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He doesn't believe in happy endings. She's lost her faith that they exist. But could they find one together? January is a hopeless romantic who likes narrating her life as if she's the heroine in a blockbuster movie. Augustus is a serious literary type who thinks true love is a fairy-tale. January and Augustus are not going to get on.

George Pantis is in a pickle. After walking out on his wife Rosie on Referendum night 2016 to shack up with hairdresser 'Brexit Brenda' next door, he thinks he's got it made - especially when he wins millions on a Kosovan lottery he only vaguely remembers entering. Unfortunately, he's forgotten his password and can't get at his money. Which is a problem because he suddenly has to contend with lots of forceful new friends desperate to know his mother's maiden name.

'If I've learned one thing,' the late, great Father Fehily used to say, 'it's that life, families and rugby balls don't always behave the way you want them to!' Looking at my life, I'd have to say, the dude wasn't wrong. My old man had been caught rigging a general election. My old dear was about to become a 70-year-old mother of six. And Honor was walking around in a yellow rain mac, telling everyone that the end of the world was coming. It was enough to drive a man to the brink.

Helen Clapp is a physics professor. She doesn't believe in pseudoscience or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago. Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.

It is the 1980s, and the Winshaw family are getting richer and crueller by the year: newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; and Thomas is making a killing on the stock exchange. But once their hapless biographer, Michael Owen, starts investigating the family's trail of greed, corruption and immoral doings, the time is growing ripe for the Winshaws to receive their comeuppance....

On Millennium night, with Blair presiding over a superficially cool, sexed-up new version of the country, Benjamin Trotter finds himself watching the celebrations on his parents' TV. Watching, in fact, his younger brother, Paul, now a bright young New Labour MP who has bought wholeheartedly into the Blairite dream. Neither of them can know that their lives are about to implode.

Unforgettably funny and painfully honest, Jonathan Coe's tale of Benjamin Trotter and his friends' coming of age during the 1970s is a heartfelt celebration of the joys and agonies of growing up. Featuring, among other things, IRA bombs, prog rock, punk rock, bad poetry, first love, love on the side, prefects, detention, a few bottles of Blue Nun, lots of brown wallpaper, industrial strife, and divine intervention in the form of a pair of swimming trunks.

Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events; Robert has had his life changed for ever by the misunderstandings arising from her condition; Terry, the insomniac, spends his wakeful nights fuelling his obsession with movies; and the increasingly unstable Dr Gregory Dudden sees sleep as a life-shortening disease which must be eradicated. A group of students sharing a house. They fall in and out of love, they drift apart. Yet a decade later they are drawn back together by a series of coincidences involving their obsession with sleep - and each other....

Music, murder...and Madeleine. William has a lot on his mind. Firstly there's The Alaska Factory, the band he plays in. They're no good, and they make his songs sound about as groovy as an unpressed record. In fact they're so bad he's seriously thinking of leaving to join a group called The Unfortunates. Secondly, there's Madeleine, his high-maintenance girlfriend, whose idea of a night of passion is an Andrew Lloyd Webber musical followed by a doorstep peck on the cheek. Maybe they're not soul mates after all? Lastly, there's the bizarre murder he's just witnessed.

Eighteen-year-old Lizzie Vogel finds herself a new job in a dentist's surgery after answering a classified advert in the Leicester Mercury for a 'mature lady with a strong interest in dental issues'. Working for an eccentric dental surgeon who's obsessed with becoming a Freemason, Lizzie's life is uneventful until Andy Nicolello turns up one day to deliver a crown. Lizzie seizes her chance to find love and soon begins calling him her boyfriend even though they have never so much as kissed or even sat next to each other on the sofa.

While marooned at his banking job in the bewilderingly damp and insular realm known as Ireland, Claude Martingale, is approached by a down-on-his-luck author, Paul, looking for his next great subject. Claude finds that his life gets steadily more exciting under Paul's fictionalizing influence; he even falls in love with a beautiful waitress. But Paul's plan is not what it seems-and neither is Claude's employer, the Bank of Torabundo, which inflates through dodgy takeovers and derivatives-trading until-well, you can probably guess how that shakes out.

Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh. So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency.

The person you are with is just like you: same background, same age, same interests. The perfect match. And it is an unmitigated disaster. Then, when and where you least expect it, you meet someone new. You seem to have nothing in common and yet, somehow, it feels totally right. Nick Hornby's brilliantly observed, tender but also brutally funny new novel gets to the heart of what it means to fall surprisingly and headlong in love with the best possible person - someone who is not just like you at all.

Twenty-nine year old Roberta has spent her whole life hungry - until the day she invents Supper Club. Supper Club is a secret society for hungry women. Women who are sick of bad men and bad sex, of hinted expectations to talk less, take less, be less. So they gather after dark and feast until they are sick. They drink and dance and roar. And, month by month, their bodies expand. At the centre of the Supper Club stands Roberta - cynical yet anxious, precocious and lost. She is seeking the answer to a simple question: if you feed a starving woman, what will she grow into?

Tina Fontana is the hapless but brazen 30-year-old executive assistant to Robert Barlow, the all-powerful and commanding CEO of Titan Corp., a multinational media conglomerate. She's excellent at her job and beloved by her famous boss - but after six years of making his reservations for restaurants she'd never get into on her own and pouring his drinks from bottles that cost more than her rent, she's bored, broke, and just a bit over it all.

Classic warped and wonderful stories from a “genius” (The New York Times) and master storyteller. Brief, intense, painfully funny, and shockingly honest, Etgar Keret’s stories are snapshots that illuminate with intelligence and wit the hidden truths of life. As with the best writers of fiction, hilarity and anguish are the twin pillars of his work. Keret covers a remarkable emotional and narrative terrain - from a father’s first lesson to his boy to a standoff between soldiers caught up in the Middle East conflict to a slice of life where nothing much happens.

A darkly satirical novel of love, revenge, and 1950s haute couture - now a major motion picture starring Kate Winslet, Judy Davis, Liam Hemsworth, and Hugo Weaving. After 20 years spent mastering the art of dressmaking at couture houses in Paris, Tilly Dunnage returns to the small Australian town she was banished from as a child. She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar.

A work that still poses provocative questions about perception and reality, Flatland is a brilliant parody of Victorian society where all existence is limited to length and breadth - its inhabitants unable even to imagine a third dimension. The amiable narrator, A. Square, provides an overview of this fantastic world - its physics and metaphysics, its history, customs and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to the Land of Three Dimensions, his worldview is forever shattered.