検索キーワード： 近代

D'Ajaccio à Sainte-Hélène, en passant par le Grand-Saint-Bernard, Austerlitz, Moscou, Waterloo, l'île d'Elbe, André Castelot a mis ses pas dans ceux de Napoléon Bonaparte pour respirer et restituer le décor de son prodigieux destin. Exploitant et mettant en valeur, avec son art célèbre du récit qui visualise les événements, les lieux et les personnages, une immense masse d'archives, de mémoires et de correspondance parfois inédits ou oubliés, il a écrit cette monumentale biographie si vivante, si colorée, si passionnante que depuis trente ans, son public se renouvelle sans cesse.

D'Ajaccio à Sainte-Hélène, en passant par le Grand-Saint-Bernard, Austerlitz, Moscou, Waterloo, l'île d'Elbe, André Castelot a mis ses pas dans ceux de Napoléon Bonaparte pour respirer et restituer le décor de son prodigieux destin. Exploitant et mettant en valeur, avec son art célèbre du récit qui visualise les événements, les lieux et les personnages, une immense masse d'archives, de mémoires et de correspondance parfois inédits ou oubliés, il a écrit cette monumentale biographie si vivante, si colorée, si passionnante que depuis trente ans, son public se renouvelle sans cesse.

D'Ajaccio à Sainte-Hélène, en passant par le Grand-Saint-Bernard, Austerlitz, Moscou, Waterloo, l'île d'Elbe, André Castelot a mis ses pas dans ceux de Napoléon Bonaparte pour respirer et restituer le décor de son prodigieux destin. Exploitant et mettant en valeur, avec son art célèbre du récit qui visualise les événements, les lieux et les personnages, une immense masse d'archives, de mémoires et de correspondance parfois inédits ou oubliés, il a écrit cette monumentale biographie si vivante, si colorée, si passionnante que depuis trente ans, son public se renouvelle sans cesse.

D'Ajaccio à Sainte-Hélène, en passant par le Grand-Saint-Bernard, Austerlitz, Moscou, Waterloo, l'île d'Elbe, André Castelot a mis ses pas dans ceux de Napoléon Bonaparte pour respirer et restituer le décor de son prodigieux destin. Exploitant et mettant en valeur, avec son art célèbre du récit qui visualise les événements, les lieux et les personnages, une immense masse d'archives, de mémoires et de correspondance parfois inédits ou oubliés, il a écrit cette monumentale biographie si vivante, si colorée, si passionnante que depuis trente ans, son public se renouvelle sans cesse.

In the eighteenth century, two men—exact contemporaries and polar opposites—dedicated their lives to the same daunting task: identifying and describing all life on Earth. Carl Linnaeus, a pious Swedish doctor with a huckster’s flair, believed that life belonged in tidy, static categories. Georges-Louis de Buffon, an aristocratic polymath and keeper of France’s royal garden, viewed life as a dynamic swirl of complexities. Each began his task believing it to be difficult but not impossible: How could the planet possibly hold more than a few thousand species—or as many could fit on Noah’s Ark?

No Road Leading Back is the remarkable story of a dozen prisoners who escaped from the site where more than 70,000 Jews were shot in the Lithuanian forest of Ponar after the Nazi invasion of Eastern Europe in 1941. Anxious to hide the incriminating evidence of the murders, the S.S. later in the war enslaved a group of Jews to exhume every one of the bodies and incinerate them all in a months-long labor—an episode whose specifics are staggering and disturbing, even within the context of the Holocaust.

Non appena in Occidente si sparse la voce della prossima uscita della flotta turca, papa Pio V decise che quella era l'occasione buona per realizzare un progetto che sognava da tempo: l'unione delle potenze cristiane per affrontare gli infedeli in mare con forze schiaccianti, e mettere fine una volta per tutte alla minaccia che gravava sulla Cristianità. Quando divenne sempre più evidente che la tempesta era destinata a scaricarsi su Cipro, il vecchio inquisitore divenuto pontefice, persecutore accanito di ebrei ed eretici, volle affrettare i tempi." È la primavera del 1570.

Chiang Kai-shek (1887-1975) led the Republic of China for almost fifty years, starting in 1926. He was the architect of a new republican China, a hero of the Second World War, and a faithful ally of the United States. Simultaneously a Christian and a Confucian, Chiang dreamed of universal equality yet was a perfidious and cunning dictator responsible for the deaths of over 1.5 million innocent people. This critical biography is based on Chiang Kai-shek's unpublished diaries, his extensive personal files from the Russian archives, and the Russian files of his relatives, associates, and foes.

'The Singularity' is what Silicon Valley calls the idea that, eventually, we will be overrun by machines that are able to take decisions and act for themselves. What no one says is that it happened before. A few hundred years ago, humans started building the robots that now rule our world. They are called states and corporations: immensely powerful artificial entities, with capacities that go far beyond what any individual can do, and which, unlike us, need never die. The Handover distils over three hundred years of thinking about how to live with artificial agency.

During the eighteenth century, Britain's slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into a transatlantic system through which fifty thousand men, women, and children were enslaved every year.

In post-war Europe, protest was everywhere. On both sides of the Iron Curtain, from Paris to Prague, Milan to Wroclaw, ordinary people took to the streets, fighting for a better world. Their efforts came to a head most dramatically in 1968 and 1989, when mass movements swept Europe and rewrote its history. In the decades between, Joachim C. Häberlen argues, new movements emerged that transformed the nature of protesting.

Drawing on the manuscript of Mehlberg’s own unpublished memoir supplemented with prodigious research, Elizabeth White and Joanna Sliwa, professional historians and Holocaust experts, have uncovered the full story of this remarkable woman. They interweave Mehlberg’s sometimes harrowing personal testimony with broader historical narrative.

In Blood on the Snow, Robert Service returns to the subject that has formed the backbone of his long and distinguished career: the Russian Revolution. 'A terrific book about a terrifying subject by the best historian of Russia working today' – Michael Burleigh, author of The Third Reich For...

Poland, 1944. The train slowed and halted with a squeal of the brakes. It felt like we waited in the carriage for an eternity, but eventually, the heavy doors opened, directly into the chaos outside. Sara Leibovits, a 16-year-old Jewish girl, was a passenger on the train, together with her family. Within minutes, their horrific fate was sealed. The little family spent their final minutes together on the platform at Auschwitz before they were ordered in all directions and each left to their own fate.

Zippi Spitzer and David Wisnia were captivated by each other from the moment they first exchanged glances across the work floor. It was the beginning of a love story that could have happened anywhere. Except for one difference: this romance was unfolding in history’s most notorious death camp, between two young prisoners whose budding intimacy risked dooming them if they were caught.

Spanning three centuries and eight thousand nautical miles, and compiled by a direct descendant of a sailor who waged war with pirates in the early nineteenth century, The Penguin Book of Pirates takes us behind the eye patches, the peg legs, and the skull and crossbones of the Jolly Roger and into the no-man’s-land of piracy that is rife with paradoxes and plot twists.

Told through the careers and life stories of some of the most high-profile women of the decade - including Britney Spears, Jennifer Aniston, Janet Jackson and Paris Hilton - Toxic explores how the media, empowered through the tools of the early internet age, created a new and brutal environment in which the rules of engagement between celebrities, the press and the public were changed.

Most of us would agree that Albert Einstein’s name is synonymous with “genius” and that his likeness is often used as a shorthand for all scientists, appearing everywhere from cartoons to textbooks. He has become more myth than man. That being the case, how best to capture his essence? In Einstein in Time and Space, talented young science journalist Samuel Graydon answers that question with an illuminating mosaic—99 intriguingly different particles that cumulatively reveal Einstein’s contradictory and multitudinous nature.

For more than thirty years Francesco Lotoro, an Italian pianist and composer, has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music.

From trendy restaurants to city grids, to TikTok and Netflix feeds the world round, algorithmic recommendations dictate our experiences and choices. The algorithm is present in the familiar neon signs and exposed brick of Internet cafes, be it in Nairobi or Portland, and the skeletal, modern furniture of Airbnbs in cities big and small. Over the last decade, this network of mathematically determined decisions has taken over, almost unnoticed—informing the songs we listen to, the friends with whom we stay in touch—as we’ve grown increasingly accustomed to our insipid new normal.