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Renowned artist Lucian Freud (1922-2011) was commemorated in an exhibition of 50 portraits spanning his working life, held at The National Portrait Gallery London from February to May 2012. The review explored the development of his art from the potent and hypersensed studies of the 1940s to major paintings in the later phase, where the artist engaged in a complex and sometimes brutal meditation on the human being, drawn from an intimate engagement with the sitter.

First published in 1999, Crafts Directory draws together interviews, features, showcases and listings of makers in the UK and Ireland, which explore individual practices and avenues of distribution from workshop production to general retail outlets.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

This essay explores the development of Salvador Dalí, from the early phases of childhood, the bizarre and complex aims of his first experiments, to his absorption into high society of Paris in the 1930s, and his inclusion in the Surrealist movement from 1928 to 1939. The essay focuses on the makeup of a provocative and original personality acutely reflexive, intelligent, and pathologically driven.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

Artist Recordings 2 brings together leading artists active in the fields of painting, drawing, print, and sculpture. Conversations explore work in progress and the development of their practice. Patterns of personal experience link with a broader continuum of progressive ideas and show how their imaginative interventions bear on the world.

David Rose interviews Declan MacGonagle about his appointment as the primary director of the Irish Museum of Modern Art, Kilmainham. They discuss in detail the director's view of a contemporary museum of art and his ambitions for its program within its local and international context. The dialogue probes previous appointments in Derry and at the ICA London.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

This book will focus on the activity of two leading artists of their generations: Anthony Caro and Alison Wilding, both of international standing and influential figures for succeeding artists. The book also considers their relationship to their immediate contemporaries, and touches on the diverse forces at play in shaping the art and culture of our time.

Published as a Cv audiobook, Cv/VAR series 94 reviews "'Beyond Belief", a major exhibition at White Cube of the prominent British artist Damien Hirst (born 1965, Bristol UK, upbringing in Leeds Yorkshire). The author experiences the Biopsy and Fact paintings, votive pieces, and installations including the imposing "Saint Sebastian, Exquisite Pain" and views "For the Love of God", the iconic GBP50 million diamond skull.

Born in Port Arthur, Texas in 1925, Robert Rauschenberg attended Academie Julien and Black Mountain College, where he studied under Josef Albers. He was associated with Jasper Johns and John Cage in the early 1950s, when he made the famous combines, assemblages of found objects, and created the white and the black paintings - presaging movements of Pop, Minimalist and Conceptual art of the following decades.

Over 100 reviews cover the London art scene from 1994 to 2011. Exhibitions in the city's private and public galleries are explored in detailed and informative texts. The reviews were first published in a variety of weekly arts magazines and sites and now appear in a professionally narrated audiobook.

This essay takes as its focus two paintings by Johannes Vermeer (1632-75): The Milkmaid c.1661-62 and Woman Holding a Balance c.1662-65, and considers critical approaches to the artist by four historians, Edward A. Snow, Lawrence Gowing, John Michael Montias, and Martin Pops. Its aim is not solely to describe Vermeer's art, but by a process of comparative analysis to discern the various standpoints of his biographers, and to clarify their methodologies in research.

This book presents a study by Anne Blood of the pioneering artist Kurt Schwitters (b. June 20, 1887, Hannover, d. January 8, 1948 Kendal) which reviews the Kurt Schwitters exhibition in Britain at Tate Britain, January to May 2013. The author focuses on the Merzbarn, a late work created in a barn at Elterwater, Cumbria in 1947, made in the last year of his life. The Merzbarn is a complex internal sculpture integrated into the building used by permission of the owner Harry Pierce.

This essay considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed.

A review of the exhibition "A Celebration of Life...and Death" by Andy Warhol (1928-1987), held at the National Gallery of Modern Art Edinburgh in October 2007. Text by Nicholas James, contributions by Lucy James.

Cv/VAR series 104 reviews "David Hockney RA: A Bigger Picture", exhibited at the Royal Academy from January to April 2012. The project of creating monumental landscape paintings was based on a small area near the artist's home at Bridlington in East Yorkshire. Works developed with time-framed films, photographs, iPad studies, drawings, sketchbooks, oils, and watercolors, recording particular motifs and places in the changing seasons.

Cv/VAR 31 documents Francis Bacon, discussed in a seminar for the MA History of Art course at Kingston University in 1995. It considers varied aspects of the artist, the circumstances of his social milieu, his painting methods, and the iconography of his work comparing him with predecessors in Western art from Goya to Picasso as well as contemporaries such as Lucian Freud. A second part reviews works in an exhibition held at the Hayward Gallery London 1998.

The first edition of Curators and Collections, published in 1997, was based on interviews and features published in the quarterly review, Cv Journal of Art and Crafts (1988-1991). These recorded the launch of the Irish Museum of Modern Art in 1991, the construction of Tate Modern in 1997, as well as exploring special collections at the National Gallery, Courtauld Gallery, The British Museum, and Royal Photographic Society.

Despite his short span of activity, from 1423 to 1428, Masaccio can be placed as the signifier of a radical break with the period of Italian painting known as the Trecento, and, alone among his contemporaries, in his use of dramatic realism points the way to the spectacular creations of the High Renaissance, in which artists such as Michelangelo, Raphael, and Palladio achieved a fusion of classic and humanist ideals in painting, sculpture, and architecture.