検索キーワード： 芸術・文学

The Golden Age of Detection has enjoyed a great resurgence of interest in recent years, with publishers mining back catalogues to bring the best of yesteryear to very receptive new audiences. What is it about a literary movement that took off in the 1920s that still appeals to book lovers in the 2020s? In this authoritative new study, John Curran reveals that it is the ludic qualities of classic crime fiction that continue to intrigue.

Between 1990 and 1994, Colm Tóibín made a series of trips through Catholic Europe. His journey led him into close contact with people from all walks of life, from priests to politicians, from the intellectually open to the spiritually bigoted. He then set down his impressions in The Sign of the Cross, a beautifully written book filled with personal detail set within its historical context.

Colm Tóibín's Lady Gregory's Toothbrush is a beautiful insight into the life of outspoken Irishwoman, Augusta Gregory. A remarkable figure in Celtic history, she was married to an MP and land-owner, yet retained an unprecedented independence of both thought and deed, actively championing causes close to her heart. At once conservative and radical in her beliefs, she saw no conflict in idealizing and mythologizing the Irish peasantry, for example, while her landlord husband introduced legislation that would, in part, lead to the widespread misery, poverty and starvation of the Great Famine.

From global bestseller and creator of Jack Reacher, comes Lee Child’s first-ever autobiographical collection. From urgently scribbling out his debut Killing Floor in pencil (the stub of which he still owns), to taking a step back with Blue Moon, and everything in between, here are 24 honest, witty and wise personal reflections on his life and work, crafted across decades.

Vorab zur Persönlichkeit Jean Pauls: Als Busenfreund und Blutsbruder von E.T.A. Hofmann gilt er neben demselben als Enfant Terrible der Romantik und als einziger Mensch seiner Zeit, der sogar Goethes Intellekt ins Wanken brachte, wobei Letzterer nach einem Kennenlernen Jean Pauls anmerkte, dass dieser auf ihn wie ein Mensch vom Mond wirke, aber schließlich die Auseinandersetzung mit dessen Texten nur wohlwollende und respektable Worte der Anerkennung zur Folge hatten.

Vibrante icône dont l'anticonformisme délicieusement scandaleux et le mode de vie solaire ont incarné les rêves de plusieurs générations depuis l'après-guerre, Françoise Sagan habite notre imaginaire. Marie-Dominique Lelièvre l'a prise en filature et revisite son mythe. Menant une enquête littéraire à suspense, elle a eu accès à des archives confidentielles. Elle a rencontré les amis intimes de Sagan, Florence Malraux et Bernard Frank, mais aussi ses secrétaires, sa dernière compagne, son fils, sa banquière, ses médecins, ses éditeurs, sa gouvernante.

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as ‘my shelter and my storm’. Born out of the onrush of memories and feelings provoked by her mother Mary’s death, this is the astonishing, often disturbing and surprisingly funny memoir of the Arundhati Roy’s life, from childhood to the present, from Kerala to Delhi.

In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write.

From its humble beginnings as a discount shop on Seventh Avenue, Barneys grew into an international phenomenon, setting the tone for fashion not only in New York, but across the country and worldwide. Told with razor-sharp wit and inimitable style, They All Came to Barneys takes us on an insider’s journey as rakish, would-be rocker Gene Pressman and the global fashion industry grew up and came into their own, side by side.

Thieves! Spies! Abolitionists! Ghosts! If we ever truly believed Jane Austen to be a quiet spinster, scholar Devoney Looser puts that myth to rest at last in Wild for Austen. These, and many other events and characters, come to life throughout this rollicking book. Austen, we learn, was far wilder in her time than we’ve given her credit for, and Looser traces the fascinating and fantastical journey her legacy has taken over the past 250 years.

When rare books dealer Rebecca Romney found an emerald clothbound edition of Evelina by Frances Burney, she was happy to discover that she'd stumbled across a novel by one of Jane Austen's favourite authors. Inspired by the connection between the two writers, she returned to Austen's books with a new lens, picking out clues sprinkled throughout her works that pointed to the writers she had admired.

Nearly a decade ago, infamous literary 'it' girl Caroline Calloway created the proposal for a book she called School Girl while cutting up lines of Adderall with her Cambridge student ID. She promised followers and publishers alike that her life was a perfect fairytale up until the day she went to rehab. As her 2015 book deal crumpled without a manuscript, Calloway was called a scammer, a fraud and a one-woman Fyre Fest, although during this time she managed to get and remain 'amphetamine-sober'. She also promised herself that she would never again sell a book without a finished manuscript.

Marking the first time Toews has written her own life in nonfiction, A Truce That Is Not Peace explores the uneasy pact every creative person makes with memory. Wildly inventive yet masterfully controlled; slyly casual yet momentous; wrenching and joyful; hilarious and humane—this is Miriam Toews at her dazzling best, remaking her world and inventing an astonishing new literary form to contain it.

A gripping and revealing new biography of one of the greatest of modern poets, the queer, Greek-Egyptian Constantine Cavafy (1863-1933), whose admirers have ranged from E M Forster, T S Eliot and Virginia Woolf to Jackie Onassis, Leonard Cohen and Stephen Fry.

Soon after Henk Pröpper moves from Amsterdam to Paris, both the world and his heart almost come to a full stop. He undergoes major surgery and awakes in an empty city in lockdown. Paris is transformed into an abandoned stage. To quicken his recovery, Pröpper begins walking. He combs his immediate surroundings, he hunts for the past, discovering countless commemorative plaques and monuments that honour well- and lesser-known Parisians and keep their histories alive. Pröpper also reflects on his own life and the literature that has shaped him.

The letters of the most remarkable of the Mitford sisters—timed to a new streaming series about the ever-fascinating family and a new biography of Jessica coming in 2025.

Donna Leon’s memoir, Wandering through Life, gave her legions of fans a colorful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life. In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross MacDonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’s Great Expectations and her appreciation for Sir Walter Scott’s generosity of spirit.

Seasoned CBS reporter Sharyl Attkisson reveals how she has been electronically surveilled while digging deep into the Obama Administration and its scandals, and offers an incisive critique of her industry and the shrinking role of investigative journalism in today’s media.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life.