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A compelling series of twenty essays sees Chesterton take aim at fashionable contemporary thinkers – writers and philosophers such as H. G. Wells, Rudyard Kipling and Bernard Shaw – who are proponents of rebellion and relativism. With his razor-sharp wit and charm, Chesterton cleverly unpicks these concepts, arguing that there is a better way forward.

After Véronique d'Hergemont's father kidnaps her young son as revenge for her choice of husband, and subsequently drowns at sea in their escape, Véronique is left devastated for years. However, since investigating into their disappearance further, she begins receiving clues that her son might still be alive. Led to a mysterious island off the coast of Brittany, shrouded in ominous omens, Véronique comes across a particularly haunting prophecy: 'Four women on the cross, stone of God that gives life or death. Thirty sacrifices for thirty coffins.'

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.