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Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.

Drawing on the personal experiences and uplifting stories of ordinary men and women. Campbell shows us how to put the healing power of music into action. And he recommends specific, easy-to-follow exercises to help you raise your spatial IQ, sound away pain, boost creativity, and make the spirit sing.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.

The Dealmaker's Ten Commandments contains a practical, no-nonsense methodology for negotiating deals, managing your time, and handling crisis all at the highest level. Peppered with entertainment industry war stories, The Dealmaker's Ten Commandments has been forged in the white-hot crucible of brutal transactional combat.

Van Gogh is a vivid portrait of the great Impressionist painter that traces his life from the Netherlands, where he was born into a family of art dealers, through his years in England, the Hague, and Paris, to his final home in Arles, where he discovered the luminous style of his late paintings before his suicide at the age of thirty-seven.

What’s your story? It’s a question human beings have been asking each other since we first gathered around a campfire. Millennia later, this human need for storytelling hasn’t changed. We communicate most effectively through our personal stories - and our professional success depends on it. This groundbreaking guide shows you how to tap into the timeless power of storytelling to transform your business.

In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood.

In a world where every business, brand, product, and service needs a strong visual identity, it’s critical for clients and creative professionals to work together. And the key to success, as with any relationship, is communication. In Dear Client, award-winning graphic designer Bonnie Siegler offers an invaluable step-by-step guide to how to talk so creatives will listen, and how to listen when creatives talk.

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

Kevin Pollak rose through the comedy club ranks at the feet of Don Rickles and Bill Cosby, Johnny Carson, and George Carlin. Named one of Comedy Central’s Top 100 Stand-Up Comedians of All Time, he’s a killer impressionist — Falk, Shatner, Walken, Nicholson — a versatile actor with one of the most respected filmographies around, and an Internet pioneer. He’s done it all, and now he’s ready to spill the beans.

It sounds so simple: Tell stories from your life, and people will remember your message. But when you get down to crafting one, there's nothing easy about it. Material for stories surrounds us. Yet few people are skilled at sharing personal anecdotes and even fewer know how to link them to professional goals. Whether you want to stand out in the interview process, add punch to a presentation, or make a compelling case for a new initiative, Let the Story Do the Work shows you how to mine your experience for simple narratives that convey who you are.

This is the real story of the Beatles' harrowing rise to fame, focusing on that seven-year stretch from the time the boys met as teenagers in the 1950s to early 1964, when the Fab Four prepared to invade America. From the boys' humble beginnings in Liverpool, to the cellars of Hamburg, When They Were Boys includes stories never before told, including heartbreaks, lucky breaks, and dramatic twists of timing, fate, loyalty, and betrayal.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

Produced by Louis G. Cowan, Command Performance aired between 1942 and 1949 over the Armed Forces Radio Network (AFRS) with a direct shortwave transmission to American troops overseas. Performed before a live audience in Hollywood, the weekly listening military audience was estimated at 95.5 million. Troops sent in requests to hear their favorite celebrities, and they also suggested unusual ideas or situations for them to be put into. Top stars of the day appeared, including Bob Hope, Bing Crosby, Shirley Temple, Frank Sinatra, Clark Gable, Ginger Rogers, Cary Grant, Humphrey Bogart and many more.

The Columbia Workshop aired on CBS radio from 1936 until 1947. Created by Irving Reis, it was an experimental platform with no boundaries for what radio had to offer. Broadcast from New York, it featured the biggest stars from stage, screen and radio including Orson Welles, Burgess Meredith, Agnes Moorehead, Art Carney, Charles Laughton, Vincent Price and Laurence Olivier. Stories were by William Shakespeare, Oscar Wilde, Charles Dickens, John Keats, Edgar Allan Poe, Ernest Hemingway, Rudyard Kipling, Mark Twain, Lucille Fletcher, Carl Sandburg and Herman Melville with music by Bernard Herrmann.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke and they made it the #1 western on radio. It soon made a successful transition to television becoming the longest-running dramatic series in TV history. Join William Conrad (U.S. Marshal Matt Dillon) in the continuing “story of the violence that moved west with young America and the story of a man who moved with it, Matt Dillon, United States Marshal.”

Reminiscent of Humphrey Bogart’s character “Rick Blaine” from the classic film Casablanca, Rocky Jordan was banished by enemies from St. Louis and relocated to Cairo, Egypt. Now living in Northern Africa, Rocky Jordan owns and operates his gin joint (the Café Tambourine) and finds an assortment of mystery and intrigue while unwillingly moonlighting as a crime fighter. Cairo‘s Police Chief, Sam Sabaaya, is an Egyptian Muslim who strictly adheres to the law. Often times, when a crime is committed, Jordan is the prime suspect - forcing him to solve the crime so he can clear his name and save his neck.

Based on the book Cloak and Dagger: The Secret Story of the O.S.S. by Corey Ford and Alistair McBain, the radio version of these fascinating true stories kept listeners on the edge of their seats. The combination of Hoskin’s accurate research and Cooper’s lively, fast-paced writing helped make Cloak and Dagger one of the best espionage-adventures ever to hit the airwaves. The Office of Strategic Services - the progenitor of our Central Intelligence Agency - was one of American history’s most colorful and compelling WWII intelligence gathering efforts.