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Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

The last book that Woolf saw to publication in 1940, this stunning biography charts Fry’s early years and education, through to his prominent role in pioneering Post-Impressionism in Britain and the legacy he left behind. Woolf elegantly explores Fry’s intellectual pursuits and artistic philosophy, offering great insight into his exhibitions and literary endeavours. She also paints a nuanced and candid portrait of the man behind the artist, delving into Fry’s relationships and personal demons, creating a poignant tribute to the deeply sensitive and complex soul that Woolf came to know.