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In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men: Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney; Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry; Elizabeth Cary, who published the first original play by a woman and Anne Clifford, a lifelong diarist.

Most days, Shalene Gupta was the person she’d always aspired to be. She was hardworking, excelled at work, and had a long-term boyfriend who she desperately loved. Then, every month like clockwork, it all came crashing down in fits of rage and inconsolable sorrow. Work became meaningless, and she struggled to get through the day. The lows were subterranean. After years of struggling to get an answer from doctors, Shalene learned she was one of millions who live with premenstrual dysphoric disorder (PMDD), a severe form of PMS.

This is a neglected history. Not a sweeping, definitive, exhaustive history of the world but something quieter, more intimate and particular. A single journey, picked out in 101 objects, through the fascinating, too-often-overlooked, manifold histories of women.

One name links Betrand Russell and Axel Munthe, Augustus John and Henry Lamb, H.H. Asquith and Duncan Grant, Aldous Huxley and Lytton Strachey. To some she was a lover, to others a confidant and adviser. To many she was a mother substitute. But wherever the phrase ‘Bloomsbury group’ is spoken, Lady Ottoline Morrell’s name is not far behind.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle.

It's the dawn of the Swinging Sixties. The Cold War is at its height and support for the Campaign for Nuclear Disarmament is building. The Berkshire Constabulary's Detective Gwen Crockford is promoted to Woman Police Sergeant in Newbury – the town at the heart of Britain's atomic weapons program. Gwen's initial reservations that her posting in rural Berkshire will be boring soon prove to be unfounded. A serial sex attacker on the loose, an attempted murder at Greenham Common US Airforce Base, and a charismatic heiress with a family secret keep things interesting for the capable sergeant.

From the women who pounded the pavement selling their songs in Tin Pan Alley at the turn of the twentieth century; to the women who broke new ground writing shows during the Great Depression; to the women who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American musicals today, Women Writing Musicals: The Legacy That the History Books Left Out is the first-ever book to tell the story of the over three hundred inspiring women who wrote Broadway and Off-Broadway musicals.

What could possibly go wrong in a wealthy matriarch's country home when her dilettante son, his restless wife, and his widowed brother live there together? Strong Passions, rooted in the beguiling times of Edith Wharton's "old New York," recounts the true story of a tumultuous marriage.

For millennia, across cultures and continents, women and people who experience pregnancy, as well as midwives and those who assist them, have been persecuted as witches (whether they actually practiced the craft or not). In this dauntless, voice-driven reassessment of that history, journalist Sophie Saint Thomas follows the tangled threads of witches and reproductive rights through the ages.

Empresses of Seventh Avenue will tell the story of how these extraordinary women put American fashion on the world stage and created the template for modern style—and how the nearly $500 billion American fashion industry, the largest in the world, could not have accrued its power and wealth without their farsightedness and determination.

In this fascinating and insightful book, feminist curator Rachael Lennon provides an intimate and intersectional examination of the history of marriage around the world.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

A journey through the Tyrants male and female that imposed their power and will.

Classical stories about women who wield power, from the Amazons to Dido to Cleopatra.

You have probably not heard of Barbara Leigh Smith Bodichon but you certainly should have done. Name any 'modern' human rights movement, and she was a pioneer: feminism, equal opportunities, diversity, inclusion, mental health awareness, Black Lives Matter. While her name has been omitted from too many history books, it was Barbara that opened the doors for more famous names to walk through. And her influence owed as much to who she was as to what she did. This is a celebration of the life of the founder of Britain's suffrage movement.

In July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.

Heiresses: Surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Un relato emocionante, profundo y divertido de la historia de la humanidad en clave femenina. Juana de Arco, Malinche, Sofonisba Anguissola, Mary Wollstonecraft, Victoria Kent, Jane Austen, Marie Curie, Simone Weil o Rosa Parks también estuvieron ahí. Con brillantez y elegancia, Cristina Oñoro construye un fascinante relato que desmonta las narraciones sobre la humanidad y derriba los discursos misóginos heredados.

Esta Historia de las mujeres responde a la necesidad de ceder la palabra a las mujeres. Alejadas, desde la Antigüedad, del escenario donde se enfrentan a los dueños del destino, reconstruir su historia significa describir su lento acceso a los medios de expresión y su conversión en persona que asume un papel protagonista. Este análisis implica, asimismo, que las relaciones entre los sexos condicionan los acontecimientos, o la evolución de las sociedades. No se buscan conclusiones tajantes sino que las mujeres encuentren, al fin, su espacio propio.

1542. A French noblewoman is left abandoned on a small island north of Nova Scotia. She has a crossbow, arquebuses and gunpowder. The island is populated only by wild beasts. She may be pregnant at this time. Centuries later, whilst mothering her young children, a woman begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she draws closer to the nature of Marguerite, the woman begins to question her ability to tell this story.