検索キーワード： 詩

Dolce e chiara è la notte e senza vento, e queta sovra i tetti e in mezzo agli orti posa la luna, e di lontan rivela serena ogni montagna. O donna mia, già tace ogni sentiero, e pei balconi rara traluce la notturna lampa: Tu dormi, che t’accolse agevol sonno nelle tue chete stanze; e non ti morde cura nessuna; e già non sai nè pensi quanta piaga m’apristi in mezzo al petto. Tu dormi: io questo ciel, che sì benigno appare in vista, a salutar m’affaccio, e l’antica natura onnipossente, che mi fece all’affanno.

Did you know that construction of the bridges was historically fiercely opposed by watermen who demanded compensation for inconvenience? Or that the first London Bridge dates back to the Romans? In a one of a kind guide to secrets of London famous famous bridges, viaducts, highwalks and footbridges, written in original elegantly composed narrative verse, one finds these any more answers!

These poems attempt to retrace and re-imagine stories that have remained untold, filling the gaps between symptoms and family myths. The place is somewhere in rural Europe. The stories could be those of a woman and her children and their children. The time is a long time ago, but it is also now and maybe tomorrow. They come from the earth, the one you cherish and feed and get fed from. Archeology requires some imagination. Mental illnesses require attention. Reality isn’t completely important here, as long as we can finally walk to a river, and in a fresh and slow world, start to talk.

Did you know that, seen from archaeological perspective, London soil is a layer cake with evidence dating as far as Neolithic era through to Bronze and Iron ages, Roman, Medieval, Post Medieval and Contemporary period?

The book is unique and unprecedented—uncovering the secret history, facts, insights and observations, eloquently and neatly composed, and beautifully presented as a narrative nonfiction. It opens the eyes of locals, visitors, guides on some of the most distinguished capital's thoroughfares and references some of the best and worst names of London streets. It acts as a guide to curious, romantic and poetically inclined wanderers of the streets of London.

En Mar de fondo , Beatriz Saavedra Gastélum vuelve a situar su voz en el umbral donde pensamiento y revelación se confunden. La poeta —con su ya reconocible hondura metafísica y su fidelidad a la palabra como experiencia interior— traza un itinerario de conocimiento que atraviesa los cuerpos, el silencio y la conciencia. Este libro es un descenso a la raíz misma del ser, donde el lenguaje se convierte en espejo de lo invisible.

Nagtrabaho si Crystal bilang isang Registered Nurse sa isang syudad ng higit pa sa 30 taon, na nangangalaga ng mga homeless sa kabuoan ng kanyang career. Isinulat niya ang koleksyong ito ng mga maiiksing mga tula para maibahagi ng unit-unti, ang kasalimuotan at mga bunga ng pagiging homeless. Kanyang ipinapakita sa mga tulang ito, ang ilang mga kaalaman at pagkamadamayin para sa mga nasa sitwasyong ito. Umaasa siya na ang koleksyong ito ay magagamit ng mga simpleng tao at mga propesyonal.

Fundamentally, this audiobook isn't "about" anything but submission of a poetry and prose collection that had to be a world level thank you letter to American artist Charles Bukowski whom I had found later in life as a reminder that there was no doing this right. "This" refers to the notion of what it means to be a writer, as the pieces encompassing this collection stem from realization of a rooted "no effort" and invasive take over in the course of my life.

The Night Has Its Own Darkness is a chorus of women’s voices — remembered, imagined, and reborn. Across generations and continents, they rise from silence to speak their truths: of love and loss, of resistance and longing, of faith, exile, and survival. Among them are the iconic and the forgotten, women we thought we knew, now revealing who they truly were, and others whose names were never spoken aloud. Each voice burns like a candle in the dark, passing its flame to the next, forming a fragile, luminous chain of remembrance that refuses to fade.

The poems in UNDER THE TENTED SKIN explore the experiences of women & girls through folkloric history, discursive memory, and spectacle. Visiting and re-visiting situations all-too-common, Kubasta asks the listener to inhabit close quarters, from early socialization of girls to rural teenagerhood, to adult womanhood and ts traps. She warns “I don’t throw the skins away / and I’ve been known to gnaw a bone.”

21st Century Autoimmune Blues is multi-genre author Brent Terry’s fourth collection. Terry brazenly confronts subjects that are simultaneously political and personal. The undertones range from comedic to emotional, stimulating the head, heart, and gut. Every poem in this collection hums with an underlying anxiety caused by living in these fraught and sometimes dismaying times, but Terry never fails to paint a rhythmically sound image.

Protectress is a hybrid poetry-prose novella offering a risky take on the legend of Medusa. With stunning economy of words and a delicate hand, Protectress provokes us to think about the feminist identity and the power of compassion. Listeners who fell deeply for Emily Wilson’s translation of The Odyssey, Margaret Atwood’s The Penelopiad, Madeleine Miller’s Circe, Emily St. John Mandel’s Station Eleven, Maria Dahvana Headley’s translation of Beowulf, and Toby Barlow's Sharp Teeth will find themselves enamoured with Protectress.

Theogony & Works and Days by Hesiod are foundational texts of ancient Greek literature, offering a powerful blend of myth, morality, and early philosophical thought. In Theogony, Hesiod presents the first systematic account of Greek mythology, tracing the origins of the cosmos and the genealogy of the gods—from Chaos and Gaia to Zeus and the Olympian order.

Lovers of cats and poetry, prepare to be amazed and entertained! A Carnival of Cats features sixty-three poems and twelve watercolor paintings that explore the author’s love for and admiration of cats—their beauty, grace, and inscrutable character—and his bemused surmises as to what motivates their puzzling, distinctive, often delightful behaviors. This engaging book tells stories of cats the author has known and cherished—pets, strays, those who are a little of both, and some met only for one special moment.

One evening on Lāhaina’s Front Street, as Shaffer walked to an evening with friends, someone passing on the sidewalk commented, “The islands are even further west than I thought.” Those accidental words, like poetry, shifted his perspective once again regarding the place he lives. Even Further West is a collection of poems written of, in, and on the Hawaiian islands.

Adrian Ernesto Cepeda’s first poetry collection Flashes and Verses… Becoming Attractions uniquely waxes lyrical on such pop cultural icons as Marilyn Monroe, Billie Holliday, Muhammad Ali and David Bowie. He also crafts the most dynamic ekphrastic poems inspired by photos and artwork by Helmut Newton, Edward Hopper and Leonardo da Vinci. He composes the most bedazzling bilingual odes to Sandra Cisneros and Juan Felipe Herrera.

A one of a kind narrative nonfiction book of poems that delves deep into the meaning of money and financial concepts including interest rate, currency, compounding, budget, mortgage, insurance, pension, tax and stock exchange among others. It takes a listener on a journey to the Royal Mint and explores the tradition of the Trial of the Pyx.

The Iliad stands as the blazing cornerstone of all Western storytelling, an ancient epic that captures the violent splendor, tragic heroism, and unbearable human cost of the Trojan War. Attributed to Homer but shaped by generations of oral poets, it plunges listeners directly into the final, furious weeks of a ten-year siege, where gods interfere in mortal affairs, armies clash on the dusty plains beneath Troy’s towering walls, and the fate of empires turns on the choices of men driven by pride, rage, love, and grief.

A one of a kind narrative nonfiction collection of poems devoted to wild urban dwellers.

An important and often-quoted literary figure, the English poet Christina Rossetti (1830–1894) wrote some of the most beautiful and voluptuous poetry in the English language. Like Emily Dickinson, she lived in self-imposed isolation, writing of God and lost love with a sensuality and passion that seemed to emanate from the soul. This edition of 53 works combines a number of her best-known sonnets, ballads, and shorter lyrics with her long masterpiece, the narrative fable Goblin Market.