検索キーワード： "Percival Everett" コメディー・落語

'Truly extraordinary books are rare, and this is one of them' – Roddy Doyle 'His [Dominic Hofman] performance is terrific: variously wry, poignant and thoughtful as he imbues Jim with the humanity and agency denied to him by Twain' – The Guardian, Audiobook of the Week James is a profound...

Kevin Pace is working on a painting that he won't allow anyone to see: not his children, not his best friend, Richard, not even his wife, Linda. The painting is a canvas of 12 feet by 21 feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know or, more accurately, doesn't care. What Kevin does care about are the events of the past.

When Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he runs away until he can formulate a plan. Meanwhile, Huck has faked his own death to escape his violent father. As all readers/listeners of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and unreliable promise of the Free States and beyond.

Everett and Kincaid present a fictitious chronicle of South Carolina Senator Strom Thurmond's desire to pen a history of African Americans—his and his aides' belief being that he has done as much, or more, than any American to shape that history. An epistolary novel, A History follows the letters of loose-cannon congressional office workers, insane interns at a large New York publishing house, and disturbed publishing executives, along with homicidal rival editors, kindly family friends, and an aspiring author named Septic.

I Am Not Sidney Poitier is a comic tour de force from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure (adapted into an Oscar-nominated film). The sudden death of Not Sidney Poitier’s mother orphans him at age eleven. He is left with a name no one understands, an uncanny...

Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In Assumption, Percival Everett is on top form as he once again upends our expectations about characters, plot, race, and meaning. Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer. But at the crime scene, his are the only footprints leading up...