検索キーワード： 制作 "Blackstone Publishing" コメディー・落語

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

Charlie knows he’s not the main character in his own story. He’s just another schmuck in the Ivy League looking to be somebody. He plays in a terrible jazz band, falls in love too easily, and struggles with the human being business. Written in a wry, comedic style, A Comedy of Nobodies: A Collection of Stories traces one fall semester in the lives of four typical but unforgettable university students who, as compensation for their existential anxieties, just want to feel understood.

It’s the apocalypse—now what? The doomsday clock is seconds from midnight. Extinction-level dangers draw closer with every tick. But fear not! Here is an indispensable guide to preparing for and surviving the ultimate in worst-case scenarios, with humor to lighten the load. You can’t panic if you’re laughing.

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.

Drew thought she was destined to rise above her small New Jersey hometown and make it as a serious journalist in New York City. But now she’s back in Clearfield, pushing thirty, newly single, and living with her father. After a chance encounter at the grocery store, she reconnects with her ex-best friend, Steph, who married young and never left their hometown. But Steph looks … good. She’s tanned, clear-skinned, and glowing. She drives an expensive car and wears only name-brands. What’s her secret?

In her diary, Gentlemen Prefer Blondes, Lorelei Lee, a not-so-dumb blonde from Arkansas, documents her wild adventures to Hollywood, Manhattan, Europe, and back again with her best friend, Dorothy. Along the way, Lorelei and Dorothy are flanked by suitors from all walks of high society, but it might just be the American millionaire who draws her eye. But just because Lorelei might have found “the one” doesn’t mean the adventures are over! In the sequel, But Gentlemen Marry Brunettes, Lorelei takes up her diary once again to tell Dorothy’s tale.

Ray Dawson, a former NYPD detective unfairly forced into early retirement, never thought he would get another chance to be with his second wife and love of his life, Stephanie. So when she opens the door to the possibility, he spends his savings on an extravagant romantic getaway at a resort in Costa Rica. But Ray is still as much a cop as he is a man, and when, in the hotel elevator, he has a chance encounter with Wilbur Bailey—a wily, neurotic, and environmentally conscious fugitive with a $5 million bounty on his head—things get complicated.

Farley stands out among his Iñupiat neighbors in the Alaska village he calls home, both white and enormous, like the hungry polar bears that wander its streets. Jovial and a little hapless, he works as an investigator for a North Slope oil company, passing the long Arctic winters drinking whiskey with the village’s preacher and playing in the weekly poker game hosted by its matriarch and mayor. When his young daughter visits from thousands of miles away in Portland—where she lives with her mother, who despises him—a shocking moment of violence leaves her dead and Farley injured.

Miles, the now iconic alter ego of author Rex Pickett—who was first introduced in the critically acclaimed book Sideways and its award-winning movie adaptation—resurfaces on the South Island of New Zealand. All he has in life is a half hectare of Pinot Noir, a guest cottage where his days are numbered, a special needs cat named Max, and a winemaker partner pressing him for a more committed relationship.