検索キーワード： 詩

In THE GRAMMAR OF SELF, George Watt presents a lifetime of memories, which seemingly move at random from decade to decade, from continent to continent, from cosmos to microcosm. It does have one central goal: to look at poetry as an attempt towards objectification of aspects of personal identity, as a means through which the self may be confronted, challenged and celebrated. But the volume of verse does more than that as it subscribes to a notion from Thomas Szasz about the self: it is “not something that one finds.

Experimental lyric and narrative poetry that brings together philosophy, theology, and humor. The nameless narrator of Coda attempts to trace the origins of linguistic and perceptual differentiation by experimenting with contemporary lyric and narrative forms. Moving between extravagant prosody and obsessive disquisition, Seidenberg’s poetry works to reconfigure conceptual imperatives found throughout philosophy and theology.

「LED使い切るまで無い寿命」「恋かなと思っていたら不整脈」「万歩計半分以上探しもの」――おかげさまでシリーズ累計100万部を突破！　物忘れも、医者通いも、はたまたビミョーな夫婦関係も、笑いとユーモアでふっとばそう！　「シルバー川柳」は、シニア世代を中心とした、まさに人生の達人たちによる川柳傑作選。

During the Victorian era, many authors tried their hand at a range of literary genres, including poetry. While Victorian verse is often less elegant and graceful than the lyric productions of earlier centuries, it has a distinctive note of earnestness and humanistic charm.

مرثیہ گوئی کے شہنشاہ میر انیس نے کربلا کے غم کو زبان و دل کی گہرائیوں سے امر کر دیا ان کی شاعری میں فن کی رفعت بیان کی سچائی اور جذبات کی شدت جھلکتی ہے میر انیس کے کلام میں ادب کی عظمت اور روحانیت کی تاثیر ایک ساتھ جلوہ گر ہے ان کا ہر شعر تاریخ کربلا کا زندہ نقشہ پیش کرتا ہے مرثیہ خواں فواد خان تھیٹر کے معروف مصنف ہدایت کار اور اداکار ہیں وہ اردو زبان سے گہری محبت رکھتے ہیں اور اس کے فروغ کے لیے بےحد پر جوش ہیں

In Ironhood, the acclaimed poet Raymond Luczak recalls the neighbors and shopkeepers he once knew while growing up in Ironwood, Michigan during the 1970s and 1980s. They included a scruffy man who smoked cheap cigars while tending to his fragrant backyard garden, a cat-eyed woman who stood watch over a sea of typewriters, a bald jeweler whose dexterous fingers repaired a watch's minuscule innards, and tired cashiers in red smocks who dreamed at the western edge of town.

In My Grandfather's God, David Somerfleck invites listeners into a poetic journey through the vast landscape of human experience—where love and loss, spirituality and skepticism, pain and transcendence intersect.

Starseed is a channeled poetry book about the global starseed awakening happening at this time. This poetry book is for those who are ready to connect to their galactic lineage, and our place among the stars. This channeled poetry book was inspired by all the star brothers and sisters working to elevate the consciousness of the planet. If you’re a starseed going through a massive spiritual awakening, allow Starseed Awaken The World to help you step into your purpose and power, to awaken yourself and others!

Since the beginning of time.... the oppressive “dis-ease” of “Macho-ism” continues to have a devastating impact on ourselves and our world. The macho plague has reeked havoc on our lives.... and been the primary cause of wars, racism, sexism, desecration of the animals and the land, (to name a few),... and the horrific example of bullying it demonstrates for our young ones. This is a very personal book, of short essays, poems, stories, and other pieces, that gets to the “heart” of the macho.... and offers a healing, path for the future.

Crystal Raindrops is a moving collection of poems that reflect unspoken pain, silent struggles, and the journey toward healing. The umbrella symbolizes protection, strength, and empowerment through life’s darkest storms. Each poem carries a story meant to inspire forgiveness, mindfulness, self-love, and confidence. This book is a reminder that no one is truly alone. Even in the heaviest downpour, there is hope, growth, and the promise of a rainbow beyond the clouds.

Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. Her next novel in 1801 'Father and Daughter', was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times. From this point on published works were far more regular. The following year her volume 'Poems' appeared and was again very popular.

The bookshelves of American literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented but neglected poet James Monroe Whitfield.

The bookshelves of American literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented modernist poet Hart Crane.

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. After the death of her mother on New Year's Eve 1784 she became her father's housekeeper and hostess. The young Amelia was energetic, attractive, and an admirer of fashion. She spent much of her youth writing poetry and plays and putting on local amateur theatricals. At 18 she had published anonymously 'The Dangers of Coquetry'.

Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery. Of particular interest was her short poem ‘The Black Man's Lament’ in 1826. Her life now was in the main spent travelling and working for charities and against slavery. She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name.

De tantas formas duele el Amar y de maneras opuestas regocijas aún más en el mismo Amor. Todo lo que se vive se le asigna emoción y a nada le quitamos el echo de que vivimos en un presente sin pasado y en un futuro sin sentimientos continuos. Lógica Irrazonable es el comienzo a los sentimientos que nacen con la dualidad de lo inesperado y la ironía de lo que es Amar. Jugando con las palabras para expresar la seriedad cómica de la experiencia. ¿Cuantas veces has Amado y lo contrario recibes de regreso? ¿Porqué Amar es tan complicado y odiar tan fácil de hacer?

Teeth in the Silence is not a book about healing. It’s a record of what the dark leaves behind after it feeds. Through four parts—The Foundation, The Fracture, The Descent, and The Return—Robert Dutch carves his story like a confession whispered through cracked glass. Each poem is a room built from memory: childhood bruises, the slow collapse of self, the ghosts that learned his name, and the long crawl back toward something that might be peace.

Cantares gallegos, obra publicada en 1863 e que marca a data do Día das Letras Galegas, é un reflexo da sociedade rural na que viviu Rosalía de Castro. Xa o prólogo contén unha alegación reivindicativa de Galicia e da súa xente. Ao mesmo tempo, a autora pretende defender e dignificar a lingua galega. Un conxunto de poemas costumistas, aínda que tamén amorosos, intimistas e sociais que significan o renacemento da literatura galega.

Laura Kiesel plumbs the depths of familial dysfunction, and the wretched inheritance of addiction, thoroughly and with impressive nuance in "Swallowing the Stem of Adam’s Apple," combining integrity and personal grit that’s interwoven throughout her lyrical style. She writes beautifully about her fractured relationship with her mother, and the ripple effect it has had throughout the rest of her life. Her work is an unflinching examination of the erotic implications of romantic relationships and filled with visually exhilarating metaphors and analogies.