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In a time of rising authoritarianism and attacks on personal freedoms, the New York Times bestselling author of I’m Still Here chronicles her efforts to live as her full self in a society that wants women—and Black women in particular—to do anything but that.

EVERYONE’S SEEN MY TITS is a powerful, funny, high spirited essay collection. From growing up on a council estate and her tumultuous relationship with fame to overcoming adversity, finding feminism, and finding herself, these essays chronicle one woman’s coming-of-age and coming into herself. A personal journey with universal appeal as girls worldwide continue to battle how they are perceived, who they really are, and what they can be.

In Destroy This House, Amanda sets out to document her parents’ unbelievable exploits and her own hard-won escape into independence. With humor and tenderness, Uhle has crafted a heartfelt and utterly unique memoir, capturing the raucousness, pain, joy, and ultimately, the boundless love that exists between all parents and children.

Rock Star has descriptive copy which is not yet available from the Publisher.

The experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life.

More than a memoir, Judgement is a real-time chronicle of a life under siege. Written by Tulisa through a series of raw, unfiltered journals during the most turbulent year of her life, Tulisa captures, moment by moment, the downfall orchestrated by the notorious 'Fake Sheikh', Mazher Mahmood. The result is Judgement: an unflinching, no-holds-barred account of survival, injustice, love, betrayal and ultimately, redemption. Judgement is her incredible story.

Tina Davidson is three-and-a-half when she is adopted from her foster home in Sweden by a visiting American professor. Soon she is the oldest of five children, living with her mother and stepfather in Turkey, Germany, and Israel. She studies music and becomes a prolific pianist and composer. But something about her birth remains unnamed and hidden. When she returns to Sweden, she contacts the Swedish adoption agency. “Come,” says the voice on the phone, “I have information for you.”

Lee Tilghman—also known as @LeeFromAmerica—was one of the very first wellness influencers. To her nearly 400,000 followers, she shared daily updates and advice on everything from skincare and sleep hacks to smoothie bowls, travel tips, and workout routines. She embodied #SelfCare. Her sponsorships with such brands as Madewell and Subaru netted an income of over $300,000 a year. On the grid, her life seemed perfect.

Set against a dramatic backdrop of war, spies, and nuclear bombs, An Atomic Love Story unveils a vivid new view of a tumultuous era and one of its most important figures. In the early decades of the twentieth century, three highly ambitious women found their way to the West Coast, where each was destined to collide with J. Robert Oppenheimer, the enigmatic physicist whose work in creating the atomic bomb would forever impact modern history.

From 2000 to 2010, River Selby was a wildland firefighter whose given name was Anastasia. This is a memoir of that time in their life—of Ana, the struggles she encountered, and the contours of what it meant to be female-bodied in a male-dominated profession. Hotshot is a work of intimacy and authority, nimbly merging a personal journey of reinvention and self-acceptance with expert insight into the textured history of ecological systems and Indigenous land tending.

A woman who was sexually abused by her own father and later gave birth to his daughter is now running a support group which spans 30 countries and has tens of thousands of supporters. Stace Don, now 36, was taken into foster care as a baby after being neglected by her parents. For seven years, she lived an idyllic life, believing her foster parents were her real parents. But a chance encounter with her natural father, Nigel Taylor, shattered her happiness and she was later moved from her foster home, away from the family she loved.

Named is a fascinating exploration of names, global naming conventions and identity politics woven into a moving, personal narrative about the finding of family and self. At the intersection of memoir and social and cultural history it is a truly fascinating book about the seemingly ordinary and every day.

Once again, the poet casts her spell as she resumes one of the greatest personal narratives of our time. In this continuation, Angelou relates how she joins a "colony" of Black American expatriates in Ghana—only to discover no one ever goes home again.

In this incredible second book in a series of autobiographies, the poet, still in her teens, gives birth to a son, tries to keep a job, falls in love, dances, falls out of love, chases after her kidnapped baby, and goes to work in a house of prostitution thinking she is helping the man she loves.

Maya Angelou has fascinated, moved, and inspired countless people with the first three volumes of her autobiography, one of the most remarkable personal narratives of our age. Now, in her fourth volume, The Heart of a Woman, her turbulent life breaks wide open with joy as the singer-dancer enters the razzle-dazzle of fabulous New York City. There, at the Harlem Writers Guild, her love for writing blazes anew.

ACCORDING TO THE NATIONAL COALITION AGAINST DOMESTIC VIOLENCE, in the United States, an average of twenty-four people per minute are physically abused by an intimate partner, and one in three women have experienced some form of domestic violence. One of those women was Katrina Brownlee, who as a twenty-two-year-old mother of two experienced hell at the hands of her then-fiancé. He was a law enforcement officer―a group two to four times more likely than the general population to be abusive, and who are known for protecting their own.

In Riding, Pardis Mahdavi meditates on the lessons learned over a lifetime of horseback riding and the falling, failing, and joy it brings. At once a history of Caspian horses, an exploration of Mahdavi's Iranian-American identity and family history, and a consideration of the capacity for self-reflection and self-compassion through human-animal relationships, Riding offers a roadmap for learning to live in harmony with the self and the environment around us.

Over the years that Chloé Caldwell had been married and hoping to conceive a child, she’d read everything she could find on infertility. But no memoir or message board reflected her experience; for one thing, most stories ended with in vitro fertilization, a baby, or both. She wanted to offer something different. Caldwell began a book. She imagined a selective journal about her experience coping with stasis and uncertainty. Is it time to quit coffee, find a new acupuncturist, get another blood test?

Marion Graves Anthon Fish, known by the nicknames “Mamie” and “The Fun-Maker,” threw the most epic parties in American history. This Gilded Age icon brought it all: lavish decor; A-list invitees; booze; pranks; and large animal guest stars. If you were a member of New York high society in the Peak Age of Innocence Era, you simply had to be on Mamie Fish’s guest list. Mamie Fish understood that people didn’t just need the formality of prior generations—they needed wit and whimsy.