Mercy by Armand Hammer & The Alchemist layers cryptic lyricism over smoky, soulful production, while Daniel Avery’s Tremor pulses with cinematic electronica and haunting minimalism. Brandito and Mel break it all down.00:00 Introduction

07:02 Mercy by Armand Hammer & The Alchemist

54:48 Tremor by Daniel Avery

With Mel and Bob out, Brandito and Rose take over to review three of the week’s biggest releases — Brandi Carlile’s Returning To Myself, Of Monsters and Men’s All is Love and Pain in the Mouse Parade, and Tame Impala’s Deadbeat.

From Brandi’s soul-searching return to form, to Of Monsters and Men’s bittersweet surrealism, to Tame Impala’s hazy melancholy, the duo unpacks the moods, moments, and melodies tying them all together.

00:00 Introduction

24:19 Returning to Myself - Brandi Carlile

01:10:30 All is Love and Pain in the Mouse Parade - Of Monsters and Men

02:10:02 Deadbeat - Tame Impala

On this episode of On BEAT Off SCRIPT, Brandito, Mel, and Incredibob dive into three radically different new releases — Liminal by Brian Eno and Beatie Wolfe, Silver Bleeds the Black Sun by AFI, and The Life of a Showgirl by Taylor Swift.

From ambient experiments to gothic anthems to pop spectacle, the trio unpacks how each artist redefines their sound — and what happens when art, angst, and glitter all collide.

⚠️ Trigger warning for Swifties: you probably won’t agree with us on this one.

Let us know which album pulled you in, or pushed you over the edge

In this episode:

00:00 Introduction

10:36 Liminal - Brian Eno, Beatie Wolfe

1:02:06 Silver Bleeds the Black Sun - AFI

1:46:59 The Life of a Showgirl - Taylor Swift