検索キーワード： "Gabriel Garcia Marquez" 世界文学

From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.

A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it?

Gabriel García Márquez's great masterpiece is the story of seven generations of the Buendía family and of Macondo, the town they built. Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and its miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book, and only Aureliano Buendía can fathom its mysteries and reveal its shrouded destiny.

On her 12th birthday, Sierva Maria - the only child of a decaying noble family in an 18th-century South American seaport - is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur.

Cada mes de agosto Ana Magdalena Bach toma el transbordador hasta la isla donde está enterrada su madre para visitar la tumba en la que yace. Esas visitas acaban suponiendo una irresistible invitación a convertirse en una persona distinta durante una noche al año.

Throughout his life, Gabriel García Márquez spoke publicly with the same passion and energy that marked his writing. Now the wisdom and compassion of these performances are available in English for the first time. I’m Not Here to Give a Speech records key events throughout the author’s life, from a farewell to his classmates delivered when he was only 17 to his Nobel Prize acceptance speech.

On the eve of his 90th birthday, a bachelor decides to give himself a wild night of love with a virgin. As is his habit - he has purchased hundreds of women - he asks a madam for her assistance. The 14-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to a master's work.

El 26 de octubre de 1949 el reportero Gabriel García Márquez fue enviado al antiguo convento de Santa Clara, que iba a ser demolido para edificar sobre él un hotel de cinco estrellas, a presenciar el vaciado de las criptas funerarias y a cubrir la noticia. Se exhumaron los restos de un virrey del Perú y su amante secreta, un obispo, varias abadesas, un bachiller de artes y una marquesa.

« Il était absurde d’attendre une année entière pour soumettre au hasard d’une nuit le restant de ses jours. » Une fois par an, le 16 août, Ana Magdalena Bach prend un ferry pour passer une nuit sur l’île où est enterrée sa mère. Indifférente à la splendeur des Caraïbes, elle se contente de déposer un bouquet de glaïeuls sur sa tombe avant de retrouver son mari.

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

In his novels and short stories, Gabriel García Márquez has transformed the particulars of his own life and the lives of his fellow Colombians into wondrous fiction. While telling the story of the sloppily dressed, skinny young man who rose from obscurity as a provincial journalist to international fame as the progenitor of a new literature, Gerald Martin also considers the tensions in García Márquez's life between celebrity and the personal quest for literary quality, between politics and writing, and between the seductions of power, solitude, and love.

Eine Geschichte über die Liebe, wie nur Gabriel García Márquez sie schreiben konnte. Jedes Jahr fährt Ana Magdalena Bach im August mit der Fähre zu einer Karibikinsel, um dort auf das Grab ihrer Mutter einen Gladiolenstrauß zu legen. Jedes Jahr geht sie danach in ein Touristenhotel und isst abends allein an der Bar ein Käse-Schinken-Toast. Dieses Mal jedoch wird sie von einem Mann zu einem Drink eingeladen. Es entspricht weder ihrer Herkunft oder Erziehung noch ihrer Vorstellung von ehelicher Treue, doch geht sie dennoch auf seine Avancen ein und nimmt den Unbekannten mit auf ihr Zimmer.

Sitting alone, overlooking the still and blue lagoon, Ana Magdalena Bach surveys the men of the hotel bar. She is happily married and has no reason to escape the world she has made with her husband and children. And yet, every August, she travels here to the island where her mother is buried, and for one night takes a new lover. Amid sultry days and tropical downpours, lotharios and conmen, Ana journeys further each year into the hinterland of her desire, and the fear that sits quietly at her heart.

Antología de la obra periodística de Gabriel García Márquez. Más de medio centenar de textos representativos de toda su trayectoria, seleccionados por Cristóbal Pera.

El intenso relato del regreso clandestino del director de cine Miguel Littín a Chile, su patria.

Al pueblo ha llegado «la mala hora» de los campesinos, la hora de la desgracia. La comarca ha sido «pacificada» después de tanta guerra civil. Han ganado los conservadores, que se dedican a perseguir cruel y pertinazmente a sus adversarios liberales. Al alba de una mañana, mientras el padre Ángel se dispone a celebrar la misa, suena un disparo en el pueblo. Un comerciante de ganado, advertido de la infidelidad de su mujer por un pasquín pegado a la puerta de su casa, acaba de matar al presunto amante de ésta.

The ruined town of Comala is alive with whispers and shadows. Time shifts from one consciousness to another in a hypnotic flow of desires and memories, a world of ghosts dominated by the tyranny of the Páramo family. Womaniser, overlord and murderer, Juan's notorious father retains an eternal grip over Comala. Its barren and broken-down streets echo the voices of tormented spirits sharing the secrets of the past in an extraordinary chorus of sensory images, violent passions and unfathomable mysteries.

En Macondo transcurre la historia de un entierro imposible. Ha muerto un personaje extraño, un antiguo médico odiado por el pueblo, y un viejo coronel retirado, para cumplir una promesa, se ha empeñado en enterrarle ante la oposición de todo el pueblo y sus autoridades. Como en una tragedia griega -el libro lleva como lema una cita de Antígona que recuerda la prohibición de enterrar el cuerpo del Polinices-, el viejo coronel, su hija y su nieto van a cumplir la ominosa tarea.

La conversación perdida entre dos Premios Nobel, dos de los máximos exponentes de la literatura universal.