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Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.

Galilee has always known that she’s different—that there is an old and unknowable secret around her very existence. It has been a hollow ache inside her since her childhood, something she assumes she will always have to live with. Until she meets Lucifer Helel. He’s fronting as the head of security for her wealthy friend Oriaku’s family, protecting a mysterious, ancient artifact, but from the moment she lays eyes on him, Gali knows he’s not human.

Aaron Youngblood thought he had it all. A beautiful wife, a gorgeous home, and a thriving business. He never expected his secret to be revealed or be blindsided by heartbreak. Still reeling from the ultimate betrayal of his brother and wife, Aaron finds himself seeking casual relationships, no longer believing in marriage, and unable to trust others.

Elodie Perry is poised to be the small screen’s newest “It Girl”. Following the mega-success of the last time they worked together, it’s a no-brainer to bring her back in front of a camera with Shaw Bridges. The audience had plenty to say about their smoking hot chemistry on-screen, but their real-life romance was kept strictly behind the scenes.

g apparently wounded all of her enemies, and even her beloved Q, Raven “Red” Gomez finds herself away from Detroit living the life of luxury in Arizona. She’s become a successful home broker with a bestselling book, and it seems as if all of her dirty tricks have finally paid off—from framing Detective Thomas to ruining Kera's freedom. Unfortunately for Red, she’s made more enemies than she can count, and she soon finds herself running across country in fear of them all while still being in love with Q.

Vickie Stringer has gained a legion of fans for her portrayal of Pamela, a.k.a. Carmen, a woman who had it all but lost out when the love of her life left her penniless and alone to raise their son. Pamela refuses to remain powerless, though. She pulls herself up, becomes a major hustler in the street game, gains independence, and makes big money—but the consequences are more dreadful than she ever imagined.

In Still Dirty, good old Red, that infamous expert of deception, is still up to making trouble. Though she faces challenges that would baffle even the shrewdest hustler, Red stops at nothing to outwit her adversaries and avoid being caught by either the law or the outlaws. Trapped once again in a web of murder, theft, and deceit, Red escapes with her boyfriend Q, running for a plane to Mexico after a violent fight with her ex-boyfriend Bacon, a released convict.

Pamela was a naive coed from Detroit, going to classes by day and clubs by night. The hottest spot was Jazzy Jay’s and that’s where one of the guys slipped his gun in her pocketbook, knowing that the police who had just descended on the club wouldn’t check the girls for weapons. She didn’t know his name or anything other than he was cute and charming, but when she tracked him down to return his property, she found out his name was Chino, his game was hustling, and his plan was to make her his woman—and give her more than she ever bargained for out of life, love, and the pursuit of money.

Let That Be the Reason begins when a drug dealer abandons his girlfriend Pamela Xavier, leaving her with nothing but a stack of bills, an empty refrigerator, and an impending eviction notice. Backed in a corner and with no prospects in sight, Pamela decides to get her hustle on.

Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for, in the latest installment from "master of craft and narrative" Walter Mosley in a legendary series (National Book Foundation).

Q wished that Bacon had killed Red when he had the chance. Red knew that Q’s career as a hustler was over and he was counting on starting a new legit business with the money he had made. He had once believed her when she promised that the money didn’t mean a thing and she would give it all up to be with him. Bacon returns from prison and suddenly Q is left for dead. With Q out of the picture, Bacon now has Red to himself. His sights are set on being the top hustler with Red by his side. He believes Red has fi nally changed when she reveals the truth about her past.

Mischievous and manipulative, eighteen-year-old Red is an expert at deception with a provocative femininity. She employs her dirty ways—even faking a pregnancy with her boyfriend—to win a closet full of Gucci bags, a deluxe condominium full of baby accessories, a new car, and a book deal.

But Vivian's love affair with the charismatic Black Panther Party leader, Reggie, takes a turn for the worse when his abusive side surfaces. To protect herself and her unborn child, Vivian must commit a cardinal sin in order to escape the relationship alive. She finally finds refuge in the most unlikely of places and begins her long journey toward healing. If Vivian can receive God's forgiveness and extend the same to those who have hurt her, waiting for her is a love she could have never imagined.

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. With twelve stories ranging from love that’s found on one of the oldest HBCU campuses in the country, to modern-day romance budding against the rhythm and spirit of homecoming, You’ve Got a Place Here, Too is a celebration of Black love as well as everything HBCUs have given the community.

Odysseus Johnson dreams of musical stardom for his three sons: Roman, the rebel, more interested in being a teenager than a performer; Rocco, arguably the most talented of the bunch, but different in a way the world doesn’t understand; and dutiful River, the youngest, who dreams of fame just like his dad. Driving back from another failed audition in Detroit, the Johnson boys come upon the ghost of Christmas Jones the Third, an ebullient, if lonely, young Black orphan who carries the scars of a horrific past as a minstrel sensation.

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

Kai is an accidental activist, drawn to protest only because the alternative—to not protest—feels unimaginable in a turbulent time like this. And Lila is a longtime social justice warrior. At least in theory. Trying to find their footing and independent voices in the middle of a new movement, they just might find something else—a new love.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

After eight years with her husband, Shalaine Brunson has reached her breaking point. Without a job, she knows her exit has to be strategic. However, before she can leave on her own, the decision is made for her. One traumatic event is all it takes for Shalaine to realize that the person she was married to wasn't who she thought he was. Becoming a single mother overnight is far from easy, but that's not the worst of the curveballs that are thrown at Shalaine. One of the changes in her life consists of moving to a less than desirable neighborhood.

Billie Hopkins is discontent living life for her mother. The painter and baker spends her days working at her family’s business. Even though she wishes she could change her life, she doesn’t have the motivation to do so… Until her boyfriend of three years breaks up with her and gets engaged just six months later. Worse, his fiancée wants to hire Billie to bake their wedding cake. That seems to be the final straw that breaks the camel’s back and forces Billie to do something different with her life—even if it’s just for three days.