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In this groundbreaking book spanning decades of artistic risk-taking, the inventor of “industrial music”, founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist with COUM Transmissions, Genesis P-Orridge (1950-2020) takes us on a journey searching for identity and their true self. It is the story of a life of creation and destruction, where Genesis P-Orridge reveals their unwillingness to be stuck—stuck in one place, in one genre, or in one gender.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

Born and raised in New York to a food-phobic mother and food-fanatical father, Elissa was trained early on that fancy is always best. After a childhood spent dining everywhere from Le Pavillion to La Grenouille, she devoted her life to all things gastronomical, from the rare game birds she served at elaborate dinner parties in an apartment so tiny that guests couldn’t turn around to the eight timbale molds she bought while working at Dean & DeLuca, just so she could make tall food.

Anne Hull grew up in rural Central Florida, barefoot half the time and running through the orange groves her father’s family had worked for generations. The ground trembled from the vibrations of bulldozers and jackhammers clearing land for Walt Disney World. “Look now,” her father told her as they rode through the mossy landscape together. “It will all be gone.” But the real threat was at home, where Hull was pulled between her idealistic but self-destructive father and her mother, a glamorous outsider from Brooklyn struggling with her own aspirations.

The memoir reflects upon my small-town roots, beginning in Southern Illinois as the son of a Pentecostal preacher who was, by day, a coal miner. It examines how these roots influenced me to build two ministries in the Episcopal Church that served people with AIDS and their care-givers.

Greg Marshall's early years were pretty bizarre. Rewind the VHS tapes (this is the nineties) and you'll see a lopsided teenager limping across a high school stage, or in a wheelchair after leg surgeries, pondering why he's crushing on half of the Utah Jazz. Add to this home video footage a mom clacking away at her newspaper column between chemos, a dad with ALS, and a cast of foulmouthed siblings.

Greg Marshall's early years were pretty bizarre. Rewind the VHS tapes and you'll see a lopsided teenager limping across a high school stage, or in a wheelchair after leg surgeries, pondering why he's crushing on half of the Utah Jazz. Add to this home video footage a mom clacking away at her newspaper column between chemos, a dad with ALS, and a cast of foulmouthed siblings. Fast forward the tape and you'll find Marshall happily settled into his life as a gay man only to discover he's been living in another closet his whole life.

In To Name the Bigger Lie, Sarah Viren “has pulled off a magic trick of fantastic proportion” (The Washington Post), telling the story of an all-too-real investigation into her personal and professional life that she expands into a profound exploration of the nature of truth. The memoir begins as Viren is researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything—eventually, even the reality of historical atrocities.

Don't You Dare is a compelling story that weaves together a current-day journey of discovery and a true-life love story between two women that took place over a hundred years ago. Newspaper headlines and stories back then didn't mention LGBTQ people. The LGBTQ community loved and lived in the background of society because it was too dangerous to do otherwise. All were hidden, just like the wedding photos belonging to author Gayla Turner's grandmother–Ruby.

Sean Szeps had wanted to be a mum since the age of four when he fell in love with Mrs Potts, the motherly teapot in Beauty and the Beast. But there was just one problem – he was not, in fact, a woman. But when he was swept off his feet by a handsome Australian man in New York City, Szeps's dreams of marriage and parenthood seemed – for the very first time – within reach. There were just a few little things still standing in his way – outdated marriage laws, hundreds of thousands of dollars, and a healthy dose of internalised homophobia.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

After an Eden’s upbringing in eastern Pennsylvania, 12-year-old Tom Zuniga’s world suddenly gave root to an alien existence of struggle. Initiated by an 800-mile move from the only home he’d ever known, he started warring in unforeseen ways: isolation at a Southern Baptist church and bullying at a Christian high school, all the while fiercely determined to conceal sexual secrets spanning his entire childhood. It wasn’t until after college with a fresh start in a new state and two pivotal summer excursions that a foreign thread of redemption started spinning among the struggle.

Ergreifend und ungeschönt erzählt Elliot Page in seinem Memoir von seinem langen Weg zu sich selbst. Elliot Page wurde mit Hauptrollen in Juno oder Inception weltberühmt. Mit 33, im Dezember 2020, outete er sich über Instagram als trans. In seinem ersten Buch erzählt Elliot Page die Geschichte seines einzigartigen Lebens, das ihm seine Transition gerettet hat. Vom Aufwachsen in der kanadischen Hafenstadt Halifax, vom Erwachsenwerden im von traditionellen Geschlechterrollen besessenen Hollywood. Vom Entdecken der eigenen, tabuisierten Sexualität und der tiefgreifenden Scham vor dem eigenen Körper.

Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars.

Told over the first ten years, And Don't F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul's decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance.

Pageboy is a groundbreaking coming-of-age memoir from the Academy Award-nominated actor Elliot Page. A generation-defining actor and one of the most famous trans advocates of our time, Elliot will now be known as an uncommon literary talent, as he shares never-before-heard details and intimate interrogations on gender, love, mental health, relationships, and Hollywood.

Paul Burston wasn’t always the iconic voice of LGBTQ+ London that he is today. Paul came out in the mid-1980s, when ‘gay’ still felt like a dirty word, especially in the small Welsh town where he grew up. He moved to London hoping for a happier life, only to watch in horror as his new-found community was decimated by AIDS. But even in the depths of his grief, Paul vowed never to stop fighting back on behalf of his young friends whose lives were cut tragically short.

Jill had a happy, healthy 20-year relationship with her college sweetheart, two wonderful kids, and rescue cat from the Humane Society. They lived in a nice suburban home with a white picket fence and owned a small bar that was rated one of the “Best Mom & Pop” businesses in Tampa Bay. From the outside, everything looked perfect. Perfectly Queer takes the listener on Jillian Abby's poignant and painfully funny rollercoaster of self-discovery as she identifies and eventually accepts herself as a lesbian just before her 40th birthday.

As a young femme in 1990s Manila, Geena Rocero heard, “Bakla, bakla!,” a taunt aimed at her feminine sway, whenever she left the tiny universe of her eskinita. Eventually, she found her place in trans pageants, the Philippines’ informal national sport. When her competitors mocked her as a “horse Barbie” due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet. By seventeen, she was the Philippines’ highest-earning trans pageant queen.

A deeply personal, yet candid saga of a gay Secret Service Agent in the Obama era; an agent who was struggling with his own identity, marriage, discrimination, and balancing the demands that accompany being assigned to protect the most powerful people in the world.