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Beginning with an exploration of some of Robert Frost's least-known poems, these essays consider Ezra Pound's letters, T. S. Elliot's metaphysical lectures, the lightness of Elizabeth Bishop, and the civil tongue of Richard Wilbur, finding in poetry a language that lasts beyond the petty conventions of the age. Added to these thoughtful essays are provocative reviews of contemporary poetry, full of Logan's caustic wit and sharp-eyed scrutiny.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar.

New York Times best-selling author Paul Kemprecos' first mystery novel, Cool Blue Tomb, introduces Aristotle "Soc" Socarides - part-time fisherman, part-time private eye, full-time philosopher. In his inaugural outing, Soc is swimming with the sharks - only problem is, he's the bait.

Since 1968, Garry Trudeau (b. 1948) has brought his brand of political satire to bear on public figures, movie stars, heads of state, and even on himself. Trudeau has also advocated for artists' rights and challenged industry norms while keeping a decidedly low profile. In Garry Trudeau: Doonesbury and the Aesthetics of Satire, Kerry D. Soper traces the contribution of this groundbreaking artist. Trudeau is arguably the premier American political and social satirist of the last forty years. Amazingly, he achieved this on the comics page, rather than the editorial page.

Told by Roary, a wry, softhearted Vietnam vet, Inside Moves is an off-beat, exuberant and extremely emotional novel focusing on the bonds of friendship between two men brought together by physical and psychological challenges, and their dreams of creating more meaningful lives for themselves and their friends.

Finally, the truth about vampires.Vampires are the most fearsome and fascinating of all creatures of folklore. For the first time, detailed accounts of the vampire and how its tradition developed in different cultures are gathered in one volume by eminent folklorist Alan Dundes.

This well focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

Drawing on concepts from several disciplinary fields including: semiotics, literary and narrative theory, art history, and psychology, El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Gene Logsdon's The Man Who Created Paradise is a message of hope at a time when the very concept of earth stewardship is under attack. The fable, inspired by a true story, tells how Wally Spero looked at one of the bleakest places in America -- a raw and barren strip-mined landscape -- and saw in it his escape from the drudgery of his factory job. He bought an old bulldozer and used the machine to carve patiently, acre by acre, a beautiful little farm out of a seemingly worthless wasteland.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

The Company They Keep is the first and most complete examination of the Inklings and their close literary collaboration. C. S. Lewis and J. R. R. Tolkien met each week with a community of fellow writers at Oxford in the 1930s and 1940s, all sharing their works-in-progress. Diana Pavlac Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work.

As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People, leading scholars consider the complex relationship between Jews and the film industry.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

Mainstream narratives of the graphic novel's development describe the form's "coming of age", its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium's history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors.

Jared Lobdell examines Tolkien's methods and his worldview by following the thread of three influences: the Edwardian adventure story, the science of philology, or comparative languages, and Roman Catholic theology. The "Edwardian mode" of adventure story ( King Solomon's Mines, The Lost World) is one in which a small group of Englishmen make an expedition to foreign parts and find supernatural terrors awaiting them, finally returning home, mission accomplished.

In The Story Is True, author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners, and watchers who create and consume stories.

Susan Jeffers looks at the way different groups and individuals in The Lord of the Rings interact with their environments. Drawing substantially on ecocritical theory, she argues that there are three main ways these groups relate to their setting: power with, power from, and power over. Ents, Hobbits, and Elves have power with their environments. Dwarves and Men draw power from their place, interacting with the world symbolically or dialectically.

The Scientific Revolution of the 17th century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries.

In 1910, when Olaf F. Larson was born to tenant livestock and tobacco farmers in Rock County, Wisconsin, the original barn still stood on the property. It was filled with artifacts of an earlier time - an ox yoke, a grain cradle, a scythe used to cut hay by hand. But Larson came of age in a brave new world of modern inventions - tractors, trucks, combines, airplanes - that would change farming and rural life forever. When Horses Pulled the Plow is Larson's account of that rural life in the early 20th century.