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Born into a family of five, Frank Bello grew up in difficult circumstances. His father abandoned his wife and children. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens - first as a roadie, and then as the group's bass player.

Leftöver Crack is a band of drug-abusing, dumpster-diving, cop-hating, queer-positive, pro-choice crust punks who successfully blend ska-punk, pop, hip-hop, and death metal genres. They've been banned from clubs, states, and counties and kicked off multiple record labels. They've received teen-idol adoration and death threats from their fans. They've played benefits for a multitude of causes while leaving a trail of destruction in their wake.

As one of the founding members of the seminal punk band Angry Samoans, Gregg Turner has seen his fair share of weird shit. From his time at Creem Magazine in the 1970s and '80s to the formation of the Angry Samoans in Los Angeles, and all the travels, trials, and tribulations that occurred after, Turner takes us through a wild ride of stories he's heard, stories he's lived, and some he may or may not have made up.

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.

Mercy Fontenot was a Zelig who grew up in the San Francisco Haight-Ashbury scene, where she crossed paths with Charles Manson, went to the first Acid Test, and was friends with Jimi Hendrix. She predicted the Altamont disaster when reading the Rolling Stones' tarot cards at a party and left San Francisco for the climes of Los Angeles in 1967 when the Haight "lost its magic". Written just prior to her death in 2020, Permanent Damage shows us the world of the 1960s and 1970s music scene through Mercy's eyes, as well as the fallout of that era.

The Beatles and Duke Ellington's Orchestra stand as the two greatest examples of collaboration in music history. Duke University musicologist Thomas Brothers delivers a portrait of the creative process at work, demonstrating that the cooperative method at the foundation of these two artist-groups was the primary reason for their unmatched musical success. Help! describes in rich detail the music and mastery of two cultural leaders whose popularity has never dimmed, and the process of collaboration that allowed them to achieve an artistic vision greater than the sum of their parts.

No longer dismissed as relics of the hippie era, a new generation has lionized the Dead for creating a culture that paved the way for social networking, free music swapping, and the uncompromising anticorporate attitude of indie rock. Now, fifty years after the band first began changing rock 'n' roll both sonically and psychically, So Many Roads paints the most vivid portrait yet of the Grateful Dead, one of the most enduring institutions in American music and culture.

During a 68-year career, conductor Arturo Toscanini (1867-1957) was famed for his fierce dedication, photographic memory, explosive temper, and impassioned performances. At various times he dominated La Scala, the Metropolitan Opera, the New York Philharmonic, the NBC Symphony, and the Bayreuth, Salzburg, and Lucerne festivals. His reforms influenced generations of musicians, and his opposition to Nazism and fascism made him a model for artists of conscience.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

After he died in the backseat of a Cadillac at the age of 29, Hank Williams - a frail, flawed man who had become country music's first real star - instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression, and tainted love, he would, with that outlaw swagger, become in death a template for the rock generation to follow.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

Rock Stars on the Record is a collection of firsthand tales by artists of all ages, backgrounds, and musical influences, remembering the meaning behind the records that mattered most to them. From Laura Jane Grace to Ian MacKaye, Don McLean to Cherie Currie, Alice Bag to Mac DeMarco, and many more, best-selling author Eric Spitznagel talks to rock stars across the sonic spectrum about the albums that changed them in ways only music can change someone.

Levon is the dazzling, epic biography of Levon Helm - the beloved, legendary drummer and singer of The Band.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

In this conclusion to his trilogy of authoritative books on Canada's most beloved and successful rock band, Martin Popoff takes us through three decades of "life at the top" for Rush's Geddy Lee, Alex Lifeson, and Neil Peart. Though this era begins with the brisk-selling Roll the Bones and sees throngs of fans sell out international tours, there is also unimaginable tragedy.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Sonic Warrior is a collection of insane-but-true stories from the career of rock radio legend Lou Brutus. Each chapter is a separate tale that careens around his 40-plus years of covering concerts, interviewing music's biggest stars, and influencing generations of radio listeners. Starting with the first show he attended and continuing to the present day, stops along the way include Live Aid in Philadelphia, the Arctic, Live Earth in London, and the New Jersey Turnpike.

Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most - Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others - while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction.