検索キーワード： 制作 "Penguin Audio" 世界文学

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless.

Ragged and raging across the spectrums of cognition, race, and gender, Tarta Americana lyrically envisions forms of survival outside neuronormative perceptions and histories. Against the recent tide of white nationalism in the United States, Tarta Americana finds a rhinestone in Ritchie Valens, the rock and roll legend, surfacing across time and bodies, genders and sounds, displacing the linear unfolding of desire and biography.

Hugo Contreras’s world in Miami has shrunk. Since his wife died, Hugo’s debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo.

Lila Macapagal's godmothers April, Mae, and June—AKA the Calendar Crew—are celebrating the opening of their latest joint business venture, a new laundromat, to much fanfare (and controversy). However, what should’ve been a joyous occasion quickly turns into a tragedy when they discover the building has been vandalized—and the body of Ninang April’s niece, recently arrived from the Philippines, next to a chilling message painted on the floor. The question is, was the message aimed at the victim or Lila's gossipy godmothers, who have not-so-squeaky-clean reputations?

Taking its title from Darwin’s On the Origin of Species, Adrienne Chung’s debut collection asks why we cling so dearly to the vestigial parts of our psychologies—residues of first impressions, thought spirals to nowhere, memories that persist despite outliving their usefulness. The speaker in these poems tries to wear more color, indulges in Y2K nostalgia and falls in and out of love; a Jungian psychoanalyst has a field day with her dreams.

With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters - born to the same father but different mothers - struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time. While Momoko, their father's first child - haunted by the loss of her kamikaze boyfriend and their final, disturbing days together - seeks comfort in a series of unhealthy romances.

It is 1873. Mrs Eliza Touchet is the Scottish housekeeper - and cousin by marriage - of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

On the surface, Alice is exactly where she thinks she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve—a white academic whose area of study is conveniently her own Mohawk culture—is nothing but supportive; and they’ve moved into a new home in a posh Toronto neighborhood. But Alice could not feel like more of an impostor. She isn’t connecting with her daughter, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their ever-watchful neighbors.

As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own. While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown 15 years ago. Though she swore she’d never go back, the past comes calling. When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home.

Robyn Schiff’s fourth collection is an ambitious book-length poem in three parts set at The Metropolitan Museum of Art’s information desk, where Schiff long ago held a staff position. Elaborately mapping an interconnected route in and out of the museum through history, material, and memory, Information Desk: An Epic takes us on an anguished soul-quest and ecstatic intellectual query to confront the violent forces that inform the museum’s encyclopedic collection and the spiritual powers of art.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.

1964. Pakistan. Rozeena is running out of time. She'll lose her home—her parents' safe haven since fleeing India and the terrors of Partition—if her medical career doesn't take off soon. But success may come with an unexpected price. Meanwhile the interwoven lives of her childhood best friends—Haaris, Aalya, and Zohair—seem to be unraveling with each passing day. The once small and inconsequential differences between their families' social standing now threaten to divide them. Then one fateful night someone ends up dead and the life they once took for granted shatters.

On a late November afternoon, Saleh Omar arrives at Gatwick Airport from his native Zanzibar. With him he has a small bag in which lies his most precious possession—a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise, silence his only protection.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

Thirty-four-year-old Reeva thought her life couldn’t possibly get more complicated, until her semi-famous Bollywood mother calls to tell her that she’s been lying to her daughters for decades—the father they thought died thirty years ago has been alive this whole time. Only now he actually is dead. Worse? His dying wish was for Reeva and her sisters Sita and Jaya to attend his funeral prayers—which means spending a fortnight together at his house, surrounded by relatives they never knew existed.

Poet and musician Melania Luisa Marte opens Plaintains and Our Becoming by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors?

Dissatisfied with his empty, Sisyphus-like existence in New York City, where he has abandoned his creative dreams for a job in corporate advertising, a highly cultured aspiring composer wants nothing more than to tear his life up from the root. He soon finds his escape hatch: a university-sponsored mission to South America to look for indigenous musical instruments in one of the few areas of the world not yet touched by civilization. Retracing the steps of time, he voyages with his lover into a land that feels outside of history.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

The first book of its kind, The Penguin Book of Latina Writings shines a light on a robust community of U.S.-based Latina voices that have been historically overlooked and underrepresented in literature, and demonstrates the valuable contributions Latina writers have made to the literary and intellectual community. The curated selections in this unique anthology elucidate U.S. Latina writers' intersectionality and give readers an understanding of the various positions they are writing to and from.

2035: In the shadow of a race course, a young woman finds a robot named Coli on a scrap heap, contemplating the sky. Intrigued, she takes him into her care and learns how he is designed to be a humanoid jockey who has mistakenly been programmed to have feelings. She and Coli are determined to rescue his beloved race horse who is heading for the knackers' yard after a lifetime of overwork. To remind the horse of happier times, they hatch a special plan to let her run another race. But it will be no ordinary event—they will train her to run the slowest time of her life.