検索キーワード： 制作 "Blackstone Publishing" ユーモア・風刺文学・フィクション

A pair of romantic flameouts meet at a dull wedding and wind up entwined in a deserted coatroom. Shockingly, Jane and John decide not to have sex. Instead, they embark on a far more dangerous endeavor: sharing the stories of their past love affairs. They tell each other everything, aiming for radical honesty over polished seduction. Jaded as they may be, these two sense that they just might be soulmates.

Evelyn Waugh’s first novel, Decline and Fall, is the daring and hilarious tale of Paul Pennyfeather, a theology student expelled from Oxford and sent to teach at a private boys’ school in Wales. Previously a modest young man, Paul finds himself a bit out of place amongst the teachers of Llanabba, who are all misfits, fools, and derelicts themselves: Prendy (the anxious) and Captain Grimes (the drunk), just to name two.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

Mr. Montessori and his family return home from a trip to the beach to discover that their sofa is different. Once dark and contemporary, it’s now antique, green and yellow, and smelling faintly of damp. Its appearance and origins are a mystery. A joke? An inverted theft? A break in the fabric of reality? Yes, the police take the “crime” seriously. But what happens next lies outside their expertise. Strange sounds in the night. A half-bathroom toilet with a mind of its own. Odd, fleeting glimpses of something (or someone) in mirrors.

In her diary, Gentlemen Prefer Blondes, Lorelei Lee, a not-so-dumb blonde from Arkansas, documents her wild adventures to Hollywood, Manhattan, Europe, and back again with her best friend, Dorothy. Along the way, Lorelei and Dorothy are flanked by suitors from all walks of high society, but it might just be the American millionaire who draws her eye. But just because Lorelei might have found “the one” doesn’t mean the adventures are over! In the sequel, But Gentlemen Marry Brunettes, Lorelei takes up her diary once again to tell Dorothy’s tale.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.

For Scott Hatcher, a former television writer turned struggling novelist with a failing marriage to boot, social-distancing and mask-wearing feel like fitting additions to his already surreal life. When his wife Marie and neighbor John Bergman disappear in the middle of the raging COVID-19 pandemic, Scott is naturally mystified and disturbed, but he is also about to learn that his picturesque neighborhood hides more than just the mundane routines of suburban life.

Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000.

When he first meets Najwa at a lecture by Siri Hustvedt—whom he’s never read—our hero discovers a whole new world of feminist thought. Determined to impress her, he sets out sincerely on his journey to allyship. His mother confides in him about the dreams she had to sacrifice because of the patriarchy, and he laments the violence and oppression women face. But he can’t help but notice that they’re going about their activism the wrong way.

Franny Steinberg knows there’s powerful magic in laughter. She’s witnessed it. With the men of Chicago off fighting WWII on distant shores, Franny has watched the women of the city taking charge of the war effort. But amidst the war bond sales and factory shifts, something surprising has emerged, something Franny could never have expected. A new marvel that has women flocking to comedy clubs across the nation: the Showstopper.

Faulkner’s second novel follows a bohemian cast of artists, socialites, and dilettantes as they set sail on a four-day excursion aboard the Nausikaa. Faulkner’s quick wit and endless appetite for satire make this audiobook a fascinating exploration of character, as well as a rare glimpse into the author himself. The novel explores questions of sex and sexuality, as well as the societal role of the artist. Inspired by his own participation in the arts community in New Orleans, Mosquitoes is an engaging and delightful novel from one of America’s greatest writers.

A delightful day in 1910 at the Haxford Spring Fair turns horrifying and deadly when a balloonist plummets to the earth from the blue skies above. However unlikely, it’s soon discovered that this unfortunate corpse was not done in by his precipitous plunge but instead from an arrow fatally lodged in his chest. Unraveling the twisted web of intrigue that took the man’s life requires the expert skills of Haxford’s brilliant and sartorially splendid Chief Inspector Pignon Scorbion. But the quirky detective is not alone. Aiding Scorbion in his dogged pursuit are his chosen deputies.

Coalville is on fire—from below. The old mines are burning, and everyone has poison gas in their brain. Maybe that’s why the town is so corrupt. Now that he’s a Benedictine monk, Tommy Martini never wants to see the place again—hell-raisers there hold a grudge till they die, and he’s on their wish list. But a girl he once loved has gone missing, and his best friend from childhood has been murdered. Among the living is a shy girl from Tommy’s past, who wants to help. Together, they learn the secret of the elephant’s graveyard, and it’s not in Africa.

Two weeks before his twenty-first birthday, Las Vegas native Bobby Ingersoll finds out he’s inherited a crushing gambling debt from his scumbag father. The debt is owed to an even scummier bag named Fraser Ruphart who oversees his bottom-rung criminal empire from the classy-adjacent Trump International Hotel. Bobby’s prospects of paying off the note, which comes due the day he turns twenty-one, are about as dim as the sign on the tower’s façade.

Meet Vanessa Salomon, a privileged and misanthropic French-American translator hailing from a wealthy Parisian family. Her twin sister is a famous movie star, which Vanessa resents deeply and daily. The only man Vanessa ever loved recently killed himself by jumping off the roof of her building. It’s a full life. Vanessa has just started working on an English translation of a titillating, experimental thriller by a dead author when she’s offered a more prominent gig: translating the latest book by an Extremely Famous French Writer who is not in any way based on Michel Houellebecq.

Wang Er, a twenty-one-year-old ox herder, is shamed by the local authorities and forced to write a confession of his crimes, but he instead takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence.

Nivedita (a.k.a. Identitti), a well-known blogger and doctoral student, is in awe of her supervisor—postcolonial and race studies professor Saraswati. But her life and sense of self are turned upside down when it emerges that Saraswati is actually white. Nivedita’s praise of Saraswati during a radio interview just hours before the news breaks calls into question her own reputation as a young activist. Following the uproar, Nivedita is forced to reflect on the key moments in her life, when she doubted her identity and her place in the world.

Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters—not because she wants to but because it’s the right thing to do—does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie. As they begin spending time together, getting pedicures and drinking martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century.

In The Case of the Ghost of Christmas Morning, Wodehousian clubman, flaneur, idler, and sleuth Anty Boisjoly pits his sardonic wits against another pair of impossible murders. This time, Anty Boisjoly’s Aunty Boisjoly is the only possible suspect when a murder victim stands his old friends a farewell drink at the local, hours after being murdered.