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Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.

The fast and furious hedonistic world of the jet-set commuting between the glamour centres of Europe is the setting for this famous novel by one of the twentieth century’s most remarkable writers. Philip Warren is a personable young American who moves amongst the international demi-gods of wealth and status in search of himself and a future, which will satisfy his part cynical, part romantic outlook.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus.

Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He’s estranged from his adoptive family. People bump into him on the street as if he isn’t there. He is pretty sure he’s disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt.

Marnie MacGraw and Patrick Delaney have been in love for a few years now, enough to realize that they are imperfectly perfect together. Still, there are some things that maybe need a little attention. Marnie’s ebullient; he’s brooding. She thrives on change; he prefers stability. She sees marriage and parenthood in their future, but he can’t see beyond the shadow of an earlier tragedy. Then an eight-year-old surprise from Patrick’s past shows up on their doorstep, cartwheeling into their lives and spinning things in all directions.

With a dissolving marriage, strained finances, and her life in flux, Ally Anderson longs for normal. Her greatest concerns, though, are the health problems of her young daughter, Kylie. Symptoms point to a compromised immune system, but every doctor they’ve seen has a different theory. Then comes hope for some clarity. It’s possible that Kylie’s illness is genetic, but Ally is adopted. A DNA test opens up an entirely new path.

No new people: that's Annie Mercer's vow. It's bad enough that her boss sabotaged her chemistry career and her best friend tried to cure her with crystals. But after her fiancé, Jon, asks for space while he's gallivanting around Paris, Annie decides she needs space too - from everyone. Yet when Harper moves in next door, Annie can't help but train a watchful eye on the glamorous but fragile young woman. And if keeping Harper safe requires teaming up with Mo, a maddeningly optimistic amateur detective, who is she to mind her own business?

Juliette has come to Tel Aviv to be with the love of her life. But when she shows up at Elias’s apartment, he’s with another woman. With nowhere else to go, Juliette falls in with a tight-knit group of French expats living in this city by the sea. There’s Manu, the retired adult film star turned real estate agent; Diabolo, a former mobster and aspiring media mogul; and Olga, a head-turning beauty who becomes fast friends with Juliette. When Elias, a film school dropout, initiates a scheme intended to make him some fast cash, he unwittingly gets Juliette and Olga thrown in jail.

Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life - not that she’s aware of it. When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with a fast-approaching fortieth birthday, Oliver resolves to open himself up to love.

Andrej is a postman in complete denial of his existence. He yearns for respect and fame but commits petty crimes for reasons he doesn’t fully comprehend. Josip is an increasingly irrelevant cable car operator and unfaithfully married. Life was so much simpler when neither one knew the other’s secrets. Now that they do - discovered quite by accident - each man has resorted to blackmailing the other. As their anonymous misdeeds escalate, a farce of mutual dependency begins. So does the unlikeliest of friendships when Andrej and Josip finally meet face-to-face.

The streets of eighteenth-century Dublin were rife with an appalling level of poverty. Desperate mothers regularly begged for alms to feed their children, and although passersby might have occasionally contributed a few coins, no large-scale remedy had proved remotely practical or effective.

Suzy and Demi were carefree twenty-somethings. They had fun! They didn’t have responsibilities! And then they decided to have a baby. Goodbye lazy weekends, hello sleepless nights, arguments and an addiction to industrial-strength hot chocolate. Follow Suzy on the ultimate make-over - from nervous-wreck new mother to happy families. In this hilarious and refreshingly honest account for parents who prefer the realistic to the utopian, Suzy debunks the myths and takes us all along for the (bumpy) ride.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity.

Valencia, a timid debt collector with crippling OCD, is afraid of many things, but the two that scare her most are flying and turning thirty-five. To confront those fears, Valencia’s therapist suggests that she fly somewhere - anywhere - before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem - he might not actually exist.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim and Marian Jordan as Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny welcoming guest, Fred Allen, Freeman Gosden and Charles Correll as Amos ‘n’ Andy and many more!

The Great Gildersleeve was the first show to be centered on a single parent balancing raising children, work, and a social life, accomplished with taste and genuine wit, often at the expense of Gildersleeve's slightly understated pomposity. Radio veteran, Hal Peary originated the role of Throckmorton P. Gildersleeve but left the series at the height of its popularity in 1950 giving way to Peary-sound-a-like and well-known character actor, Willard Waterman. Now, enjoy 12 half-hour comedy episodes of The Great Gildersleeve starring Willard Waterman.

For the last ten years, Agnes Parsons’s biggest challenge has been juggling yoga classes and lunch dates. Her Santa Monica house staff takes care of everything, leaving Agnes to focus on her trophy-wife responsibilities: look perfect, adore her older husband, and wear terribly expensive (if uncomfortable) underwear. When her husband disappears, leaving Agnes and their infant daughter with no money, no home, and no staff, she is forced to move across the country, where she lands a job teaching at an all-boys boarding school in the Bronx.

Without question, Fawn Birchill knows that her used bookstore is the heart of West Philadelphia, a cornerstone of culture for a community that, for the past twenty years, has found the quirkiness absolutely charming. When an amicable young indie bookseller invades her block, Fawn is convinced that his cushy couches, impressive selection, coffee bar, and knowledgeable staff are a neighborhood blight. Misguided yet blindly resilient, Fawn readies for battle.

How did we get from an age of dignified nightly news broadcasts on three national networks to the age of 24-hour channels and constantly breaking news? The answer - thanks to Ted Turner and an oddball cast of cable TV visionaries, big league rejects, and nonunion newbies - can be found in the basement of an abandoned country club in Atlanta. Because it was there, in 1980, that this motley crew somehow, against all odds, launched CNN. Up All Night is an inside look at the founding of the upstart network that set out to change the way news was delivered and consumed.

Mad Jack is in reality Winifrede Levering Bascombe, who, happily, has her name changed very quickly in the story. She arrives in London with the aunts, Mathilda and Maude, of Lord Cliffe, Grayson St. Cyre, to beg his assistance. He welcomes the aunts, briefly spots the valet, Jack, and proceeds very quickly after their arrival to fall down the rabbit hole.