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Hollywood, 1942. Jacqueline Love's acting career is flailing. Suddenly on the wrong side of 40, parts are drying up, directors are calling her "difficult," and Humphrey Bogart has definitely stopped taking her calls. Desperate to cling to stardom, Jackie takes the only gig that will have her: the Hollywood Victory Caravan, a train full of movie stars crossing the country to fundraise for the war effort. Jackie wouldn't call herself patriotic, but with her life's work on the line, she'll do anything.

Simone Harris has always known how to hold it down. For her son. For her clients. For the sports agency she built from scratch. She keeps things running, keeps herself moving, and keeps her heart tucked safely out of reach. But this birthday feels different. It falls on a leap year, a date that only circles back every so often. A rare kind of day that feels like it arrives exactly when it’s meant to. The kind that makes you pause and ask what you have been pushing through just to keep going. In that stillness, something begins to surface alongside it.

Reeling from a failed marriage, Sheila, a twentysomething playwright, finds herself unsure of how to live and create. When Margaux, a talented painter and free spirit, and Israel, a sexy and depraved artist, enter her life, Sheila hopes that through close—sometimes too close—observation of her new friend, her new lover, and herself, she might regain her footing in art and life.

Recently divorced and fresh off a Pulitzer Prize win, Harper Stewart is in a new era. He’s working on a movie and living the ultimate bachelor life in his Brooklyn penthouse. But still, something is missing. What else explains the stubborn creative block? The carousel of women? And seventh-wheel status with his friends? Jordan Armstrong had to flee New York. First, to give herself distance from Harper and, second, to escape the corporate grind. In her beachfront Malibu property, the façade of a “healed” Jordan flourishes.

Ever since the accident that changed Sophie’s life, she sees numbers everywhere. From the leaves on a tree to the volume of a puddle, everything has its number. And every person she meets? Their number is counting down the number of days they have left. Despite being lonely, Sophie has decided she’s not dating anyone with a number smaller than 20,000 days: 55 years together should be plenty. Which is fine, until Adam—her first love and most definitely the one that got away—suddenly reappears. And his number? Just 24 days…

After a heart-wrenching breakup with her girlfriend and a shocking incident at her job, Cassie flees her life as an overworked assistant in New York for her hometown in New Jersey, along the Delaware. There, she reconnects with her high school best friend, Eli, now a widowed father of two. Their bond reignites, and within a few short months, Cassie is married to Eli, living in his house in the woods, homeschooling the kids, and getting to know her reserved neighbor, Joan. But Cassie’s fresh start is less idyllic than she’d hoped.

How far would you go to save your marriage? For British scientist Kesta Shelley, there is no limit. Having always preferred the company of microbes, Kesta has spent her life looking down the barrel of a microscope rather than cultivating personal relationships. But that changed when Kesta met Tim—her cheerleader, her best friend, her absolute everything. So, when he was one of the last people in London to be infected with a perplexing virus that left the city ravaged, Kesta went into triage mode.

Jewel Stone has it all—the perfect marriage, a bestselling author career, her dream home—or so she likes everyone to believe. But between her writer’s block and her husband losing his job, her picture-perfect life is in shambles. And inspiration just isn’t hitting…until she receives a call she never expected: her former best friend needs her help. When Shelby Andrews wakes up in the hospital after a biking accident, she can’t remember the last twelve years. She knows she owns a bookstore on the beach, but she has no memory of Lacey, her nineteen-year-old adopted daughter.

South London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed. Daphne’s attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond.

Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

When Rachel Nardelli finds out Alison Petrucci—her childhood rival—is found dead in Pleasant Pond, the same place the two girls had first said goodbye to each other back in eighth grade, the town of Waterbury is outraged by the fear of losing one of their own—the heir to Maine’s largest construction company. But it’s a little more complicated for Rachel. She saw Alison the night she died. Callous, she said something she shouldn’t have. She stirred up the past. The next morning, Alison was gone.

When four influential members are poisoned at London’s most exclusive private club, a young waitress is charged with their murder. Her personal life and upbringing are dissected, and five men begin to question how well they really knew her.

Eliza has always had a plan…until her seamlessly plotted life implodes, and her engagement falls apart. At thirty-two, she suddenly finds herself second-guessing the picture-perfect future she had always envisioned—one that included raising 2.5 children nearby her tight-knit Italian family in San Francisco. Then Eliza is offered the chance to start over: in Juneberry Lake, a small Midwestern town eager to lure remote workers to their picturesque community. Shocking her family and friends (and herself), Eliza packs up her apartment and buys a lake house sight unseen.

Sound interesting? The author thinks so too! Listen to Christiana today.

Vera and Thea are mother and daughter. Vera writes for the internet: she constructs identities and scenarios for brands to cater to the ideal consumer. Yet she also consumes the offerings of the online world herself: the addictive pursuit of a cure, the narratives she craves in which mother and daughter find a way out of the shared experience of chronic illness. She becomes preoccupied with a blog written by a woman named Claudia, a mother whose daughter also has a chronic illness.

Wiesbaden, 1959. Hilde Koch dirige désormais l'entreprise du Café Engel et apporte une bouffée d'air frais à cet établissement traditionnel. Le nouveau chef pâtissier s'avère être un génie en plus d'être beau garçon, et ses alléchantes créations attirent de plus en plus de convives au café. Mais Hilde et sa cousine Luisa s'inquiètent : alors que Jean-Jacques passe de plus en plus de temps avec la jolie Française qui l'aide dans son domaine viticole, Fritz, le mari de Luisa, semble lui cacher quelque chose.

When Sapphie, a passionate environmentalist, goes on a camping trip in the bush, she miraculously rescues a baby from the sea. The baby belongs to Candace, a charity worker struggling with new motherhood. The act of rescue throws these strangers together and inspires an intense friendship. Candace’s best friend Alexia, a legal academic, has her reservations about the unconventional new woman in their lives. When Alexia investigates Sapphie’s background, she discovers...nothing. As far as the internet is concerned, Sapphie doesn’t exist. This compels Alexia to ask: What is Sapphie hiding?

This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often understood as biographical, but this edition also highlights the issues of justice, gender, and rights.

Girlie, a thirty-something Filipinx-American, works a day job at a social-media moderation centre, flagging and removing the very worst that makes it on to the internet. She's good at it, too—dispassionate, unflinching, maybe because she learned by necessity to cauterise all her emotions when she was still a kid—so it's no surprise to anyone when the social-media company for which she works offers her a big pay rise and an office to start moderating its new venture: virtual-reality theme parks, stunning simulations of civilizations long-since dead.

London 1905, celebrated artist John Sutton paints The Quartet, unaware of the passion and betrayal his brush strokes will ignite. A century later, Mark and Abriana—ex-lovers haunted by their past—are drawn together by the image. As they trace the portrait's journey from London to Greece and war-torn Tuscany, the couple uncover a tale of love, sacrifice, and deception that mirrors their own tumultuous history. With each revelation, they're forced to confront the wounds that tore them apart and question whether healing is possible.