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Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the listener as well that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy.

Tressa Tarango's husband lost his soul somewhere on the cold high desert of the Navajo Reservation. She doesn't know who killed him and only by venturing among warring drug cartels can she exact the revenge to pacify his restless soul. Only she can ensure Luca's troubled spirit finds peace in the underworld. Though his murderous rampage will keep him from heaven—Tressa hopes she might yet secure him a higher place in hell.

Raised in the Juderia or Jewish quarter of Tetouan, Morocco, at the turn of the twentieth-century, sixteen-year-old Mazaltob finds herself betrothed to Jose, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit.

Just as Corrie is getting used to having former Houston, Texas, narcotics detective J. D. Wilder as a campground employee, he officially becomes a member of the Village of Bonney Police Department. Aside from a recent crime spree at the Black Horse, not much is going on in town, giving Wilder a chance to go over some cold cases. In the past fifteen years, three women have gone missing, exactly five years apart. What has amounted to nothing more than a local urban legend becomes Wilder's new obsession.

Jess Singer, pitching prodigy and son of the infamous Jewish Joe Singer—who starred on the mound for the same MLB team twenty-five years earlier—is blessed with a plus-plus curveball, possesses immense athletic abilities, and is on the fast-track to stardom. But he's harboring perhaps the most potent secret a professional athlete can possess: his sexual preference.

When Grace tries to steal Michael's cab in the middle of a torrential downpour, their chemistry is instant. And after one unforgettable night in his hotel room, it looks like life is finally going her way. But in the morning a shocking revelation rips her world apart, and she has to leave him for good without saying goodbye. A year later, Grace is living quietly in her small home town when she sees Michael storming toward her. He demands answers, so she tells him exactly why she left that morning.

Coal miner Joshua Morgan managed to do the impossible-he broke away from the stranglehold of the iron-fisted Barton family and the Company Store, to whom all the miners in the Appalachian Mountains are indebted. But it cost him the life of his young daughter, who was run down by a posse led by Thomas Barton while coming to collect Joshua's payment to the store.

Returning to the fictional Ojibwe reservation in northern Minnesota she deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family's land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked.

Piper Paulson's life is finally on the upswing. She has a new job, a BFF roommate, and a commitment to avoid dating after an ex cost her her peace—and her former career. She may not have two nickels to spare, but that's another day's problem. James Newhouse doesn't have time or energy to deal with . . . well, anything. A hotshot banker with a complicated family, he's determined to keep people at arm's length.

Alexandria Henry's childhood was nothing short of a dream—a huge extended family, three best friend cousins, and a yearly beach vacation filled with family Olympics, crab hunts, talent shows, and tiny boxes of cereal. It's no wonder then, that at twenty-one, she's struggling to let go of the past. Desperate to preserve her family's history and sort through unresolved feelings for a boy she hasn't seen in years, she packs up for the summer to document the island she and her cousins grew up on together.

Paris, a winter's night in 1983. She is sixteen years old, lost in unfamiliar streets. On a scrap of paper in her pocket is the address of a photographer, K, thirty years her senior. Almost four decades later, as her life and the world around her begin to unravel, the grown woman seeks to comprehend the young girl of before. Set in Oslo, New York, and Paris, Girl, 1983 is a quest through layers of memory and oblivion.

Stephen King has received enormous attention from both the popular press as well as academics seeking to explain the unique phenomenon of his success. Books on King explore his canon in religious contexts, in political and historical contexts, in mythic contexts, in Gothic/horror contexts, and in a wide variety of other contexts appropriate to a writer who has become "America's Storyteller.

Pothivelu Pandaram is known as a successful and God-fearing man about town–he has a loyal wife, three daughters, and ample money to pay for their dowries. However, it is an open secret that his success is fueled by a tawdry yet deeply profitable trade–for he owns a group of physically deformed beggars and places them outside various temples to make money for him. The beggars are mere "items" to Pandaram, hardly human, to be bought and sold like cattle.

Set against the tumultuous backdrop of the American Civil War, this intricately woven novel delves into the life of Susannah Shelburne, a thirty-six-year-old woman residing in South Carolina with her older husband, Jacob. Their son, Francis, defies his parents' wishes by enlisting in the Confederate army, sparking bitter familial discord. In October 1863, devastating news arrives: Francis has been critically wounded near Chattanooga, Tennessee. Susannah embarks on a perilous journey to bring her son home, finding Francis delirious with fever and haunted by the horrors of battle.

There is a commonly held belief the tropical storms and hurricanes that form off the coast of West Africa are not natural disasters, but rather they are retaliation by restless spirits impacted by one of the darkest chapters of world history—the trans-Atlantic slave trade.

On a cold November night, Howard Moon Deer is walking home through the woods when he is accosted by a ghost from his past: Nick Stanton, his long-ago roommate at college, who makes a seemingly simple request for Howie to take a message to his sister, Grace. But Nick is an eco-terrorist who is on the run from the FBI and his beautiful sister Grace, now a bestselling author, was Howie's first love when he was nineteen. Their father is US Senator Harlan Stanton and when murder intrudes at the family's secluded New Mexico ranch, Howie finds himself the prime suspect in a baffling series of deaths.

In her latest book, In Praise of Listening, Christian McEwen reflects on listening (silence, music, nature, prayer) in a series of thoughtful chapters, each one focused on a different theme. When an athlete speaks of "listening to his body," or a gardener describes herself as "listening to the land," when writers and artists explain that they are "listening" to their work-in-progress, they are using the word as she chooses to use it here—as an extended metaphor for openness and receptivity, rippling out from the self-centered human to the farthest reaches of the non-human world.

New Mexico, 1935. Painter Georgia O'Keeffe is at her friend Mabel Dodge Luhan's home, Los Gallos, a house inhabited by a colorful range of artists, authors, and society figures, to attend the memorial service of the renowned writer D.H. Lawrence. Georgia has been commissioned to design the stained-glass windows for the small memorial chapel in Lawrence's honor. But when she checks to see how the light comes through the glass, another much more horrible sight awaits her: beloved Navajo potter Flora Namingha is dead, her face smashed in with a stone . . .

Drawing on the same lyrical prose and strong sense of place that distinguished his award-winning first novel, One Foot in Eden, Ron Rash has written a book about the deepest human themes: the love of the land, the hold of the dead on the living, and the need to dive beneath the surface to arrive at a deeper truth. Saints at the River confirms the arrival of one of today's most gifted storytellers.

Dr. Ana Maria Ross Gutierrez runs a clinic near the Texas-Mexico border, taking care of those who've crossed into the United States illegally. Ana was once married to Peter Ross, but his decision to join the border patrol drove her to divorce him—despite Peter's continuing feelings for her and his conviction that he's protecting the desperate immigrants in his own way. Now, as hostility and hatred heat up in El Paso, Ana, Peter, and a young mother are entangled in danger and violence that threaten them all.