検索キーワード： 制作 "Tantor Media" 世界文学

Serving as the first relational study of antiracism in France, Natives against Nativism observes how claims to indigeneity have been deployed in multiple directions, both in the ongoing struggle for migrant rights and racial justice, and in white nativist claims in France today.

Just before Passover, the corpse of a young Christian boy is found drained of blood in front of the Belz Great Synagogue in Jerusalem. The police find no murder weapon. No one claims responsibility. Someone leaks to the Israeli press that the boy's death is a ritual murder-a blood libel. The public is in an uproar, demanding that the security forces take action immediately. Intelligence Agent Maya Rimon is convinced that the boy's bizarre murder is part of a larger conspiracy.

Teetapur, an unassuming village just a few hours outside of bustling Delhi, is famous for nothing—until one of its children, eight-year-old Munia, is found dead, hanging from the branch of a Jamun tree. In the largely Hindu village, suspicion quickly falls on an itinerant Muslim man, Mansoor. Suspicion ignites like wildfire, fueled by religious tensions that simmer beneath the surface.

It's 1924, and Peter and Patricia have what looks to be a very modern marriage. Both drink. Both smoke. Both work, Patricia as a head copywriter at a major department store. When it comes to sex with other people, both believe in "the honesty policy." Until they don't. Or, at least, until Peter doesn't—and a shell-shocked, lovesick Patricia finds herself starting out all over again, but this time around as a different kind of single woman: the ex-wife.

An icy chill foretells a harsh winter for the Navajo people—and for perpetually down on his luck Harley Ponyboy the situation grows increasingly desperate. What evil is this that dogs his every step? When a lucky lottery ticket comes his way, Harley uses the new resources to search for a lost love—only to find she has fallen to appalling depths. His stubborn resolve to help puts him on a collision course with her abusive companion . . . and with his own mortality.

Hollywood director Steve McNaught is drinking heavily and on the brink of a midlife crisis. With guilt over two failed marriages and his role as near-absent father, he buys a one-way ticket to Scotland, hoping to find solace in his grandfather's ancestral home.

When Hannah learns that famed chef Daniel Costello is facing accusations of sexual assault, she's thrown back to the summer she spent waitressing at his high-end Dublin restaurant when she was a young college student—the plush splendor of the dining rooms, the wild parties after service, the sizzling tension of the kitchens. But Hannah also remembers how the attention from Daniel soon morphed from kindness into something darker. Now the restaurant is shuttered and Daniel tries to understand how his life is now completely out of his control

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines."

It's Halloween in New Orleans, and the staff of Bon Vee Culinary House Museum is setting up a fantastic haunted house tour for their visitors. But when flashy movie star Blaine Taggart and his entourage move into the mansion next door, gift shop proprietor Ricki James-Diaz gets a fright of her own.

Set in a world of its own, Ernst Jünger's On the Marble Cliffs is both a mesmerizing work of fantasy and an allegory of the advent of fascism. The narrator of the book and his brother, Otho, live in an ancient house carved out of the great marble cliffs that overlook the Marina, a great and beautiful lake that is surrounded by a peaceable land of ancient cities and temples and flourishing vineyards.

With a mix of Anglo, Native, and Hispanic cultures, the village of Bonney, New Mexico, has its share of folklore and legends, but no one has ever heard of the Ghost Girls before. Three high school girls have convinced their fellow students that they have powers, but now that they're graduating, new recruits are needed to carry on the tradition.

When the local trader is found murdered the only clue points directly at Lucy Tallwoman. The FBI sweeps in to discover a decades-old trail of deceit and betrayal as the darker days of Lucy's past come back to haunt her. The family decides they need help . . . and fast.

Brokenhearted haberdasher Isaac Markowitz has fled the Lower East Side for Israel, where he now assists a renowned elderly rabbi who tends to the hungry and hopeless in his courtyard. Tamar is an American hipster-turned-observant Jew who has come to Jerusalem to find a devout man to spend her life with. And Mustafa, a devoted Muslim, works as a janitor at the Temple Mount, also known as al-Aqsa, a site holy to both faiths.

Like many people the world over, Viv Groskop wishes she was a little more French. A writer, comedian, and journalist, Groskop studied the language obsessively starting at age eleven, and spent every vacation in France, desperate to escape her Englishness and to have some French chic rub off on her. In Au Revoir, Tristesse, Groskop mixes literary history and memoir to explore how the classics of French literature can infuse our lives with joie de vivre and teach us how to say goodbye to sadness.

All over the city, they are watching: Black men paid to stand guard, invisible among the wealthy flâneurs and yet the only ones who truly see. From Les Grands Moulins to a Sephora on the Champs-Élysees, Ferdinand, Ossiri, and Kassoum find their way as undocumented workers amidst political infighting and the ever-changing landscape of immigration policy. Fast-paced and funny, poignant and sharply satirical, Standing Heavy is a searing deconstruction of colonial legacies and capitalist consumption and an unforgettable account of everything that passes under the security guards' all-seeing eyes.

Trust Me tells the story of a turbulent year in the life of Lewis Nelson and his daughter Skye, who spend their time together at the edge of a fragile wilderness in Western Oregon.

With the campground already a crime-scene curiosity, Corrie takes a weekend break from the business just as J. D. Wilder makes his return to the village of Bonney from his home turf of Houston. With Corrie on vacation, he turns his attention to the cold cases they thought were long solved. Something isn't adding up.

Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can't imagine a world where they aren't together. Unfortunately, no one-not their families, nor anyone else in rural Georgia in 1906-wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It's only a matter of time before fate will separate the two. And that day comes on the eve of Ruby's womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.

In this unusual biography Krystal gives us not only the peripatetic and turbulent life of a cultural icon but also the intellectual sweep of a period in history that created our modern America. Some Unfinished Chaos delivers a nuanced portrait of a man whose various sides embodied the trends, passions, and pursuits of the imperfect society that both glorified and dismissed him.

Set in the fictional town of Steeplejack, nestled in the Bitterroot Mountains, Hazel Mackenzie provides law enforcement with sketch art and victim reconstruction following suspected crimes. Hazel is catapulted from observer to participant when her husband dies in an accident and then soon after, her gay twin brother Kento is shot by a member of Steeplejack's growing anti-LGBTQ community during a gender reveal party for his child.