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私たちを息苦しくさせる「意味を求める病」を手放す。本書では「人生には意味があるべきだ」とかいった言説に普遍的だったり超越的だったりする価値はないと喝破する。そのうえで、「人生に意味なんかなくてもいいじゃないか」「そもそも人生に意味なんてない」と主張し、「意味を求める病」を手放す生き方を提案する。

[団塊世代] それは高度成長を続ける日本経済の大きな原動力になった。そこには企業の中でも個人間の激しい競争社会があった。

――静穏な生活環境を享受する権利である「静穏権」の憲法上の根拠条文は、１３条ともう１つあります。それは次のどれでしょうか。

この世に生を受けた私たちは、生きることが当たり前の前提となっている。しかし、生きることが当たり前と思っては、いかに良く生きるかという問いへの答えは得ることができない。自分を変えようと思っても

バーチャルタレントぷろぽりす幸子が語る『応援するファンへのメッセージ』☆気持ちを伝えることの大切さ☆いいね＆リツイートが推しを元気にする

Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. With acute sensitivity he describes daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. Nothing is too small or too vast to escape his attention; this is a personal encyclopaedia on everything from chewing gum to the stars.

By 1617, Donne had done it all. After being an MP, lawyer, womaniser, soldier, diplomat, father to twelve children by a secret wife, and the greatest poet of his age, he settled into the priesthood. Shortly thereafter, his wife died, prompting him to write a defence of suicide in God's eyes. She was soon followed by his 18 year old daughter died. Then Donne fell gravely ill. Physicians were called, but none could agree on what to do. It seemed certain that he would die.

For author and Slow Stories podcast host Rachel Schwartzmann, slowing down has changed her story in ways she could have never imagined. In this poignant and timely collection, she invites us to step away from the turmoil of daily life and awaken to the pleasures of living and creating with intention.

［商品について］―いつだって人生を生きてきた―明るく穏やかで、風が嫌いだった亡き母へと寂しげだった後ろ姿を思い浮かべた「赤城おろし」、債権保全の仕事で刑務所に行き、服役中

"El hombre sufre tan terriblemente en el mundo que se ha visto obligado a inventar la risa". Friedrich Nietzsche. Pero... ¿es esto cierto? Dondequiera que miremos, parece haber una crisis, ya sea económica, climática, política o bélica. Muchas veces, al mismo tiempo. En este escenario, ¿hay espacio para el humor? SÍ, aunque no sea obvio, los tiempos de crisis son los más propicios para la risa. Es cuando se vuelve más necesaria y útil, porque, como dice Sergio de la Calle, "en medio del caos, el humor es la brújula para orientarse; en los accidentes emocionales, un airbag; y, en la oscuridad, un faro".

Angosciati dalle nuove metriche del successo, i ragazzi sono più fragili che mai: se un tempo si confrontavano con lo spettro della colpa, oggi vivono quello dell’inadeguatezza, con conseguenze che talora lasciano sconcertati. Un audiolibro delicato e profondo per sopravvivere all’adolescenza e uscirne rafforzati. Stefano Rossi, uno dei maggiori esperti di infanzia e adolescenza in Italia, vi scorterà lungo i sentieri tortuosi di un’età difficile e disorientante. Le tappe di questo viaggio si tradurranno in 16 lezioni d’amore, perché possiate insegnare ai giovani l’arte più importante della loro esistenza: imparare a volersi bene.

Too tired to think? No time to read books? Zibby Owens gets it. Award-winning podcaster of Moms Don’t Have Time to Read Books and mother of four (ages six to 14) compiled 53 essays by 49 authors to help the rest of us feel understood, inspired, and less alone.

Join Leslie Means, founder of the popular website Her View From Home, as she weaves together a powerful, emotional collection of essays from women of all ages and stages. These real-life, straight-to-the-heart stories will make you laugh, cry, and nod along. No two mothers are alike. No two experiences in motherhood mirror each other. But something powerful happens when our stories come together: they speak love, worth, value, and beauty. They take the undefinable experience of motherhood and give it shape and substance and strength. They speak to us all.

Drawing on the author’s seven years of caring for his mother through Alzheimer's, Be With: Letters to a Caregiver is what its title promises: four dispatches to an anonymous long-term caregiver. In brief passages that cast fresh light on what it means to live with dementia, Barnes shares trials, insights, solace - and, ultimately, inspiration.

How to Die is both an absorbing excursion through some of Western literature’s most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we’ll know more about what it means to live a meaningful life.

Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn’t get a driver’s license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs - and learned to look over her shoulder, hoping she wouldn’t get caught.

バーチャルタレントぷろぽりす幸子が活動をはじめるきっかけからデビュー半年まで☆ぷろぽりすがVtuberになった理由☆どうやって活動を始めたのか？

Alone Together: Love, Grief, and Comfort During the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain relevant for years to come.

The inspirational wisdom of Oprah Winfrey, collected for the first time in a beautiful book. After film critic Gene Siskel asked her, 'What do you know for sure?' Oprah Winfrey began writing the 'What I Know For Sure' column in O, The Oprah Magazine. Saying that the question offered her a way to take 'stock of her life', Oprah has penned one column a month over the last 14 years.

Acres of Diamonds - essay, written by Russell Herman Conwell (February 15, 1843 – December 6, 1925) was an American Baptist minister, orator, philanthropist, lawyer, and writer. The original inspiration for Acres of Diamonds, his most famous essay, occurred in 1869 when Conwell was traveling in the Middle East. The work began as a speech, "at first given," wrote Conwell in 1913, "before a reunion of my old comrades of the Forty-sixth Massachusetts Regiment, which served in the Civil War and in which I was captain."