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This concise, accessible introduction provides an analytical narrative of the main events and developments in Soviet Russia between 1917 and 1936. It examines the impact of the revolution on society as a whole - on different classes, ethnic groups, the army, men and women, youth. Its central concern is to understand how one structure of domination was replaced by another. The book registers the primacy of politics, but situates political developments firmly in the context of massive economic, social, and cultural change.

Across Cultures and Empires is above all an immigrant's story. Mahir Ibrahimov's fluency in multiple languages offers the perspective of someone who found a way to successfully cross boundaries amid the fall of empire and the resulting cascade of conflicts, even as he provides the listener with insight into an era where mass migration has become a defining dynamic. In the course of telling his personal story and reflecting upon his experiences, Ibrahimov offers clear observations on the deep connections he has made about freedom and America's role in the world.

Since its publication in 2003, the first edition of Black Garden has become the definitive study of how Armenia and Azerbaijan, two southern Soviet republics, were pulled into a conflict that helped bring them to independence, spell the end the Soviet Union, and plunge a region of great strategic importance into a decade of turmoil. This important volume is both a careful reconstruction of the history of the Nagorny Karabakh conflict since 1988 and on-the-spot reporting of the convoluted aftermath.

Anna Karenina is one of the most nuanced characters in world literature, and we return to her and the novel she propels again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and Professor Bob Blaisdell unravels Tolstoy’s family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy’s life and his art intersect in obvious and unobvious ways.

Yuri Bezmenov (1939-January 5, 1993) was a Soviet journalist for RIA Novosti and a former KGB informant who defected to Canada in 1971. After being assigned to a station in India, Bezmenov eventually grew to love the people and the culture of India. At the same time, he began to resent the KGB-sanctioned repression of intellectuals who dissented from Moscow's policies and he decided to defect to the West. Bezmenov is best remembered for his anti-communist lectures and books published in the 1980s under the alias of Tomas David Schuman.

Two 20th century tyrants stand apart from all the rest in terms of their ruthlessness and the degree to which they changed the world around them. Briefly allies during World War II, Adolph Hitler and Josef Stalin then tried to exterminate each other in sweeping campaigns unlike anything the modern world had ever seen, affecting soldiers and civilians alike. Millions of miles of Eastern Europe were ruined in their fight to the death, millions of lives sacrificed.

In the summer of 1962, a young student named Joachim Rudolph dug a tunnel under the Berlin Wall. Waiting on the other side in East Berlin were dozens of men, women, and children - all willing to risk everything to escape.

The justification for the atomic bomb was simple: it would defeat Hitler and end the Second World War faster, saving lives. The reality was different. Fallout dismantles the conventional story of why the atom bomb was built. Peter Watson has found documents showing that long before the Allied bomb was operational, it was clear that Germany had no atomic weapons of its own and was not likely to. The British knew this, but didn't share their knowledge with the Americans, who in turn deceived the British about the extent to which the Soviets had penetrated their plans for the bomb.

World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. Drawing on ambitious new research in Soviet, European, and US archives, Stalin’s War revolutionizes our understanding of this global conflict by moving its epicenter to the east.

Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms–ethnic riots–dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination.

Mansur Abdulin fought in the front ranks of the Soviet infantry against the German invaders at Stalingrad, Kursk, and on the banks of the Dnieper. This is his extraordinary story. His vivid firsthand account of a ruthless war on the Eastern Front gives rare insight into the reality of the fighting and into the tactics and mentality of the Red Army's soldiers.

Russia is a country with no natural borders, no single ethnos, no true central identity. At the crossroads of Europe and Asia, it is everyone’s ‘other’. And yet it is one of the most powerful nations on earth, a master game-player on the global stage with a rich history of war and peace, poets and revolutionaries.

1941: almost four million Nazi troops marched on Moscow, with a brutal scorched-earth tactic that saw millions of Soviet citizens massacred. A level of brutality only paralleled after the Soviet's triumphed at Stalingrad and took mindless revenge as they marched back into Berlin. Beginning with Operation Barbarossa, the German invasion of the Soviet Union in June 1941, to the appalling circumstances of the Fall of Berlin in April 1945 and told from the perspective of the people of Russia and Eastern Europe, Barbarossa is a heartrending story of tragedy, suffering and heroism.

Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Époque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev’s Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland.

Michal Goleniewski, cover name Sniper, was one of the most important spies of the early Cold War. For two and a half years at the end of the 1950s, as a Lt. Colonel at the top of Poland’s espionage service, he smuggled more than 5,000 top-secret Soviet bloc intelligence and military documents, as well as 160 rolls of microfilm, out from behind the Iron Curtain. In January 1961, he abandoned his wife and children and made a dramatic defection across divided Berlin with his East German mistress to the safety of American territory.

Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them.

In the fall of 1866, a twenty-year-old stenographer named Anna Snitkina applied for a position with a writer she idolized: Fyodor Dostoyevsky. A self-described “girl of the sixties,” Snitkina had come of age during Russia’s first feminist movement, and Dostoyevsky—a notorious radical turned acclaimed novelist—had impressed the young woman with his enlightened and visionary fiction. Yet in person she found the writer “terribly unhappy, broken, tormented,” weakened by epilepsy, and yoked to a ruinous gambling addiction.

The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story - and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment.

Operation Barbarossa, Hitler's invasion of Russia in June 1941, aimed at nothing less than a war of extermination to annihilate Soviet communism, liquidate the Jews and create Lebensraum for the German master race. But it led to the destruction of the Third Reich, and was cataclysmic for Germany with millions of men killed, wounded or registered as missing in action. It was this colossal mistake—rather than any action in Western Europe—that lost Hitler the Second World War.

In this remarkable, groundbreaking new book Sean McMeekin marks a generational shift in our view of Stalin as an ally in the Second World War. Stalin's only difference from Hitler, he argues, was that he was a successful murderous predator. With Hitler dead and the Third Reich in ruins, Stalin created an immense new Communist empire. Among his holdings were Czechoslovakia and Poland, the fates of which had first set the West against the Nazis and, of course, China and North Korea, the ramifications of which we still live with today.