検索キーワード： 制作 "Blackstone Publishing" 女性文学

She was a tiny little lamb who claimed my heart with one fearful look. I was her captor, the man responsible for breaking her, for preparing her for auction. She was taken, plucked right off the street, and brought to me to be sold at the next auction. Rescuing her from my men was never part of the deal, and neither was bringing her up to my room. Yet, night after night I did this, refusing to give up the way she made me feel. When I’m with her I feel less like a monster. I can remember the man I used to be before the mob got to me, before all the bad tainted my soul.

She was my ex-best friend's little sister. Shy, gorgeous as hell, and did I mention completely off-limits? Well, that is until she lands on my doorstep begging me for protection from my brother. She has no idea the kind of world she's walked into, or that I'm no better of a man then the one searching for her. But when she offers me her v-card - the last thing she has in exchange for protection - I can't deny such a tempting offer. She's everything I want, and everything I can never have.

At Heim Hochland, a Nazi breeding home in Bavaria, three women’s fates are irrevocably intertwined. Gundi is a pregnant university student from Berlin. An Aryan beauty, she’s secretly a member of a resistance group. Hilde, only eighteen, is a true believer in the cause and is thrilled to carry a Nazi official’s child. And Irma, a forty-four-year-old nurse, is desperate to build a new life for herself after personal devastation. All three have everything to lose.

Chéri and its sequel, The End of Chéri, mark Colette’s finest achievements, in their brilliant, subtle, and frank investigations of love and power. Set in the Parisian demimonde in the last days of the Belle Époque, Chéri tells the story of Léa, a courtesan at the end of a successful career, and her lover, the beautiful but emotionally opaque Chéri. Chéri will soon enter into an arranged marriage, ending their six-year affair, which—they will each realize too late—has been the one real love of their lives.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

The American West is no safe haven for women—least of all in the Gold Rush town of Coloma, California. Not for Clara Tice, the blacksmith’s strange and stubborn daughter. Not for Mei, the healer whose calm presence in the makeshift camp for Chinese immigrants contrasts sharply with her brother’s hard-eyed pursuit of riches. And certainly not for Haloke, a Nisenan shaman’s granddaughter whose native village has been devastated by smallpox, hunger, and the relentless greed of Outsiders.

Florence “Pancho” Barnes—heiress, rebel, and the most colorful pilot in America—can outfly, outswear, and outdrive any man. When Hollywood tries to turn the first-ever cross-country National Women’s Air Race into a publicity stunt with movie starlets and their male “mechanics” doing the real flying, Pancho rallies the greatest female aviators of the era to fight back.

Everything needs to be just right for bestselling mystery writer Faye Wader’s first-ever fan weekend. Her sales might be slipping—only a little!—but her readers still love her enough to pony up for three days and two nights on Great Misery Island. The retreat is precisely planned, from the small-batch artisanal doughnuts to the perimenopausal Mermaid Meditation, by Faye and her beleaguered assistant, Jade—an aspiring author who can’t seem to finish her own novel.

Sally Jay Gorce is a woman with a mission. It’s the 1950s, she’s young, and she’s in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational program that includes an affair with a married man (which fizzles out when she realizes he’s single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted “citizens of the world”; an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador.

Socially awkward, anxiety-riddled Beverly Bonnefinche only loves three things in life: her parents, books, and a homeless man named Bill. Without them, the only way Beverly manages to get by each day is with the help of a peculiar coping mechanism that allows her to dissolve her feelings. Yet everything changes for Beverly when she meets Henry, a persistent, friendly man who sees something in Beverly most people have missed.

In her diary, Gentlemen Prefer Blondes, Lorelei Lee, a not-so-dumb blonde from Arkansas, documents her wild adventures to Hollywood, Manhattan, Europe, and back again with her best friend, Dorothy. Along the way, Lorelei and Dorothy are flanked by suitors from all walks of high society, but it might just be the American millionaire who draws her eye. But just because Lorelei might have found “the one” doesn’t mean the adventures are over! In the sequel, But Gentlemen Marry Brunettes, Lorelei takes up her diary once again to tell Dorothy’s tale.

On the eve of the First World War, sociology student Vandyck Jennings goes on an expedition with two of his friends to search for a society rumored to consist only of women. On the way to what they will name “Herland,” Van and his friends ponder the type of women they hope or expect to see when they get there … but they find no fantasies when they arrive. Herland is an all-female, community-driven utopia. Van and his friends are skeptical of a society that doesn’t even need men to procreate, but women and girls who live there have been raised in a world removed the patriarchy of the world.

Penny Crenshaw’s divorce and her husband’s swift remarriage to a much younger woman have been hot topics around Atlanta’s social circles. After a year of enduring the cruel gossip, Penny leaps from the frying pan into the fire by heading back to Kentucky to settle her grandmother’s estate. Reluctantly, Penny travels to her hometown of Camden, knowing she will be stirring up all the ghosts from her turbulent childhood. But not all her problems stem from a dysfunctional family. One of Penny’s greatest sources of pain lives just down the street: Bradley Hitchens.

Red Pottage follows the lives of close friends Rachel West, the wealthy heiress, and Hester Gresley, the novelist. Rachel has fallen in love with Hugh Scarlett, a spineless and weak-willed man who has just ended an affair with a married woman. Hester, on the other hand, is stuck living with her brother, a pompous and critical vicar. She must contend with her brother’s disapproval of her writing, a battle which manifests itself as a nervous illness in her.

Kelli Montgomery spent the previous twenty years in a loveless and abusive marriage. Last Christmas, after her brother, Andy, arrived home after decades away, she finally found the strength to leave her husband—but as anyone who’s ever been through such trauma knows, what happens next—the healing process, the rebirth which is the hardest, and most grueling part of healing. Years ago, Kelli and her ex took over her parents’ prosperous real estate business. Now that Mike has officially left the island, the work has fallen on Kelli’s shoulders.

Brenda Lockhart’s family has been living well beyond their means for too long when Brenda’s husband leaves them―for an older and less attractive woman than Brenda, no less. Brenda has never worked outside the home, and the family’s economic situation quickly declines. Oldest daughter Peggy is certain she’s heading off to a university, until her father offers her a job sorting mail while she attends community college instead. Younger daughter Allison, a high school senior, can’t believe her luck that California golden boy Kevin has fallen in love with her.

Audrey gives birth at the end of February. Although she’s young, healthy, one of the most vibrant people on the Vineyard, the birth is a troubling one—and the baby’s health is cast into doubt. This adds even more stress to an already stressful situation. After all: Christine planned to help Audrey raise her baby, to allow her to return to school and get the degree she so desperately wants. As Christine, Audrey, Lola, and Zach wade the waters of this delicate new family plan, and grapple with the fears surrounding a very sick baby, they find new strength together.

Tessa is a successful white woman writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar based in Los Angeles. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more—but there are obstacles to this burgeoning relationship.

If there’s anything Susan Sheridan understands, it’s that things don’t always go as planned. From her divorce, to her move from Newark, to her cancer diagnosis, finally to Scott popping the question at the Sunrise Cove Inn’s New Year’s Party in front of all her closest family and friends. She never thought she’d find her way back to a love like this. Amanda prepares herself for the ride of her life as she plans a dream-wedding to Chris, a man she’s loved desperately for years. But there’s something off about him. Something that rears its ugly head as the January wedding date rolls near.

Book editor Emily Bryant finds herself unexpectedly in the charming town of Cascata on California’s Lost Coast, holding the keys to her grandmother’s rambling Victorian mansion. While sorting through her grandmother’s things, Emily learns that she must edit old manuscripts to inherit the estate. It’s a strange request from a family member who was basically a stranger. Emily quickly realizes that there’s something different about these manuscripts. Any changes she makes come true.