検索キーワード： 制作 "----RM Alexander" 伝記・自叙伝

La niñez de Jesse fue destrozada de forma violenta. Nació en San Diego, en los años setenta, hijo de inmigrantes mexicanos e indígenas de la clase obrera. Cuando tenía once años, un encuentro en una tienda de regalos lo dejó con un secreto aterrador entre manos. Herido, con el apoyo de nadie y temiendo por su vida, Jesse se perdió en el mundo híper masculino de las calles de San Diego, donde silenció su dolor con lo que fuera que encontrara: alcohol, drogas y prostitución.

In this third volume of his memoirs, following the critically acclaimed Palm Trees on the Hudson and his breakout best seller Taking Woodstock, Elliot Tiber chronicles his hilarious, madcap, and often heartbreaking adventures in the entertainment industry. Guided as much by chutzpah as by his creative drive, Tiber travels around the world always looking to grab the brass ring. And everywhere he goes, from Hollywood to Brussels, Tiber makes his indelible, irreverent, unique mark.

This Boy and His Mother: Healing from Trauma as a Gay Latter-day Saint chronicles Preston Jenkins' journey back to faith and activity in the Church of Jesus Christ of Latter-day Saints. Speaking with authenticity, Preston offers gospel insights gleaned from his experiences involving same-sex attraction, sexual and emotional abuse, an early return from an LDS mission, mental illness, and the eventual completion of a mission. Hope, faith, and never-failing charity are strikingly displayed. So, too, is the sufficient grace of Jesus Christ to holistically heal all wounds.

Alan Bennett is one of the country's most celebrated and best-loved authors. This unmissable collection of diaries and memoirs brings together for the first time Telling Tales, Diaries: 1980-1990, the autobiographical section of Untold Stories, which covers the period 1997-2004, and Keeping On Keeping On: The Diaries 2005-2014. With wit, wisdom, sharp social commentary and perceptive impressions, Alan Bennett's memoirs and diaries are a joy to discover, and a delight to hear again.

For the best part of five decades, within a hyper-masculine sporting environment, Danielle Laidley harboured a secret. As a boy growing up in the backblocks of Perth, as a teenager and young man playing AFL, as a married father of three, she knew she was female, regardless of the gender she was assigned at birth.

In this unconventional memoir, Jonathan Alexander addresses wry and affecting missives to a conflicted younger self. Focusing on three years—1989, 1993, and 1996—Dear Queer Self follows the author through the homophobic heights of the AIDS epidemic, the fall of the Berlin Wall, the election of Bill Clinton, and the steady advancements in gay rights that followed. With humor and wit afforded by hindsight, Alexander relives his closeted college years, his experiments with his sexuality in graduate school, his first marriage to a woman, and his budding career as a professor.

This is the true story of a male couple's quest for a life in the West...one is American, the other is Iraqi. The American learns about gays in the Middle East and human trafficking as he helps his partner escape from Turkey by raft, sneak their way into Athens, and seek asylum in Amsterdam.

"I was caddywonked from the get-go." That’s how this memoir begins, as an embryonic Jeff Batton was whisked away to a home for unwed mothers in Savannah, Georgia. His new parents arrived in the form of the Battons, and his new home, a 700-acre peanut and tobacco farm. While the memoir has the South as its launching point, the narrative travels far and wide to New York City, Hong Kong, and beyond. Lovingly told, Grinnin’ Like a Jackass Eatin’ Briars is about uncovering our truth, looking at the world from a different angle, and finding the courage to embrace what we find.

In the 1970s, gay men and lesbians were openly despised and drag queens scared the public. Yet that was the era when Doris Fish (born Philip Mills in 1952) painted and padded his way to stardom. He was a leader of the generation that prepared the world not just for drag queens on TV but for a society that welcomes and even celebrates queer people. How did we get from there to here? In Who Does That Bitch Think She Is? Craig Seligman looks at Doris’s short but overstuffed life as a way to provide some answers.

Death isn't the end. Marie didn't expect to be given the opportunity to go to a new universe when she died, but when it was offered she held to the offer with all her might. Taking the name of Talyn, she was accompanied to the new world by the goddess Melody as her assistant, as she seeks out a more rewarding life for herself, no matter what challenges may stand before her. Even if the introduction of some game mechanics and a goddess to her life has unanticipated consequences.

For decades, our cultural discourse around trans and gender-diverse people has been viewed through a medical lens, through diagnoses and symptoms set down in books by cisgender doctors, or through a political lens, through dangerous caricatures. But those who claim non-binary gender identity deserve their own discourse. In Transit looks forward to a world where being who we are, whatever that looks like, isn't met with tension and long-winded explanations, but rather with acceptance and love. Being non-binary is about finding home in the in-between places.

Some years ago, Oliver Darkshire stepped into the hushed interior of Henry Sotheran Ltd on Sackville Street (est. 1761) to interview for their bookselling apprenticeship, a decision which has bedevilled him ever since. He'd intended to stay for a year before launching into some less dusty, better remunerated career. Unfortunately for him, the alluring smell of old books and the temptation of a management-approved afternoon nap proved irresistible. Soon he was balancing stacks of first editions, fending off nonagenarian widows with and trying not to upset the store's resident ghost.

Selling Dead People’s Things is a wry behind-the-curtain peek into the world of antiques and their obsessive owners—while still alive and after their passing. An amusing observer of the human condition, author Duane Scott Cerny entertains in illuminating, scary, sad, or frightfully funny resale tales and essays. Whether processing the estate of a hoarding beekeeper, disassembling the retro remains of an infamous haunted hospital, or conducting an impromptu appraisal during a shiva gone disturbingly wrong, every day is a twisted treasure hunt.

Ink from the Pen is the story of an educated, HIV+ gay man whose decades-long walk on the wild side came crashing down in 2004, when he found himself facing nine months in prison for dealing the crystal meth he’d become addicted to during the worst of the AIDS epidemic. Olmsted soon discovered his love of words was precisely what would get him through the experience. With a keen eye for detail and an unerring capacity to deftly convey the poignancy and absurdities of incarceration, Mark learned that creativity is one of the most powerful survival tools there is.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril.

Jonathan is thirty-one-years-old, living in Milan with his boyfriend of three years and their two cats when he gets a fever. But unlike most, this fever doesn’t go away. After spending weeks Googling his symptoms and documenting his illness, he finally sees a doctor. A series of blood tests, hospital visits, and repeated misdiagnoses ensue, until the truth is finally revealed: Jonathan is HIV-positive. In the vein of Edouard Louis, Fever is at once a deeply personal story and a searing examination of class, poverty, prejudice, and opportunity in modern Europe.

In Too Much, with his trademark wit and insight, Tom Allen takes a funny and moving look at how he's been thrown into adulthood, as he finally leaves the family home and starts a relationship with a new boyfriend. He shares his unwillingness to move on from the arrested development of millennial life. But ultimately, he has to grow up fast in the wake of the unexpected death of his father in late 2021.The audiobook becomes an emotional ode to his beloved dad and how you learn to navigate grief.

Henry Gerber was the father of American gay liberation. Born in 1892 in Germany, Henry Gerber was expelled from school as a boy and lost several jobs as a young man because of his homosexual activities. He emigrated to the United States and enlisted in the army for employment. After his release, he explored Chicago’s gay subculture: cruising Bughouse Square, getting arrested for “disorderly conduct,” and falling in love.

Imagine a pied piper singing in a dazzling falsetto, wearing glittering sequins, and leading the young people of the nation to San Francisco and on to liberation where nothing was straight-laced or old-fashioned. And everyone, finally, was welcome—to come as themselves. This is not a fairy tale. This was real, mighty real, and disco sensation Sylvester was the piper. Joshua Gamson—a Yale-trained pop culture expert—uses him, a boy who would be fabulous, to lead us through the story of the '70s when a new era of change liberated us from conformity and boredom.