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Part one of the continuing series entitled Painted Histories indexes leading figures in two significant phases of poetic expression in English literature: the Elizabethans, including William Shakespeare, John Webster and Sir Philip Sidney to the Romantic movement of the early 19th century: Lord Byron, John Keats, Percy Bysshe Shelley and Samuel Taylor Coleridge.

Of all the British poets of my generation, Ted Hughes, now nearly 20 years dead, left behind him both the grandest and most sulfurous reputation. The controversies he aroused rumble on, and the hurts, in certain quarters, are still keenly felt. Any life story that comprises not just two but actually three suicides, plus a murder, does wrap a cloak of darkness about itself.

Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events. Reality is colored by a seamless flow of messages of promise and dereliction that gently gather strands of communal imagination into a protective shell. Entries recorded in 2010-11 of encounters and observations; citizens, builders, office workers, young and senior.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008 and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life.

Episodes and encounters in social and internal scenes build a document of fiction entwined with the real. Daily life is transformed by message of promise and desolation.

First published as Journal of the Gallery London in 1993, with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a filmlike sequence of events.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.