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It's autumn 2018, and a young woman moves into a rented room in university accommodation, ready to begin a job as a research assistant at Oxford. Here, living and working in the spaces that have birthed the country's leaders, she is both outsider and insider, and she can't shake the feeling that real life is happening elsewhere. Incisive, original and brilliantly observed, Three Rooms is the story of a search for a home and for a self. Driven by despair and optimism in equal measure, the novel poignantly explores politics, race and belonging.

An early morning adventure out stealing horses leaves Trond bruised and puzzled by his friend Jon's sudden breakdown. The tragedy which lies behind this scene becomes the catalyst for the two boys' families gradually to fall apart. As a 67-year-old man, and following the death of his wife, Trond has moved to an isolated part of Norway to live in solitude. But a chance encounter with a character from the fateful summer of 1948 brings the painful memories of that year flooding back, and will leave Trond even more convinced of his decision to end his days alone.

In a world of perennial fire and growing extinctions, Anna's aged mother is dying - if her three children would just allow it. Condemned by their pity to living, she increasingly escapes through her hospital window into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive, but the window keeps opening wider.

From the night she is rescued as a baby out of the flames of a sinking ship, to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on her life's dream - to fly a Great Circle around the globe, pole to pole. But after a crash landing, she finds herself stranded on the Antarctic ice without enough fuel.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

For every moment in your life there is a poem. In Dancing by the Light of the Moon, we have a remarkable collection of over 250 best-loved poems in the English-speaking world. Allow Gyles Brandreth to be your guide to not only the wonders of poetry - and there are many - but also its practical uses in everyday life.

At the start of the 20th century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering, and the nature of advice itself. These profound and lyrical letters have since become hugely influential for generations of writers and artists of all kinds, including Lady Gaga and Patti Smith. With honesty, elegance, and a deep understanding of the loneliness that often comes with being an artist, Rilke's letters are an endless source of inspiration and comfort.

The work of Carl Dennis has won praise for its “integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry” (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

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Not since childhood has Faraz returned to the Mohalla, in Lahore’s walled inner city, where women continue to pass down the art of courtesan from mother to daughter. But he still remembers the day he was abducted from the home he shared with his mother and sister there, at the direction of his powerful father, who wanted to give him a chance at a respectable life. Now Wajid, once more dictating his fate from afar, has sent Faraz back to Lahore, installing him as head of the Mohalla police station and charging him with a mission: to cover up the violent death of a young girl.

The Vita nuova is elaborately and symbolically patterned, consisting of a selection of Dante's early poems interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of "screen-loves", to his overwhelming grief at her death, ending with the transformative vision of her in heaven.

Meddy Chan has been to countless weddings, but she never imagined how her own would turn out. Now the day has arrived, and she can't wait to marry her college sweetheart, Nathan. They find the perfect wedding vendors: a Chinese Indonesian family-run company just like theirs. Meddy is hesitant at first, but she hits it off right away with the wedding photographer, Staphanie, who reminds Meddy of herself, down to the unfortunately misspelled name. But Meddy realizes that is where their similarities end, however, when she overhears Staphanie talking about taking out a target.

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

Four years into writing her still-unfinished philosophy dissertation, and anticipating a marriage proposal from her long-term boyfriend, Evelyn Kominsky Kumamoto is wrestling with big questions about life: How can she do meaningful work in the world? Is she ready for marriage—and motherhood? But no one else around her seems to share her ambivalence. Her relentlessly optimistic, Midwestern boyfriend has no hesitation about making a lifelong commitment; her best friend, Sharky, seems to have wholeheartedly embraced his second-choice career as a trend forecaster.

Ramón Montez always achieves his goals. Whether that means collecting Ivy League degrees or growing his father’s fast-food empire, nothing sets Ramón off course. So when the sexy señorita who kissed him on the Day of the Dead runs off into the night with his heart, he determines to do whatever it takes to find her again.

A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago.

Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and Western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy.

Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by number one New York Times best-selling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage.

Nina didn't plan to spend her 30th birthday in jail, yet here she is in her pajamas, locked in a holding cell. There's no Wi-Fi, no wine, no carbs - and no one to celebrate with. Unfortunately, it gives Nina plenty of time to reflect on how screwed up her life is. She's just broken up with her fiancé and now has to move back into her childhood home to live with her depressed older brother and their uptight, traditional Indian mother. Just as Nina falls into despair, a book lands in her cell: How to Fix Your Shitty Life by Loving Yourself.