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John Mayall has played with them all: Eric Clapton, Peter Green, Jack Bruce, Mick Fleetwood, Mick Taylor, Andy Fraser, and the list goes on. Now in his 80s, John continues to tour all over the world and perform to sold-out crowds. With an incredible blues career spanning over 50 years, rightly earning him the title the "Godfather of British Blues", John shares his experiences and encounters in what will be a must-listen autobiography for any true blues fans.

Tom Petty has long been considered one of the great songwriters of American rock 'n' roll, as well as one of the key standard bearers of integrity in the music business.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

Ian F. Svenonius’s new collection of sixteen essays and stories, entitled Censorship Now!!, is reorganizing people’s ideas about censorship, Ikea, documentary film-making, the Berlin Wall, the film Heathers, the twist, the frug, the mashed potato, shaving one’s body, Apple, Inc., Nordic functionalism, the supposed benevolence of the Wikipedia, hoarding, college rock, the origins of the Internet, and more. It’s an underground smash which has been met with horrified gasps in all respectable quarters and gog-eyed enthusiasm in artist garrets the world over.

Ian F. Svenonius' experience as an iconic underground rock musician - playing in such highly influential and revolutionary outfits as the Make-Up and the Nation of Ulysses - gives him special insight on techniques for not only starting but also surviving a rock 'n' roll group. Therefore, he's written an instructional guide, which doubles as a warning device, a philosophical text, an exercise in terror, and an aerobics manual.

A new, expanded collection of both new and previously published essays and articles from one of the mainstays of the Washington, DC underground rock-and-roll scene, The Psychic Soviet is the most complete collection of writings by Ian Svenonius. The selections are written in a scholarly yet engaging style, filled with parody and biting humor that subvert capitalist culture, and cover such topics as the ascent of the DJ as a star, the “cosmic depression” that followed the defeat of the USSR, and the status of rock and roll as a religion.

Hawk Koch is a renowned film producer who has served as president of the Academy of Motion Picture Arts and Sciences. He has produced some of the most iconic films of all time, including The Way We Were, Chinatown, Heaven Can Wait, Gorky Park, and Wayne’s World, among many others. He was born into the business, the son of legendary Howard W. Koch, who ran Frank Sinatra’s production company, was head of Paramount Studios, and was president of the Academy. Growing up, Hawk was dealt an immense amount of privilege.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last 50 years by Paul Hirsch, a film editor who worked on more than 40 features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It’s a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers.

Noted art historian Harriet F. Senie tackles pivotal subjects and more in Monumental Controversies. Senie places partisan politics aside as she investigates subjects that have not been adequately covered in classrooms or literature and require substantial reconciliation in order for Americans to come to terms with their history. She shines a spotlight on the complicated facts surrounding these figures, monuments, and sites, enabling us to revisit the flaws of our Founding Fathers and their checkered legacies while still recognizing their enormous importance and influence.

In 1940, America’s favorite illustrator Norman Rockwell, his wife Mary, and their three sons moved to the picturesque rural village of West Arlington, Vermont. The artist discovered a treasure trove of models. Norman Rockwell’s Models: In and out of the Studio is the first to detail these models’ lives, friendships with the artist, and experiences in his studio.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

The 1930s was a magical age in Hollywood, with Shirley Temple and Mickey Rooney, Bette Davis, and Clark Gable lighting up the silver screen. But Deanna Durbin’s fame surpassed them all. Born in Canada, Deanna was “discovered” by star-maker Eddie Cantor, producer Joe Pasternak, and director Henry Koster, and she quickly became the world’s most celebrated star. She saved Universal Studios from ruin, she was a favorite of Winston Churchill and Anne Frank, and she became the highest-paid woman in America.

Stevie Salas was one of many boys coming of age in the 1980s—when the American dream was rock superstardom. As lead guitarist for a San Diego band, Salas played backyard parties and school dances and even scored the music for the cult classic Bill & Ted’s Excellent Adventure. When he auditioned for Rod Stewart—where he was the youngest band member by a decade—Salas’s life truly hit a turning point.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

Beginning with his childhood growing up in Chicago’s Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents’ church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the ’50s, to eventually establishing the Ramsey Lewis Trio. This memoir provides an evocative tour of Lewis’s life.

Arthur Smith is famous for his innovation and audacity, and as the man behind some of the longest-running unscripted series in television history. His groundbreaking hit Hell’s Kitchen forged the modern food competition reality genre, while his Emmy-nominated American Ninja Warrior has spawned a cultural movement, with Ninja-inspired gyms in every major American city. In Reach, Smith shares adventures, triumphs, and hard-won lessons from his astonishing career, beginning with his unprecedented ascension from the ranks of sports production to become the youngest-ever head of CBC Sports.

As an only child reeling from the demolition of her parents’ toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to. She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world—from onstage at the legendary CBGBs to the red-light district of Amsterdam. She’s often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene.

From the childhood nostalgia of Peter Pan in Speak Now to the haunted halls of Rebecca in Evermore, Taylor Swift’s lyrics are packed with literary connections. Make sure you’re catching them all with this expert guide to the novels, poems, and plays that influenced her songwriting. Let a literature professor and a musical theater artist guide you through the Swift canon—from Shakespeare to Dickinson to the Brontë sisters. Learn what “New Romantics” has to do with the old Romantics, get to know the Gothic monsters haunting Midnights, and spot Taylor’s many Great Gatsby references.

From the women who pounded the pavement selling their songs in Tin Pan Alley at the turn of the twentieth century; to the women who broke new ground writing shows during the Great Depression; to the women who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American musicals today, Women Writing Musicals: The Legacy That the History Books Left Out is the first-ever book to tell the story of the over three hundred inspiring women who wrote Broadway and Off-Broadway musicals.