial reservations that her posting in rural Berkshire will be boring soon prove to be unfounded. A serial sex attacker on the loose, an attempted murder at Greenham Common US Airforce Base, and a charismatic heiress with a family secret keep things interesting for the capable sergeant.

From the women who pounded the pavement selling their songs in Tin Pan Alley at the turn of the twentieth century; to the women who broke new ground writing shows during the Great Depression; to the women who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American musicals today, Women Writing Musicals: The Legacy That the History Books Left Out is the first-ever book to tell the story of the over three hundred inspiring women who wrote Broadway and Off-Broadway musicals.

What could possibly go wrong in a wealthy matriarch's country home when her dilettante son, his restless wife, and his widowed brother live there together? Strong Passions, rooted in the beguiling times of Edith Wharton's "old New York," recounts the true story of a tumultuous marriage.

For millennia, across cultures and continents, women and people who experience pregnancy, as well as midwives and those who assist them, have been persecuted as witches (whether they actually practiced the craft or not). In this dauntless, voice-driven reassessment of that history, journalist Sophie Saint Thomas follows the tangled threads of witches and reproductive rights through the ages.

Empresses of Seventh Avenue will tell the story of how these extraordinary women put American fashion on the world stage and created the template for modern style—and how the nearly $500 billion American fashion industry, the largest in the world, could not have accrued its power and wealth without their farsightedness and determination.

In this fascinating and insightful book, feminist curator Rachael Lennon provides an intimate and intersectional examination of the history of marriage around the world.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

A journey through the Tyrants male and female that imposed their power and will.