検索キーワード： "レジェンド" イングランド・アイルランド・スコットランド・ウェールズ

Book one in The Legend of Richard Keynes series follows Richard's varied trials as he battles through a period of history famed for its violence and uncertainty. Mounted on his faithful warhorse, Richard must learn how to fight his enemies with his lance as well as his wits, and sometimes with the help of his friends.

In the last 50 years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s.

“If a woman really believes herself to be a lower kind of being, she should place herself in subjection….If not, let her show her power of choosing something better.” This is the challenge thrown down to George Eliot’s heroine, Esther Lyon, who dreams of marrying into a life of...

Seductive, powerful Lamia DuLaine is used to getting what she wants - and she wants Julian Talbot. From the moment she sees him in the hedonistic atmosphere of 1814 Brussels, she knows she must have the roguishly handsome lord, and nothing as inconsequential as an innocent chit of a fiancee will stand in her way. After all, Lamia has more than just beauty in her arsenal; a thousand years of living have given the DuLaine unparalleled expertise at manipulating humans, especially men.

His name is Breslyn, Prince of Dagda of the Tuatha De. He is a royal Fae, immortal and endowed with more than eye candy looks. He is a being with immeasurable powers but life for him lacked something - so he looked around, and found... humans.

More than forty million Americans claim Irish ancestry. This lively illustrated book, divided into parts exploring myths, legends, and folktales, explains for the U.S. audience the importance of storytelling in Irish culture in particular. In ancient Ireland, a good storyteller was so valued that he would be a member of the aos dána, the bards, and would be welcomed into every village because he came bearing tales.