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New York City, 2075. Filipino-American Nick Carraway has just moved to the heart of the fractured New Americas, where he's struck by the city's contradictions - shining corporate towers casting bleak shadows over the slums of a crumbling middle class. When Nick meets alluring new-money Jay Gatsby, he falls for Gatsby's frank charm and confident aura. But in a city where the wealthy flaunt tech-enhanced bodies to cheat death, surfaces aren't all they seem - and as a corporate-sanctioned cyberspace hacker, Nick knows that no secret can stay buried forever.

Lydia España—once a wealthy, spoiled daughter of Cuba—works at a sewing factory in New York. Adjusting to her sharp change of circumstances, missing the days when her prosperous father provided her with every luxury, she ruminates on the incident that drove her away from her homeland in the late 1940s—until she falls in love with Raul, a kindhearted, working-class waiter who sees Lydia as the “Queen of the Congo Line” she used to be: the empress of "the most beautiful and splendid season, which is love.”

Hamilton knows the way to the ruins deep in the Brazilian jungle – and the secret they hold. The millionaire who calls himself Smith seeks the lost city to avenge a wrong from his hidden past. Their journey down the River of Death is an epic of violence and danger. But the secret that awaits them in the lost city is more dangerous still – as a legacy of theft, treachery and murder stretching back to war-torn Europe comes to a deadly climax beneath the ancient walls.

Told through letters, diary entries, and newspaper articles, Dracula is one of the best examples of an epistolary novel, using the “found” nature of its entries to immerse the listener in a dark and thrilling tale. Whether you are returning to an old standard or listening to this brilliant novel for the first time, Dracula is a spectacular and riveting experience.

¡Coge a tus hermanas y apretaos los corsés! Esta es una nueva versión, distinta a todas, de la entrañable novela de Jane Austeen Orgullo y prejuicio. Interpretada por un extraordinario elenco y con banda sonora original del compositor nominado a un Grammy Morgan Kibby. Elizabeth Bennet no piensa conformarse con cualquier hombre ni, para el caso, con cualquier vida que no se adapte a sus gustos. Se casará por amor, bailará cuando le apetezca y —a poder ser— buscará un lugar tranquilo donde leer sin que la interrumpan.

Maria, Niall and Celia have grown up in the shadow of their famous parents. Their father is a flamboyant singer and their mother is a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.

Maria ist ein Single und arbeitet zufrieden als Wäscherin in Dublin. Sie lacht gerne und ist bei sämtlichen Arbeitskollegen beliebt, zumal sie bei auftretenden Zwistigkeiten immer gerne als Streitschlichterin auftritt und daher mit Spitznamen „Die Friedensrichterin" genannt wird. Als Katholikin, die ihre Arbeit bei Protestanten verrichtet, praktiziert sie gelebte Toleranz.

Amid the reflections and twisting alleyways of Venice, a grieving couple are haunted by the past. On a sharp December day, the wind changes - and the birds begin to gather. A group of wartime scientists attempt to capture the power of death, an eye operation reveals a monstrous reality, and a woman returns home to find she doesn't exist. From murderous desires to supernatural forces, du Maurier's masterful short stories stare into the dark heart of our relationships: between men and women, humanity and nature, love and obsession, the future and the past. Whatever you do, don't look now . . .

Daphne du Maurier is best known for Rebecca, “one of the most influential novels of the 20th century” (Sarah Waters) and basis for Alfred Hitchcock’s iconic film adaptation. More than thirty-five years after her death, du Maurier is celebrated for her gothic genius and stunning psychological insight by authors such as Ottessa Moshfegh, Maggie O’Farrell, Lucy Foley, Gillian Flynn, Jennifer Egan, and others, including Stephen King and Joe Hill. After Midnight brings together some of du Maurier’s darkest, most haunting stories, ranging from sophisticated literary thriller to twisted love story.

In these tales of human frailty and obsession, a waterlogged notebook washes ashore, revealing a dark story of jealousy and passion; a vicar coaches a young couple divided by class issues and an older man falls perilously in love with a much younger woman. Each tale demonstrates du Maurier's extraordinary storytelling gifts and her deep understanding of human nature.

Wenn ein Mark Twain auf Reisen geht, dann ist nicht jedem vergönnt, dabei sein zu dürfen – uns schon! Ernest Hemingways berühmtes Zitat „Es gibt eine amerikanische Literatur vor Mark Twain und eine danach, denn nichts was davor da war noch etwas was danach kommt ist damit vergleichbar" wird durch die Unterwegs und Daheim-Reihe wunderbar bestätigt.

Both a spellbinding love story and a superb evocation of Cornwall's mythic past, Castle Dor is a book with unique and fascinating origins. It began life as the unfinished last novel of Sir Arthur Quiller-Couch, the celebrated 'Q', and was passed by his daughter to Daphne du Maurier whose storytelling skills were perfectly suited to the task of completing the old master's tale. The result is this magical, compelling recreation of the legend of Tristan and Iseult, transplanted in time to nineteenth century Cornwall.

Eliot Weiner – snob, shameless opportunist, Morris dancing-obsessive – is on a mission. He has got wind of a trunk of bawdy love letters by Warren Harding, ‘the shallowest President in history’, now guarded by his octogenarian mistress on her crumbling Hollywood Hills estate. They could reignite his failing academic career – and there’s no depth to which he won’t stoop, no preposterous scheme he won’t undertake, to get at them.

Wenn ein Mark Twain auf Reisen geht, dann ist nicht jedem vergönnt, dabei sein zu dürfen – uns schon! Ernest Hemingways berühmtes Zitat „Es gibt eine amerikanische Literatur vor Mark Twain und eine danach, denn nichts was davor da war noch etwas was danach kommt ist damit vergleichbar“ wird durch die Unterwegs und Daheim-Reihe wunderbar bestätigt.

UN RÉGAL DE TRUCULENCE ET DE PÉRIPÉTIES. Chéri-Bibi est un forçat en rupture de ban, tendre et violent, implacable et doux, victime d'un coup du sort et de la "fatalitas". Ce chef-d'oeuvre de la littérature populaire se distingue par son humour grinçant et macabre. Il a été l'objet de nombreuses adaptations, dont la dernière en date, avec Jean Rochefort dans le rôle de La Ficelle, a connu un grand succès.

UN RÉGAL DE TRUCULENCE ET DE PÉRIPÉTIES. Chéri-Bibi est un forçat en rupture de ban, tendre et violent, implacable et doux, victime d'un coup du sort et de la "fatalitas". Ce chef-d'oeuvre de la littérature populaire se distingue par son humour grinçant et macabre. Il a été l'objet de nombreuses adaptations, dont la dernière en date, avec Jean Rochefort dans le rôle de La Ficelle, a connu un grand succès.

UN RÉGAL DE TRUCULENCE ET DE PÉRIPÉTIES. Chéri-Bibi est un forçat en rupture de ban, tendre et violent, implacable et doux, victime d'un coup du sort et de la "fatalitas". Ce chef-d'oeuvre de la littérature populaire se distingue par son humour grinçant et macabre. Il a été l'objet de nombreuses adaptations, dont la dernière en date, avec Jean Rochefort dans le rôle de La Ficelle, a connu un grand succès.

Quiet, gentle, young Faustina Crayle is dismissed from her teaching position at Brereton School for Girls after just a few weeks. She is given no explanation, but it’s clear certain staff and pupils fear her. Her friend and fellow teacher Gisela contacts psychologist and sleuth Dr Basil Willing who offers to investigate these outlandish claims. But this only confirms two damning facts – first, that this happened at a previous school and, second, people believe there are two sides to enigmatic Faustina.

Yorkshire teacher Ellen Fenwick has never been abroad. But when her mother dies, this young woman finds herself taking a position as governess to an English girl in Florence in the summer of 1933. Little does Ellen realise how this girl, Juliet, and her family will claim her. For as the summer passes, Ellen falls so in love with Italy and her new home that she cannot bear to leave – even when her own hopes of love are cruelly thwarted.

Lucy Carmichael is jilted at the altar. But no matter. Her loving and kind family never liked her explorer fiancé anyway. Instead of moping or falling into her supportive family’s arms, however, Lucy abandons their suburban home. Heading for the country, she takes up a teaching position in the industrial town of Ravonsbridge. There, she finds solace in her work, in her new (rather gossipy) colleagues – and rediscovers her sensible young self. But if Lucy has, despite everything, kept her head – where lies her heart?