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The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

The problem with the dark is you don’t really know what’s lurking in there. Something hiding? Something menacing? Or just an inky dome for the stars to twinkle on? Writers rarely let us dwell on the latter. No, they would much rather they put our nerves on edge, that our skin would begin to crawl and that the cold sweat of fear propels our pulse and heartbeat to nightmare-inducing trauma. I think they’re ready.

These stories reveal the truth about vampires as told by a rather special vampire. Not the romantic or even the really nastily horrific stories that the non-vampires amongst us have dreamed up. Tracing a life lived over centuries, from ancient Rome right through to the more modern Texas, these stories are linked by the narrator, with interludes of explanation. Subtly dark, and with enough horror behind to send a shudder down the spine in places, but with gentle humour and a facility for twisting the historic truth just so much that the fictitious explanation makes sense in context.

Richard Garnett C.B. was born on the 27th February 1835. Educated in Bloomsbury he then joined the nearby British Museum as an assistant librarian in 1851, shortly after his father’s death. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

The novelist and screenwriter James Hilton was born in 1900. He is best remembered for the novels ‘Lost Horizon’ and ‘Goodbye, Mr. Chips. He earned an Oscar for co-writing Mrs. Miniver in 1942.

Louisa May Alcott was born on 29th November 1832 in Germantown, Pennsylvania. She is most definitely a writer of her own experiences. Her father was a transcendentalist, philosopher and educational experimenter who founded, Fruitlands, a utopian community. Well-loved for her classic ‘Little Women’ she was a superb writer in difficult times for any woman, a strong advocate of women’s issues, the anti-slavery movement, temperance and social reform.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In this volume your flesh may creep and crawl a little bit as our classic authors delve into the world of vampires. Some stories you may be familiar with but for most these will be new and unsettling experiences.