検索キーワード： 制作 "Deadtree Publishing" 古典

As a writer Zola wrote numerous short stories, essays, plays and novels. When ‘La Confession de Claude’ was published and received the attention of the police Hachette fired him. He continued to write and after his first major novel, ‘Thérèse Raquin’ (1867), Zola started the series called ‘Les Rougon-Macquart’, a carefully planned twenty-volume history of a single family under the reign of Napoléon III.

His name is a byword for unspeakable horror and dread. Across ten stories this dark master holds a fascinating lure for all of us. Word by word, line by line we are drip-fed stomach-churning terror of a mesmerizing kind…

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Hector Hugh Munro, more familiarly known by his pen-name ‘Saki’, was born in what was then Akyab in British Burma on 18th December 1870. His father was an Inspector General for the Indian Imperial Police, and his mother the daughter of a Rear Admiral. After a stint working in Burma with the Indian Imperial Police, Saki decided to move to London to make a living as a writer. Initially he wrote as a journalist for a number of newspapers and magazines before attempting an historical study, ‘The Rise of the Russian Empire’, whose real value lay in directing him to writing short stories instead.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Victor Marie Hugo was born on 26th February 1802, in Besançon, France. There can be no doubt that Hugo is ranked as the greatest of French authors and poets. In ‘Claude Gueux’ one prisoner dares to challenge a system and its cruel Governor who takes away his only friend purely out of spite. The consequences are appalling.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. It is difficult to propose a more gifted exponent of the short story than Kate Chopin. Her individual jewels may be brief but are laden with atmosphere and character as they run their enchanted course. Her genius will always endure.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Francis Scott Key Fitzgerald was born on 24th September 1896 in Saint Paul, Minnesota into an upper-middle class family. Whilst his mother was pregnant with him, his two young sisters tragically died. Fitzgerald once said this was when his destiny as a writer was ordained. In 1913 he enrolled at Princeton but his devotion to his own literary pursuits resulted in him leaving and, rather bizarrely, joining the Army. He continued to write with great mastery and the titles of his novels and many of his 164 short stories are household names.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. He was a mere four years old when his father died and his mother took him and his two sisters to live with her family and then on to their own home in Raymond, Maine. The young Hawthorne had a passion for fiction and poetry and voraciously read the works of Ann Radcliffe, Henry Fielding and Lord Byron.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.