検索キーワード： 文化・地域

In this book, the author shares personal stories, captivating the listener with descriptions of her experiences and challenges as an African immigrant, an international student, and later, as a mother of three children. The quotes she chooses to use as openers for each letter reflect her background as an African anthropologist and spiritual leader. She sums up each missive with lessons she has learned during her decades of living in the United States. This book offers insight into the life a minoritized American immigrant from an internal perspective.

For years, Amy Thunig thought she knew all the details about the day she was born, often demanding that the story of her birth be retold. Years later, heavily pregnant with her own first child, she learns what really happened that day. It’s a tale that exemplifies many of the events of her early life, where circumstances sometimes dictated that things be slightly different from how they might seem–including what is meant by her dad being away for ‘work’ and why her legal last name differs from her family’s.

A birder strolling in Central Park. A college student lounging on a university quad. Two men sitting in a coffee shop. Perfectly ordinary actions in ordinary settings—and yet, they sparked jarring and inflammatory responses that involved the police and attracted national media coverage. Why? In essence, Elijah Anderson would argue, because these were Black people existing in white spaces. In this book, Anderson brings his immense knowledge and ethnography to bear in this timely study of the racial barriers that are still firmly entrenched in our society at every class level.

Dami Im was an aspiring singer-songwriter and pianist when she auditioned on The X Factor in 2013. Mentored by Dannii Minogue, she would go on to win. From that time on, her life changed as audiences discovered her incredible voice and her electric stage presence. One of Australia's greatest musical talents, Dami is a long way from the girl born in Seoul who came to Australia on what she thought was a holiday only to find out, when she started school—not speaking a word of English—that she was here to stay.

Once historias nada ejemplares, de esas que nunca veréis en el muro de una red social. Las once historias que descubriréis en estas páginas son vivencias reales, crudas y duras. Once jóvenes, casi niños, nos abren su corazón desde el centro de internamiento en el que están privados de libertad y cumplen con la justicia, para relatarnos hechos que han destrozado su vida y la de los demás. Son protagonistas de sucesos muy violentos, que ojalá formasen parte del argumento de una serie de televisión, pero, desgraciadamente, son casos que abren informativos.

A Croft in the Hills captures, in simple, moving descriptions, what it was really like trying to make a living out of a hill croft near Loch Ness fifty years ago. A couple and their young daughter, fresh from city life, immerse themselves in the practicalities of looking after sheep, cattle and hens, mending fences, baking bread, and surviving the worst that Scottish winters can throw at them. Their neighbors are few, but among them they find the generosity and community spirit that has survived in the Highlands for generations.

Что появилось раньше - человек или зеркало? Этим вопросом задается Паола Дмитриевна Волкова в четвертом томе цикла "Мост через бездну". Для великих мастеров портрет всегда был не просто изображением человека, но и зеркалом, отражающим не только внешнюю, но и внутреннюю красоту.

Living in our 21st century and feel embarrassed from time to time. Let me explain why I am making such a strong remark. In a modern society with extremely advanced technology, I find it difficult to recover the innocence of childhood memories. I remember well how my good friends and I used to hang out in a downtown park to play freely. For example, in my childhood, my friend and I were always obsessed with a cheap toy car and tiny amusements, and, at that moment, we were both childlike and innocent! Today, people may have forgotten that sense of innocence.

As a student of Woodrow Wilson at Princeton, Howard Baskerville was aflame not only with the gospel of Jesus, but with the Wilsonian gospel that constitutional democracy is the birthright of all nations. Rather than become a small-town minister like his father in South Dakota, he volunteered for missionary service in Persia. Tabriz in 1907 was a hotbed of democratic revolution. Brilliant young firebrands were among Baskerville’s students at the Presbyterian school—and became his devoted friends. He lectured on freedom; they dedicated their lives to it.

The son of first-generation Tongan immigrants, Hau drew on the legacy of his name (meaning 'King') to become one of the nation's most influential musical artists. But the best stories often come from the humblest beginnings. A promising junior rugby player, Hau decided in his teens to trade in the footy boots for Hammer pants, soaking up every bar and breakbeat of the new sound and culture exploding out of urban America: DJ Kool Herc and LL Cool J, mix-tapes and graffiti, velour Kangols and Beat Street.

Australian writer Amaryllis Gacioppo has been raised on stories of original homes, on the Palermo of her mother, the Benghazi of her grandmother and the Turin of her great-grandmother. But what does belonging mean when you're not sure of where home is? Is the modern nation state defined by those who flourish there or by those who aren’t welcome? Is visiting the land of one’s ancestors a return, a chance to feel complete, or a fantasy?

On August 4, 1972, Idi Amin ordered the expulsion of over 80,000 Ugandan Asians from the country. A brave few stayed, but most left to Asia or Europe. Stripped of everything, my family chose to start over in Britain. Our story is just one of tens of thousands. I lived history. Though others may tell it differently, this is my experience. My family and I built ourselves from the ground up, standing strong against an endless wave of racism that sought to keep us in our place. To be able to simply walk down the street in peace once seemed impossible.

I dedicate this book to all of the Palestinian and Israeli people who suffered through the past century. I personally lived and witnessed the true historical events that took place in Palestine before, during, and after 1948. By sharing with you what I experienced in my book, My Story, I hope you will have a better understanding and compassion for the Palestine cause. I pray that there will be peace again in the Holy Land.

Born in Somalia, a spare daughter in a large family, Shugri Said Salh was sent at age six to live with her nomadic grandmother in the desert. Salh grew to love the freedom of roaming with her animals and the powerful feeling of community found in nomadic rituals and the oral storytelling of her ancestors. As she came of age, though, both she and her beloved Somalia were forced to confront change, violence, and instability. Honest and tender, The Last Nomad is a riveting coming-of-age story of resilience, survival, and the shifting definitions of home.

Mary Ashun’s Tuesday’s Child is the story of a girl born in the small West African country of Ghana. She has big dreams, a large boisterous, extended family, and a tendency toward asking questions that children, especially girls, aren’t supposed to ask. Boarding school days, interminable church services, and a famine that leaves her thin enough to be an ’80s model are all narrated with such candid humor that it’s hard to believe there were any scars.

Mesut L., geboren 1978 in Berlin-Wedding. Zweitjüngstes von vier Kindern einer alleinerziehenden türkischen Gastarbeiterin. Soldiner Straße, dritter Hinterhof, Parterre, Außentoilette. Und Deutschland dachte immer noch, der Türke wird ja sowieso bald abhauen. Dabei waren Kindergärten und Grundschulen schon teilweise zu 100 Prozent von Kindern mit Migrationshintergrund bevölkert. Bald bilden sich Jugendgangs, die die Kieze zwischen sich aufteilen.

In this beautiful and transformative book, 24 Māori academics share their personal journeys, revealing what being Māori has meant for them in their work. Their perspectives provide insight for all New Zealanders into how mātauranga is positively influencing the Western-dominated disciplines of knowledge in the research sector. It is a shameful fact, says co-editor Jacinta Ruru in her introduction to Nga Kete Mātauranga, that in 2020, only about five percent of academic staff at universities in Aotearoa New Zealand are Māori.

Oswaldo Payá was seven years old when Fidel Castro seized power in Cuba, promising to create a 'free, democratic and just Cuba.' But Castro instead created an authoritarian regime with little tolerance of free speech or thought. His secret police were trained to crush dissent by East Germany's ruthless Stasi. Throughout Cuba's 20th century history, the dream of democracy was often just within reach, only to be dashed by dictatorship and revived again by a new generation. Payá inherited this dream and it became his life's work.

In a gathering of stories, Many Have Pictures Like This chronicles a family’s history and passing, from Armenian villages before WWI to the Armenian Genocide, to Romania, and finally to the United States. Much is fictionalized, all is based on truth, and the author asks throughout: What is owed to one’s dead? Sometimes serious, sometimes playful, and with lessons learned from salmon and ravens in the author’s attempt to flee his family’s story, this collection is a mythology of people with experiences not entirely unique in the history of the world, though they were.

Vince Copley was born on a government mission into poverty in 1936. By the time he was 15, five of his family had died. But at a home for Aboriginal boys, he befriended future leaders Charlie Perkins, John Moriarty and Gordon Briscoe. They were friendships that would last a lifetime. In The Wonder of Little Things, Copley tells his story with humour, humility and wisdom. Written with his friend Lea McInerney over many cups of tea, it is an Australian classic in the making, a plain-speaking account of hardship, courage and optimism told without self-pity or big-noting.