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In 1955, Katharine Clark, the first American woman wire reporter behind the Iron Curtain, saw something none of her male colleagues did. What followed became one of the most unusual adventure stories of the Cold War. While on assignment in Belgrade, Yugoslavia, Clark befriended a man who, by many definitions, was her enemy. But she saw something in Milovan Djilas, a high-ranking Communist leader who dared to question the ideology he helped establish, that made her want to work with him. It became the assignment of her life.

In 16th-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: 30 years of friendship, competition and conflict that changed the face of Europe.

Le forme di violenza esercitate nel Medioevo contro le donne compongono un catalogo impressionante: percosse in nome del diritto del marito a "correggere" la moglie, del padre a costringere e punire la figlia, del padrone a battere la serva; ingiurie connesse al comportamento femminile; stupri, segregazioni, omicidi in nome dell'onore tradito; spoliazione di beni, a partire dalle eredità e dalle doti; matrimoni e monacazioni forzate; manipolazione delle coscienze e violenze inquisitoriali; maltrattamenti, prevaricazione e discriminazione nel mondo del lavoro.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

A Woman's Game explores the history of women's football from the Victorian era—with players in high-heeled boots—to the present day. It is the story of a rise, fall and rise again: from the game's first appearance in England in the late 19th century, through the incredible teams, which at their height in 1920 drew 53,000 spectators to Goodison Park, to its 50-year ban in the UK and the aftershocks when that ban was lifted.

La mujer ha sido la gran relegada de los libros de historia lo que no quiere decir que no haya tenido una importancia decisiva en el devenir de la Humanidad tanto como protagonista como desde un segundo plano. Así lo demuestran una serie de anécdotas o curiosidades que revelan su ingenio, su astucia o su consejo tanto en el ámbito privado como en las grandes gestas de la humanidad. Desde emperatrices y reinas, pasando por las grandes rivalidades entre mujeres de distintas épocas, cortesanas, pensadoras, artistas y escritoras.

Vi kender alle historierne om kongerne – om politik og magt, om arvefølge, alliancer, rænkespil og skandaler. Men hvad med alle de kvinder, der gennem tiderne og udfordringerne stod ved deres side? Denne bog dykker ned i historien og mærker suset fra 600 års kvindelig kongehistorie med små biografier om dronninger og elskerinder – hvem var de, og hvad tænkte de egentlig? Mød alle de kvinder, der stod bag magten, hør deres historie, forstå den tid, de levede i, og lyt til deres stemme.

The history of European philosophy is usually constructed from the work of men. In Metaphysical Animals, a pioneering group biography, Clare Mac Cumhaill and Rachael Wiseman offer a compelling alternative. In the mid-twentieth century Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch were philosophy students at Oxford when most male undergraduates and many tutors were conscripted away to fight in the Second World War. Together, these young women, all friends, developed a philosophy that could respond to the war’s darkest revelations.

Let Me Be Frank illuminates with a wry warmth the incredible stories of a diverse group of women from different ethnicities and cultural backgrounds who have defied the patriarchy, refusing to allow men or the status quo to define their lives or break their spirit. An often sardonic and thoroughly impassioned homage to female ingenuity and tenacity, the women profiled in this inspiring anthology broke the rules to reach their goals and refused to take “no” for an answer.

Ellen Ann Willmott was a remarkable woman whose achievements in horticulture, botany, landscape architecture, photography and more should have made her one of the most well-known trailblazers of her age. Yet, both posthumously and within her lifetime, she instead became known as a bitter, cantankerous and eccentric miser, and her reputation has been forever stained by the image of her maliciously seeding other people's gardens with thorns.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays.... All have become folk heroes, glamorised and romanticised, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the 17th century to the present.

Si hiciésemos una encuesta para saber cuántos pintores conocemos, la mayoría consultada mencionaría a Goya, Velázquez o Van Gogh, pero con seguridad no se hallaría a ninguna mujer en esta lista. Como si no hubiesen existido, pero no es verdad, existieron muchas y excelentes pintoras. ¿Por qué no las conocemos? Porque a lo largo de los siglos han estado escondidas en conventos en el Medievo o dedicándose a labores domésticas en el Renacimiento o el Barroco.

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

Hannah Arendt was a polarizing cultural theorist—extolled by her peers as a visionary and berated by her critics as a poseur and a fraud. Born in Prussia to assimilated Jewish parents, she escaped from Hitler’s Germany in 1933. Arendt is now best remembered for the storm of controversy that surrounded her 1963 New Yorker series on the trial of Adolf Eichmann, a kidnapped Nazi war criminal. In this comprehensive biography, Anne C. Heller tracks the source of Arendt’s contradictions and achievements to her sense of being a “conscious pariah”.

It was the Golden Age of Travel, and everyone wanted in. As flying boomed in the 1960s, women from across the United States applied for jobs as stewardesses. They were drawn to the promise of glamorous jet-setting, the chance to see the world, and an alternative to traditional occupations like homemaking, nursing, and teaching.

A weave of biography, criticism, and memoir, Shine Bright is Danyel Smith’s intimate history of Black women’s music as the foundational story of American pop. Smith has been writing this history for more than five years. But as a music fan, and then as an essayist, editor (Vibe, Billboard), and podcast host (Black Girl Songbook), she has been living this history since she was a latchkey kid listening to “Midnight Train to Georgia” on the family stereo.

Spies played significant roles on both sides of the American Civil War, and many were women. These fascinating women contributed to the war effort when women could not vote or own property. Yet, Union or Confederate, all of these women had conviction. This audiobook explores the experiences of women whose courage and conviction played a key role in the outcome of the Civil War battle strategies and tactics. Their stories of courage, betrayal, and even love still resonate with women of today. North or South, all the women within lived fascinating lives that deserve to be told.

Wartime espionage has fascinated generation. This nonfiction audiobook tells the true stories of extraordinary women who lost their lives in the fight against the tyranny of Nazi fascism. Just as men on the battlefields of Europe and North Africa gave their lives to defeat the Nazi menace, so too did these brave women. From the unique and specific situations and experiences that led each one of them to do what they could for the war effort, to the overarching themes and beliefs in each of their lives that unified them in their opposition and resistance to oppression.

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealized—and largely mythical—notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of Edward I, often known as Longshanks. The lives of these sisters—Eleanora, Joanna, Margaret, Mary, and Elizabeth—ran the gamut of experiences open to royal women in the Middle Ages.