検索キーワード： 考古学

Este Boletim apresenta uma coleção de artigos selecionados pelo Conselho Editorial do Museu Histórico de Jataí Francisco Honório de Campos, com o intuito de valorizar trabalhos de alta qualidade e seus respectivos autores. Coordenado pelo Historiador Professor Dr. Murilo Borges Silva (UFJ), o processo de análise e seleção culminou na escolha de cinco artigos que abordam temas variados e relevantes.

Avventurosa e carica di mistero: da sempre, è così che immaginiamo l’archeologia. Spesso legata a paesi lontani, esotici e favolosi, o a scoperte di tesori e reperti straordinari come le tombe etrusche, gli affreschi di Pompei, le sculture classiche. Non è più così da molto tempo, da quando nell’Ottocento l’archeologia ha iniziato a distinguersi dalla storia dell’arte antica ed è diventata una scienza intimamente connessa alla storia dell’uomo, contribuendo, insieme alle fonti scritte, a scoprire e raccontare la vita nelle diverse civiltà.

El Domingo de Ramos de 1965 cuatro personajes inician un viaje hacia Veracruz y se detienen en Cholula, ciudad de laspirámides aztecas. En el laberinto de sus galerías se internaránlas dos parejas, como en un descenso a los infiernos, que concluirá con una tragedia ritual inesperada. Ficción total en palabras del propio autor, Cambio de piel indaga en el mito del México prehispánico y en el holocausto europeoa través de la memoria de sus protagonistas para decirnos que, en definitiva, todas las violencias son la misma violencia.

In The Buried City, the director of Pompeii, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of the city and reveals the new artefacts and remains that are now being unearthed in the biggest dig of the site in a generation. He reconstructs Pompeii as it would have been, revealing who lived here, what mattered to them and what happened in their final hours, while also reflecting on our role as keepers of this heritage.

As the planet emerged from the last ice age, a language was born between Europe and Asia, by the Black Sea. This ancient tongue, which we call Proto-Indo-European, soon exploded out of its cradle, changing and fragmenting as it went, until its offspring were spoken from Scotland to China. Today those descendants constitute the world’s largest language family, the thread that connects disparate cultures: Dante’s Inferno to the Rig Veda, The Lord of the Rings to the love poetry of Rumi. Indo-European languages are spoken by nearly half of humanity. How did this happen?

Imagine a history so profound, it reshapes everything we thought we knew about the origins of civilization. Great Water reveals a new narrative that turns the spotlight away from ancient Egypt, the Fertile Crescent, and southeast Asia, directing it instead towards the Great Lakes region of North America, where evidence suggests that metal technology first emerged around 10,000 years ago. This story follows an unexpected journey into the heart of prehistoric North America, where ancient copper mines around Lake Superior bear silent witness to a long-lost history of indigenous metal use.

Considered the most important archaeological discovery of the 21st century, Karahan Tepe is an enormous complex of stone structures in southeastern Turkey covering an estimated ten acres. Chronicling his explorations of Karahan Tepe, Andrew Collins presents the first in-depth investigation of the discoveries at the site: who built it, its astronomical alignments, and its cosmological connections. He examines the intricate carvings and architectural features, including a newly discovered statue of a giant human figure.

A drought lasts for decades, a disease rips through a city, a civilization collapses. When we finally uncover the ruins, we ask: What happened? The good news is, we’ve been here before. History is long, and people have already confronted just about every apocalypse we’re facing today. But these days, archaeologists are getting better at seeing stories of survival, transformation, and even progress hidden within those histories of collapse and destruction. Perhaps, we begin to see, apocalypses do not destroy worlds, but create them anew.