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Bhagavad Gita for Students offers a practical guide to applying the timeless teachings of the Bhagavad Gita in daily life. Focusing on moral values, character building, and success strategies, this book is tailored for students looking to find purpose, direction, and success through the wisdom of the Gita. It emphasizes the importance of ethical conduct, personal growth, and the path to self-realization.

The Aṣṭāvakra Gītā|also known as the Aṣṭāvakra Saṃhitā|is a short treatise on Advaita Vedānta|ascribed to the great sage Aṣṭāvakra. Sage Aṣṭāvakra demonstrates a profound knowledge of Brahman that Swami Nityaswarupanand of Ramakrishna Mission has placed before the readers in this book in simple|easy-to-understand English. The subtle philosophical truths are expounded in the form of a lucid dialogue between the teenage sage Aṣṭāvakra and his royal disciple|King Janaka.

In Why I Am a Hindu, one of India’s finest public intellectuals gives us a profound book about one of the world’s oldest and greatest religions. Starting with a close examination of his own belief in Hinduism, he ranges far and wide in his study of the faith.

This book explores the stories and incarnations of Lord Vishnu—the preserver of the universe—revealing how his divine actions restore balance and guide the world through righteousness.

La libertad primera y última es considerado por muchos como el mejor libro de Krishnamurti. Aldous Huxley, en su esclarecedor prólogo, se pregunta: ¿qué es exactamente lo que nos propone el sabio hindú? Y la respuesta es que no se trata de un sistema de creencias, ni de un catálogo de dogmas, ni de un repertorio de ideas, ni de una clase de yoga; lo esencial es trascender los símbolos y alcanzar la libertad de cada instante. Esta libertad surge con la superación del ego, pero también de los "sistemas" de pensamiento organizado.

The Yoginî pantheon, which can be observed throughout India in temples open to the sky, consists of an elaborate symbolic iconography that differs from one group of Yoginîs to another. The present oracle, containing sixty-four images of Yoginîs, was created as an auspicious dialogue with the inner self, steeped in an ancient wisdom. This divinatory audiobook will aid the seeker in achieving a deeper esoteric knowledge of the self and the path to the realisation of the self, in an easy and practical way.

आरती संग्रह: पूजा के अंत में आरती करने का विधान है। पूजा करते समय जो भूलचूक रह जाती हैं, आरती से उनकी पूर्ति होती है। पूजा करते समय मंत्रहीन और क्रियाहीन होने पर भी उसमें पूर्णता आ जाती है। आरती करने एवं आरती देखने से भी बहुत पुण्य मिलता है। जो जन धूप और आरती को देखते हैं और दोनों हाथों से आरती लेते हैं, वे अपनी पीढ़ियों का उद्धार करते हैं और परम पद को प्राप्त करते हैं।

Aarti Sangrah: Aarti is performed at the end of worship. It compensates for any mistakes made during the worship. Even if the worship lacks proper chanting and rituals, Aarti completes it. Performing and witnessing Aarti brings great virtue. Those who witness the deity and the Aarti, and take the Aarti with both hands, elevate their generations and attain the supreme position.

The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?

Did you know that each avatar of Vishnu arrived with a specific purpose? Time and again, Vishnu has manifested in different forms to fulfil his role as a ‘protector’ of the world. Among the long list of 24 avatars, 10 avatars have captured our imagination for centuries together—Matsya, Kurma, Varaha, Narasimha, Vamana, Parshuram, Rama, Krishna, Buddha, and Kalki. Presented in a contemporary and unbiased perspective, these stories of the 10 avatars of Vishnu are an attempt to make mythology more believable and relevant to the world that we live in today.

Sunderkand, believed to be the most beautiful (Sunder) part of the Ramayana, describes Lord Hanuman journey to Lanka. This book elucidates his pristine lifestyle, following which brings karmic and spiritual knowledge and bhakti (devotion) in one's life. It is even believed that when one hears the sunderkand, Lord Hanuman himself graces the listener with his presence. Carrying the entire text and explanation of the sunderkand, Shri Hanuman Chalisa and sankatmochan hanumanashtak, this edition also contains a art is of Lord Ganesha, Lord Ram and Lord Hanuman.

The Bhagwat Gita is the main sourcebook on yoga and is a concise summary of India’s Vedic wisdom. Yet, remarkably, the setting for this classic spiritual text is an ancient Indian battlefield. In this interpretation of the Gita, the author explains that the essence of the Gita is the equanimity of mind, which is attained by transcending it because mind consciousness is myopic and only spiritual consciousness abounds in universal love and absolute knowledge.

Bhaarteey jeevandhaara mein jin granthon ka mahattvapoorn sthaan hai, unmein puraan, bhakti-granthon ke roop mein bahut mahattvapoorn maane jaate hain. Puraan-saahitya bhaarteey jeevan aur sanskriti kee akshunn nidhi hai. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain.

Hindu dharmagranth puraan-vishv saahity kee amooly nidhi hai. Vishay- nirvaasan, tathyon ka niroopan, varnan shailee ka sanyat aur svaabhaavik roop, bhaasha ka saushthav aur laality aadi jitane gun puraan mein bhar die gae hain, unhen dekhakar Ëœgaagar mein saagarâ„¢ kee ukti ka smaran ho aata hai.

Puraan saahitya bhaarteey jeevan aur saahitya kee akshunn nidhi hai. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain. Athaarah puraano mein alag-alag devee-devtaaon ko kendr mein rakh kar paap aur puny, dharm aur adharm, karm aur akarm kee gaathayen kahee gaee hain.

Bhaarteey jeevan-dhaara mein jin granthon ka mahatvapoorna sthaan hai unmein puraan bhakti granthon ke roop mein bahut mahatvapoorn maane jaate hain. Puraan-saahitya bhaarteeya jeevan aur saahitya kee akshun nidhi hain. Inmain maanav jeevan ke utkarsh aur apkarsh kee anek gaathaayen miltee hain. Karmakaand se gyaan kee or aate hue bhaarteeya maanas chintan ke baad bhakti kee aviral dhaara pravaahit hui.

Bhaarteey jeevan-dhaara mein jin granthon ka mahattvapoorn sthaan hai unmein puraan bhakti granthon ke roop mein bahut mahattvapoorn maane jaate hain. Puraan-saahitya bhaarateey jeevan aur saahitya kee akshunn nidhi hain. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathayen miltee hain. Karmkaand se gyaan kee or aate hue bhaarateey maanas chintan ke baad bhakti kee aviral dhaara pravaahit huee.

Itane vistrit aur vrihad granth ko alpakaay pustak ke roop mein prastut karna tha, atah saar-sankshep-pravritti varnit vishay ko ek jagah karke sankshep roop mein hee prakat kiya gaya hai. Jaise maan leejiye, adhyaay mein Ëœagniâ„¢ se sambandhit sookt das hain, kintu ve ek kram mein na hokar alag-alag bikhre hain, to hamne un sabko ek jagah karke sankshep mein prastut kiya hai. Rigved vigyaankaand ka granth hai. Rigved shabd do shabdon ke milne se bana hai-'rik' aur 'ved'.

Puraan saahitya bhaarateey saahitya aur jeevan kee akshunn nidhi hai. Inmein maanav jeevan ke utkarsh aur apkarsh kee anek gaathaen miltee hain. Atthaarah puraanon mein alag-alag devi- devataon ko kendr mein rakhkar paap aur punya, dharm aur adharm, karm aur akarm kee gaathaen kahee gaee hain. Is roop mein puraanon ka pathan aur aadhunik jeevan kee seema mein moolyon kee sthaapna aaj ke manushy ko ek nishchit disha de sakta hai.