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Despite the fact that the Civil War was fought nearly 150 years ago, it remains a polarizing topic for the country to this day. But among the most popular perceptions of the Civil War is the "Lost Cause", which romanticized the war's toughest and most famous fighters and continues to fuel the popularity of generals like Robert E. Lee. Alongside Lee, no one epitomized the chivalry and heroism celebrated by the Lost Cause more than JEB Stuart (1833-1864), the most famous cavalry officer of the Civil War.

When people think of the British Royal family, and more specifically where they live, the first image that often pops into mind is that of stately Buckingham Palace, with its changing of the guard and the occasional royal coach leaving or entering. Others may think of the royal country estate of Windsor Castle, a favorite of both Britain's longest-reigning and second longest-reigning monarchs.

In the mid-1960s, an era on the cusp of change from the musical and social norms of the previous decade, the emergence of Jim Morrison, the charismatic poet/musician of The Doors, helped to transform the subgenre of rock n' roll as a stylistic flavor to the full-fledged institution of rock music. Morrison accomplished this transformation by avoiding membership in any of the known categories of modern rock music during the age of protest, but at the same time, he became the general symbol of anti-authoritarianism for his generation and the next.

Of all the famous Dutch masters during the Late Renaissance and Early Baroque periods, none surpass Rembrandt van Rijn in either historical importance or artistic merit. His aesthetic has been much-imitated, a testament to the inspirational grip they exert on their viewer. Key aspects of his style are instantly recognizable to even the casual fine art enthusiast.

The life and career of Janis Joplin marks such a stark departure from the blues, rock, and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her.

America has always preferred heroes who weren't clean cut, an informal ode to the rugged individualism and pioneering spirit that defined the nation in previous centuries. The early 19th century saw the glorification of frontier folk heroes like Davy Crockett and Daniel Boone. After the Civil War, the outlaws of the West were more popular than the marshals, with Jesse James and Billy the Kid finding their way into dime novels.

Shortly after World War II, Congress' House Committee on Un-American Activities began investigating Americans across the country for suspected ties to Communism. The most famous victims of these witch hunts were Hollywood actors, such as Charlie Chaplin, whose "Un-American activity" was being neutral at the beginning of World War II. By the late 1950s, the hysteria had waned, recognized in large measure as an overreaction.

It is common for a culture to create intricate mythologies around its combat arts champions, but those fighters who have produced enough accomplishments to merit such adulation are limited to a few in each generation. In the second half of the 20th century, boxer Muhammad Ali commanded such reverence, and in the martial arts, two stars have primarily reestablished the combat genre for the international movie-going population. In terms of raw popularity, Chuck Norris represents the West.

The butcher of the Alamo and Goliad. The traitor who sold half of Mexico. The Napoleon of the West. Mr. Fifteen Nails. The Mother Country's seducer. Almost 150 years after his death, a lot of name-calling is still being directed towards Antonio López de Santa Anna, president of Mexico 11 times in the 19th century, and today, the vast majority of his compatriots consider him the greatest traitor in history.

Americans have long been fascinated by the Civil War, marveling at the size of the battles, the leadership of the generals, and the courage of the soldiers. Since the war's start over 150 years ago, the events have been subjected to endless debate among historians and the generals themselves. The Civil War was the deadliest conflict in American history, and had the two sides realized it would take four years and inflict over a million casualties, it might not have been fought.

In a modern era that Americans often view wearily as being too partisan, elections often bring the same questions. Many look back nostalgically to earlier centuries in which it's assumed America had great statesmen, which is understandable in light of increasingly hostile political rhetoric that seems to be more aimed at dividing the country than uniting it. Of course, more serious historians analyze whether these elusive statesmen actually ever existed, and whether there was truly a time when politicians didn't engage in political rancor.

Margeretha Geertruida Zelle, better known to history by the exotic, glamorous name of Mata Hari, was a woman who profited greatly from the power of illusion during much of her brief life. Born to a hatter named Adam Zelle and his wife Antje van der Meulen, Mata Hari moved from a financially rewarding but miserable marriage to circus performances to exotic dancing and celebrity to the role of ostensible international spy in an arc that ended tragically in front of a French firing squad.

Clergymen rarely make good politicians. There is perhaps no better example of this than Father Charles Coughlin, a Depression-era priest-turned-demagogue who was seen as an angel by some and a devil by others. The same man who cruelly castigated the Jews also spoke eloquently on the needs and rights of the most downtrodden in society. The same orator who said, "Roosevelt or ruin", later cried, "Roosevelt and ruin." In the 1930s, his effective use of the radio revolutionized mass communications, and millions of people listened to his every word.

The late 19th and early 20th centuries in America had no shortage of political graft and powerful politicians, but few were as influential or conspicuous as the Kingfish, Huey P. Long. A populist Democrat who hoped to elevate the lower classes in Louisiana, Long accrued massive amounts of power during his governorship, in the process revolutionizing political campaigning.

The Hollywood culture of the 1940s served as a symbol of fantasy for a country at war. The American population, steeped in a dark global reality, lived vicariously through the film industry's fantasy offerings on the big screen, and eagerly embraced the advent of television in the latter part of the decade. On the stage, images of idealized feminine beauty thrived in the Ziegfeld Follies tradition, Radio City Music Hall, Las Vegas, and the fantastical world created by Earl Carroll in his Hollywood theater.

When one hears the term "Victorian," many images come to mind. For some, the term conjures up visions of lace and gloves and delicate fans. Others think of tight corsets and even tighter morals. Others, swayed perhaps by one too many British costume dramas, envision gentle elegance and long lost beauty. Naturally, few people think of multiple dead bodies cast about in the streets or dark bedrooms, most mutilated to a shocking degree.

Few figures in Hollywood's history have been as acclaimed and controversial as director Roman Polanski, whose legendary films would stand out if not for the fact that they're often eclipsed by the turbulent life he's led.

Hollywood's biggest star at the box office in 1938 was French actress Claudette Colbert, who had already won an Oscar for Best Actress in It Happened One Night (1934) and used her Broadway experience from the previous decade to become perhaps the industry's most famous screwball comedienne. The fact that Colbert had gotten that far was impressive, given that Hollywood loved to cast foreign actresses in stereotypical roles....

When one hears the term "Victorian", many images come to mind. For some, the term conjures up visions of lace and gloves and delicate fans. Others think of tight corsets and even tighter morals. Others, swayed perhaps by one too many British costume dramas, envision gentle elegance and long lost beauty. Naturally, few people think of multiple dead bodies cast about in the streets or dark bedrooms.

Among the many stars gathered by Berry Gordy's Motown Records during the latter half of the 20th century, one of the most famous and successful was Marvin Gaye, even though the rigidity of the studio's operating procedures constantly collided with his capacity for stubbornness and insistence that he be given the independence to pursue his own artistic vision.