検索キーワード： ユーモア・風刺文学・フィクション

It used to be an annual thing—the raucous New Year’s party full of games and hors d'oeuvres. But for Olivia and her friends, the chaos of their thirties has really challenged the definition of annual. It’s been a few years since the close friends were last…close. But this year is gonna be different. The burnout, parenting stress, credit card debt, job drama, marriage troubles, addiction—they’re going to set it all aside for the night. No, really. They swear.

Calypso Finn, ex-actrice de télénovelas brésiliennes devenue brocanteuse, pensait passer un Noël paisible sur la Côte d'Azur. Elle compte sur le flair légendaire de Calypso pour le démasquer lors du réveillon de Noël. Escortée par son ronchon de chat, Poker, et son excentrique tante Peggy, reine de la divination dans le champagne, Calypso réalise très vite que l'odieuse lady est détestée de tous… Même d'un fantôme !

Ein erfolgloser Komiker sucht die Liebe – und findet versehentlich sich selbst Comedian Lutz van der Horst hat seinen ersten Roman geschrieben: lustig, tragikomisch und ganz nebenbei voller Weisheit. Max, Ende 20 und Comedyautor, sieht sich am Anfang einer steilen Karriere: Er ist der Moderator seiner eigenen Show – zumindest dreimal. Dann erfährt er aus der Fernsehzeitschrift, dass sie wieder abgesetzt wurde. Der hübsche Typ aus dem Club, die vermeintlich neue größte Liebe seines Lebens, will auch nichts mehr von ihm wissen. Und möchte Max nicht eigentlich sowieso seine Exfreundin zurück?

A crazy promise is still a promise. Zoey Jones is spreading her late mother’s ashes along a path her eccentric grandma G-Lo followed in 1972: David Bowie’s Ziggy Stardust tour. G-Lo was no ordinary groupie. According to her, Zoey’s mom was conceived somewhere between Memphis and Malibu, and Zoey’s grandpa is the glam rock icon himself. Revving up G-Lo’s old Cutlass, complete with her mother’s journal and a Ziggy Stardust 8-track, Zoey hits the open road.

It’s Christmas in Penstowan, and local amateur dramatics group the Penstowan Players are putting on their annual pantomime. This year it’s ‘Aladdin’, and half the town have been drafted in to help, including Shirley Parker, who only has a small part in the chorus but will no doubt upstage everybody, and Tony Penhaligon, who’s treading the boards as the baddie, Abanazar. Ex-Metropolitan police officer turned caterer Jodie Parker has managed to get away with not appearing, but only if she agrees to cater the opening night party.

At the age of thirty, Adrian Rookwhistle's life hasn't quite turned out the way he'd have hoped. Working an unfulfilling job as a clerk in the city and living under the tyranny of his fearsome landlady, he can't help but think that there is more to life. However, all of this suddenly changes when he receives a curious letter from his dying uncle who has bequeathed him £500 and an elephant by the name of Rosy who has a seemingly unquenchable thirst for liquor.

Horror author Nick Steen is having visions... A sinister Black Steeple; eerie lights in the sky that look like a Catherine wheel but are not remotely a Catherine wheel... Plus a giant skeleton with a moustache. Are they omens? Auguries? Portenderings of things to come? (Spoiler - yes, they are.) For Nick Steen's imagination is bursting out of his brain and threatening to burst in turn the entirety of Stalkford. Can Nick stop the aforesaid bursting? Or have things already slightly burst regardless?

After a successful trip to England to secure the Princess Mary's hand in marriage to William of Orange, Master Mercurius is back at the University of Leiden. And once more, he finds himself embroiled in a local mystery. A farmer named Wolf was stabbed to death outside his home, and his neighbor Jaco has been arrested for the murder. But Jaco's wife Sara is convinced her husband is innocent, and Mercurius believes her. As Mercurius gathers the facts, it soon becomes clear that Wolf was a deeply unpopular man. But is that enough of a motive for murder?

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Eight years ago, Anne Elliot broke Freddie Wentworth’s heart when she refused to give up her five-year plan for the sake of adventure. But despite big dreams, Anne, now thirty, is still living at home with hardly a plan in sight. Anne tries to be optimistic—she knows better than anyone that regret will get you nowhere—but that goes out when the window when, thanks to her father’s bad spending habits, her childhood apartment in is rented out to the very man still living in her head rent-free.

If you loved Rocky and her family on vacation on Cape Cod, wait until you join them at home two years later. (And if this is your first meeting with this crew, get ready to laugh and cry—and relate.) Rocky, still anxious, nostalgic, and funny, is living in Western Massachusetts with her husband Nick and their daughter Willa, who's back home after college. Their son, Jamie, has taken a new job in New York, and Mort, Rocky’s widowed father, has moved in.

Evie Green's Christmas dream turns into a nightmare when a viral video makes her the laughing stock of the internet. But then a 5 star hotel sees a PR opportunity and invites her to New York for a Christmas she’ll remember forever. Enter Noah Sanderson, a disgraced soccer star seeking anonymity. Forced to fake a festive romance for the cameras, sparks fly – but not the twinkling Christmas kind!

When Anna decides to take her family away for Christmas to avoid a repeat of the 'dead man in the larder' debacle, she finds herself plunged into another festive fiasco when a body turns up in the library of their supposedly 'idyllic' rural retreat. With a dubious double booking, an unexpected snowstorm and the mysterious Mrs Haddock to contend with, can Anna and her unlikely allies save Christmas or will this holiday be their last?

Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.

On the verge of a suburban mental health crisis, frazzled and wildly unstable housewife Peggy (immortalized by Mink Stole on-screen) runs away from home with her maid and partner in crime, Grizelda (played with spectacular gumption by the sizzling Jean Hill), only to end up in Mortville, a shantytown filled with society’s rejects. Mortville is run by the evil Queen Carlotta, who parades through the cardboard streets taunting and terrorizing her subjects.

Tracy Turnblad, a spunky, full-figured Baltimore teen, wants nothing more than to be a featured dancer on The Corny Collins Show. So when she gets chosen to be on the air, it seems like all her dreams are about to come true. But when she and some of the Black cast of the show try to integrate the segregated dancing, things take on a life of their own. A sweet, hopeful parable about the dangers of conformity and segregation, Hairspray is perhaps the one optimistic entry in John Waters’ shocking and delightfully deranged oeuvre.

John Waters takes us back to the scene of his original crime against good taste. Listen as Babs Johnson fights to hold on to her title as “Filthiest Person Alive,“ fending off the craven attempts to dethrone her by her nemeses Connie and Raymond Marble. Listen along as Waters takes us on a romp through his camp and filthy vision of Baltimore, from nefarious baby-stealing lesbians to scenes of unspeakable things done to unsuspecting chickens, to the film’s iconic and revolting coup de grace (no spoilers, but it is just as stomach-churning more than fifty years later!).

Fifteen years after the events of Pink Flamingos, Babs Johnson returns to Baltimore from a life spent largely in bus station lavatories, only to find that she once again has to fight for the right to claim the title of “World’s Filthiest Person.” Her nemesis Connie Marble’s sister, Vera Venninger, and her necrophiliac husband, Wilbur, are in her way. So begins a new battle of filth.

It all goes to hell when Baltimore bad girl Dawn Davenport doesn’t get the cha-cha heels she’s been demanding for Christmas. In this hilarious, irreverent, pyrotechnic melee of high-trash hijinks, Dawn ruins Christmas, skips town, and embarks on a wild ride that involves hitchhiking, robbery, murder, pregnancy—and, of course, modeling and glamour, too. The second installment of John Waters’ classic Trash Trilogy, Female Trouble explodes conventional norms of good behavior (and art) and is all the proof you’ll ever need that sometimes being bad can feel so, so very good.

Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey.