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The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait.

On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special audiobook. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

When the men in their lives prove less than reliable, Savannah, Bernadine, Gloria, and Robin find new strength through a rare and enlightening friendship as they struggle to regain stability and an identity they don’t have to share with anyone. Because for the first time in a long time, their dreams are finally OFF hold....

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where Black maids raise white children, but aren't trusted not to steal the silver. There's Aibileen, raising her 17th white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

Canonized, overlooked, and forgotten African American poets star in Terrance Hayes's brilliant contemplations of personal, canonical, and allegorical literary development. Proceeding from Toni Morrison's aim to expand the landscape of literary imagination in Playing in the Dark ("I want to draw a map, so to speak, of a critical geography"), Watch Your Language charts a lyrical geography of reading and influence in poetry.

From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....

When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.

When Stella Renee Johnson's roommate invites her to a sex club party but bails at the last minute, Stella decides to use the opportunity to finally cash in her V-card. But just when things are heating up between Stella and a sexy stranger, they realize they don’t have protection and Stella, taking it as a sign this wasn't meant to be, flees.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern Black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: Their families, their communities, their racial identities. Many years later, one sister lives with her Black daughter in the same Southern town she once tried to escape. The other secretly passes for White, and her White husband knows nothing of her past.

Penguin presents the unabridged downloadable audiobook edition of Homegoing by Yaa Gyasi, narrated by Dominic Hoffman.

Effia and Esi: two sisters with two very different destinies. One sold into slavery, one a slave trader's wife. The consequences of their fate reverberate through the generations that follow.

The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportscoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment draw in the whole community, from Sportscoat's best friend - Hot Sausage - to the local Italian mobsters, the police (corrupt and otherwise), and the stalwart ladies of the Five Ends Baptist Church.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

In Oru L'ore has a secret. She is the only one without agbára – the ability to harness power from the sun. On pain of death she must conceal it from everyone. Including her best friend, Alawani. But when the gods declare Alawani an Àlùfáà – a great honour where he will serve the gods and the Kingdom – he must be stripped of his power in a brutal trial likely to kill him. Unwilling to bear his death, L'ore vows to rescue him.

Shade is a place meanders east-west along Charlottesville’s Downtown Mall, seeking “a Black sense of place” at the pace of stressed shade and street trees, the mall’s architectural history, and the speaker’s inner life and ongoing questions. The collection of poems is a moving invitation to open one’s attention by looking up, down, and always within. Through lyric walking poems (“tree walks” and “shade walks”) and Bashō-style travelogue, Shade is a place unfolds as much through arboreal life as through one’s inner life—sometimes alone, sometimes with others, and always among turning trees.

PARADISE ONCE TRACES THE AFTERMATH of the massacre by Spanish forces of the fictional Maima village in Cuba in 1513. Some believe the destruction of Maima is the result of angering the cemíes—Taíno spiritual entities—when foreign practices, contrary to the sacred laws of the Taíno, began to infiltrate the village.

New York City, April 2002: Geneva, Crystal, Noah, and Chevy, a close friend group, are all mid-thirty, flirty—and ready to embrace the heat of the summer. But behind closed doors, each of them has struggles of their own.

Eve Ambroise may be a rising star playwright, but her personal life is falling part. Desperate for a fresh start, she breaks up with her fiancé, cuts off her parents, and heads to the Tennessee mountains. But keeping up the lie that she’s just on a writing retreat becomes near impossible when faced with the well-meaning townspeople and a neighbor who has just as much baggage as she has.

Three years have passed since four friends—Geneva, Chevy, Crystal, and Noah—had a steamy summer of secrets and sleeping around. As another summer is fast approaching, they’ve sworn off any extracurricular activities, but as the temperature rises in the city, the friends find themselves in hot water again.

Susan “Zuzu” Braeburn is almost forty. She has the life she’s always dreamed of – a beautiful house, a child, a successful partner. But something between her and her wife has been off for a long time, and she can’t help but wonder if she’s chosen wrong at every turn. Choosing to live with her white mother over her Black father in the divorce, choosing to become a lawyer rather than an artist, and most importantly, choosing to marry Agnes despite her unrequited feelings for her male best friend Cash.

Liza B.—the only DJ who gives a jam—wants to take her neighborhood back from the soulless property developer dropping unaffordable condos on every street corner in DC. But her planned protest at a corporate event takes a turn after she mistakes the smoldering-hot CEO for the waitstaff. When they go toe-to-toe, the sparks fly—but her impossible-to-ignore family thwarts her every move. Liza wants Dorsey Fitzgerald out of her hood, but she’ll settle for getting him out of her head.