検索キーワード： 詩

Le "coffret" Arthur Rimbaud regroupe l'intégralité de la poésie de l'auteur, ainsi qu'une sélection de sa correspondance avec ses amis et ses proches. Poésies ; Vers nouveaux et chansons ; Une saison en enfer ; Illuminations ; Œuvres diverses ; Correspondances (Extraits).

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

The evolution of Taylor Mali the poet could be measured in the number of people his poetry has directly inspired to be teachers. Or the increasing cast of high school and college-age students who perform his words in forensic competitions. This is Taylor in his element: performing in front of live and writhing audiences demanding and receiving all the rough, raw, and authentic passion of Taylor Mali's poetry.

All they could hear was the wind, and the waves crashing on to the rocks. All they could see was the night. They could not see the ship, broken in two. They could not see the people holding on to the dark wet rock, slowly dying of cold. And they could not hear the cries for help - only the wind. How could they save the people on the rock? Was their wooden boat stronger than the iron ship?

几度情醉唐诗，几度梦回唐朝，唐诗中的唐朝，繁花如锦却又灾难深重，刚健理性却又缠绵多情，字字珠玉却也句句带血般的词句演绎出一代绝世风华……幾度情醉唐詩，幾度夢迴唐朝，唐詩中的唐朝，繁花如錦卻又災難深重，剛健理性卻又纏綿多情，字字珠玉卻也句句帶血般的詞句演繹出一代絕世風華……

Les "Illuminations" ont été publiées en 1886, sous forme de feuilletons, dans la revue "La Vogue". Rimbaud a remis ces poèmes à Verlaine lors de leur rencontre à Stuttgart en mars 1875. C'est Verlaine qui s'est occupé de publier ces vers. Il y insère une préface dans laquelle il annonce que ces "ornementations colorées" se composent de "prose exquise ou vers délicieusement faux exprès".

Dans ce second titre consacré au tarot, Mariane Costa explore les liens poétiques et symboliques que tissent entre eux les nombres, les couleurs, et les arcanes majeurs et mineurs au sein du tarot de Marseille. Marianne est poète, romancière, actrice, traductrice et conférencière. Normalienne, elle est également une de meilleures spécialistes mondiales du tarot de Marseille. Elle a coécrit avec Alessandro Jodorowski le livre de référence "La voie du tarot".

Il a suffi à Stéphane Mallarmé de quelques poèmes pour remettre en question l'objet même de la littérature. Avec lui naquit un vers nouveau : souvent remaniés des dizaines de fois, ses poèmes sont un travail d'orfèvre, pour lequel il soupèse chaque mot, le contemple sous toutes ses faces et dans sa transparence, dans le jeu de tous ses reflets, jusqu'à obtenir un bijou textuel dont l'essence est un plaisir musical et sensuel plutôt que l'évocation d'objets réels. Sans Mallarmé, pas de modernité poétique. Découvrez ou redécouvrez Mallarmé au travers de ses meilleurs textes ; on leur reproche souvent leur difficulté, mais la clarté de l'interprétation de Florence Alayrac permet d'en savourer tout le plaisir.

Wordsworth's The Prelude is the consummation of his achievement as the great founder of English romanticism. An autobiography in verse, it tells of his childhood in the Lake District, his student days in Cambridge, his passion for the French Revolution and his later disenchantment with it. It also tells of his personal journey to a belief in Nature as the great moral and spiritual force which shapes human life, but on which human society all too often turns its back.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

Trying to squeeze an entire history of Chinese civilization into a brief, one volume account is a formidable task, but one that has succeeded brilliantly here. Hilda Hookham has provided us with a concise story that, while not getting too entangled with personalities and cultural issues, manages to navigate the swirling passage of events that comprise over 3,000 years of Chinese political history.

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

Il Canzoniere di Francesco Petrarca è uno dei capolavori della poesia di tutti i tempi, rappresentando la linfa vitale per tutta la storia letteraria dell’occidente. L’antologia propone una sostanziosa scelta di rime capaci ancora oggi di parlarci con immutata, universale intensità.

William Butler Yeats, the first Irishman to win the Nobel Prize for Literature, is not only one of the greatest poets of the 20th century but one of the most widely read. The landscape, myths, legends, and folklore of his homeland lie at the heart of his poetic imagination, and the unique musicality of Ireland adds to the richness of his verse. But the themes of his poetry are universal and timeless: the conflict between life and death, love and hate, and the meaning of man’s existence in an imperfect world.

The Kalevala provides a compelling insight into the myths and folklore of Finland. Compiled by Elias Lönnrot in the 19th century, this impressive volume follows a tradition of oral storytelling that goes back some 2000 years, and it is often compared to such epic poems as Homer's Odyssey. However, The Kalevala has little in common with the culture of its Nordic neighbors: It is primarily poetic, it is mythical rather than historic, and its heroes solve their problems with magic more often than violence.

In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

Six siècles d'œuvres poétiques sélectionnées par Alain Frémeaux et enregistrées par les acteurs de la Comédie Française, sous la direction d'Olivier Cohen.

"Le Spleen de Paris", aussi nommé "Les Petits poèmes en prose", est publié en 1864. Ce recueil complète "Les Fleurs du mal".