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Narrative Structures and the Language of the Self by Matthew Clark offers a new way of thinking about the interrelation of character and plot. Clark investigates the characters brought together in a narrative, considering them not as random collections but as structured sets that correspond to various manifestations of the self. The shape and structure of these sets can be thought of as narrative geometry, and various geometries imply various theories of the self.

Examining “the moment” as one of the primary motifs of Beat writing, Erik Mortenson offers the first book to investigate immediacy and its presence and importance in Beat writing. Capturing the Beat Moment: Cultural Politics and the Poetics of Presence places an expanded canon of Beat writers in an early postmodern context that highlights their importance in American poetics and provides an account of Beat practices that reveal how gender and race affect Beat politics of the moment.

In this new edition Musa views Dante's intention as one of cruel and comic commentary on the shallowness and self-pity of his protagonist, who only occasionally glimpses the true nature of love. "...the explication de texte which accompanies [Musa's] translation is instructively novel, always admirable..." his present work offers English listeners a lengthy appraisal which should figure in future scholarly discussions." (Choice)

Over the past decade, our understanding of the cognition of literature has been transformed by scientific discoveries, such as the mirror neuron system and its role in empathy. Addressing questions such as why we care so deeply about fictional characters, what brain activities are sparked when we read literature, and how literary works and scholarship can inform the cognitive sciences, this book surveys the exciting recent developments in the field of cognitive literary studies.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

Most of the nine stories in Last Known Position were written upon James Mathews' return from combat deployment to the Middle East with the D.C. Air National Guard. Life under fire provided the author with both dramatic events and a heightened sense of observation, allowing him to suggest the stress of combat as the driving factor behind extreme yet believable characterization and action.

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique.

In the nine stories of Let's Do, various calamities strike ordinary Midwesterners, who cope with a mixture of good intentions and ineptitude. Balancing humor with painful clarity, author Rebecca Meacham pulls listeners into the lives of characters who struggle with and more often against - change.

Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as “Theory of Mind” and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's Clarissa, Dostoyevsky's Crime and Punishment, and Austen's Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett's The Maltese Falcon.

Little America is for anyone who has ever considered just getting in the car and driving away. Here the ribbon of Western road is a metaphor for the heart's strange longings, providing hard, sometimes hilarious, lessons on the improbability of escape, the possibility of salvation, and the elusiveness of self-knowledge.

Winner of France's 2004 Prix de Flore for his memoir The Romanian: Story of an Obsession, Bruce Benderson has gained international respect for his controversial opinions and original take on contemporary society. In this collection of essays, Benderson directs his exceptional powers of observation toward some of the most debated, as well as some of the most neglected, issues of our day.

The Theatrical Event discusses the objectives of theater studies by focusing on the communicative encounter between performer and spectator - the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance - on stage or in the street, historical or contemporary - that is watched by an audience is a theatrical event. The concept underlines the "eventness" of all encounters between performers and spectators.

This extraordinary first collection of short stories covers the landscape of dysfunctional childhood, urban angst, and human disconnection with a wit and insight that keep you riveted. The characters here have rich and imaginative interior lives, but grave difficulty relating to the outside world.

Matt Debenham's stories are for people who think they don't like short stories. These stories don't leave off in mid-breath; instead, they feature characters who seem to live on even after their closing pages. The humor in The Book of Right and Wrong makes the jarring moments that much more jarring, and the tender moments that much more tender. At once heartbreaking and hilarious, the 11 stories in The Book of Right and Wrong capture their characters at the defining moments of their lives.

The stories in Things Kept, Things Left Behind explore the ambiguities of kept secrets, the tangles of abandoned pasts, and uneasy accommodations. Jim Tomlinson's characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost.

In Ann Harleman's remarkable debut collection, men and women of extraordinary passions look for and sometimes find the hidden heart of ordinary life. Testing themselves and each other, they search for ways to connect. Harleman combines a clear eye with a generous heart, revealing her characters - misguided, selfish, loving, brave - through a compassionate, often humorous probing of their inner and outer worlds.

Largely set in the South, the 11 stories of Body Language guide us into the hidden worlds of the culture wars. The people in these stories belong to the fringes of society, struggling for an identity and a place to belong.

Louie Cameron, once a successful architect and musician, now a vagabond, is wounded while defending a damsel in distress, which leads him to become entangled in the lives of Andrea, an artist and professor, and her parents, habitués of a remote beach house in northern California. The blossoming of deep love between Louie and Andrea gives Louie the courage to return to Santa Cruz to make peace with Marie, the former love of his life, with unforeseen and startling consequences.

Toward a Cognitive Theory of Narrative Acts brings together in one volume cutting-edge research that turns to recent findings in cognitive and neurobiological sciences, psychology, linguistics, philosophy, and evolutionary biology, among other disciplines, to explore and understand more deeply various cultural phenomena, including art, music, literature, and film. The essays fulfilling this task for the general listener as well as the specialist are written by renowned authors.