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Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.

The name L. T. Meade, a pseudonym for Elizabeth Thomasina Meade Smith, rarely brings a sign of recognition. Although she wrote mainly for young girls, she also wrote across many genres including sensational, religious, historical, adventure and romances. In all, her credits add up to over 300 titles. In ‘The Blue Laboratory’, a young Governess working in St Petersburg discovers the horrifying secret of her scientist employer. She has to do something. But what?

William Hope Hodgson was born in Essex, England, on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. One of his most memorable creations was his Carnacki, Supernatural Detective creation. This fused together his passion for sleuthing and interest in the Occult. It was a memorable success.

It is a delicious literary irony that Mary E. Penn, a writer of ghost, crime and mystery short stories during the Victorian era, is a complete enigma. All that remain of her life are the 29 or so stories that were published or attributed to her. ‘In the Mist’ is set in the county of Cornwall. When two lovers jealously quarrel, the result appears to end in murder. But what exactly did happen?

Arthur Conan Doyle was born in Edinburgh, Scotland, on 22nd May 1859. His literary career burst into life in November 1886 with ‘A Study In Scarlet’, the first of the fabulously successful Sherlock Holmes stories. In 1891 tired of writing Holmes stories, he began a series of historical novels and even went so far as to apparently kill off Holmes in a lethal brawl with his arch-nemesis, Moriarty.

Edgar Poe was born in Boston, Massachusetts, on 19th January 1809. Poe is also one of a number of authors credited with inventing the detective genre with his Parisian sleuth C. Auguste Dupin. He's featured in three stories, including the legendary ‘Murders in the Rue Morgue’, and by sheer deduction, logic and a touch of Gallic arrogance revealed what was hidden to the rest of us.

Edgar Poe was born in Boston, Massachusetts, on 19th January 1809. Poe is also one of a number of authors credited with inventing the detective genre with his Parisian sleuth C. Auguste Dupin. He's featured in three stories, including the legendary ‘Murders in the Rue Morgue’, and by sheer deduction, logic and a touch of Gallic arrogance revealed what was hidden to the rest of us.

Richard Edward Connell Jr was born on the 17th October 1893, in Poughkeepsie, New York. During the First World War Connell served in France with the US Army and was the editor of his camp's newspaper. After the war he turned to writing short stories, and eventually wrote over 300 of them for the periodicals and journals of the day, including regular contributions to The Saturday Evening Post and Collier’s. The attention of his audience kept him popular for decades. He is perhaps best remembered for his macabre short story ‘The Most Dangerous Game’, written in 1924.

Susan Keating Glaspell was born on July 1st, 1876 in Davenport, Iowa. Glaspell, a precocious child, was an active student at Davenport High School. By 18 she was earning a salary at the local newspaper as a journalist, and by 20 she was the author of a weekly 'Society' column. With her husband Glaspell founded the Provincetown Playhouse for plays that reflected contemporary issues. Her first play, ‘Trifles’ (1916), was based on the murder trial she covered as a young reporter and later adapted as the short story ‘A Jury of Her Peers’. S

Whilst writer Charles Dickens needs no introduction, his Haunted House anthology might, not least because in his role as editor he introduces a formidable array of known and lesser-known literary talents.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

Edgar Allan Poe's early literary works were poetic, but he quickly turned to prose. He worked for several magazines and journals till in January 1845, The Raven was published and became an instant classic. Poe was also an early proponent of the detective story and announced his entry to this genre with the classic short story 'The Murders in the Rue Morgue'.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

Cop shows have been a staple of the media almost from the beginning. These fictional accounts created the easy-to-understand formula of ‘diabolical crime plus brilliant detective equals the sometimes not-so-obvious solution'. But in the early years of the 1950s something radically different came along. 21st Precinct was a very dramatic police drama and based on the workings of a true life police department.

Cop shows have been a staple of the media almost from the beginning. These fictional accounts created the easy-to-understand formula of 'diabolical crime plus brilliant detective equals the sometimes not-so-obvious solution'. But in the early years of the 1950s something radically different came along. 21st Precinct was a very dramatic police drama and based on the workings of a true life police department.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.