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eleven

eleven

著者： Broadway Podcast Network
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概要

 The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Hosted by William J Connolly. elevenpodcast.com @elevenPodcast147695 アート エンターテインメント・舞台芸術 政治・政府
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  • S12 Ep6: Kelsee Kimmel

    S12 Ep6: Kelsee Kimmel
    2026/02/02
    She’s belted her way through SIX, Rent, Pretty Woman and Kinky Boots — and now she’s taking the wheel in the final chapter of Alicia Keys’ smash-hit, semi-autobiographical mega-musical, Hell’s Kitchen. But how do you sum up a journey that’s taken her from standby to leading role — stepping into the spotlight after stars like Shoshana Bean and Jessica Vosk? In this exclusive conversation direct from her New York home, we talk stepping into “the hardest role” of her life, the pure joy of going full throttle with a “loud and high” character like Jersey, and why stretching her voice and emotional bandwidth eight shows a week is something she’s leaning into — even when it’s tough! We talk the musical’s deep connection with young women, why “Pawn It All” is the moment she gets to completely “unleash” every night, and what it meant to receive validation from actual Alicia Keys — including that now-iconic curtain-call performance together — in a true full-circle moment. Plus, we celebrate the power of swings and standbys, the importance of being honest about when your instrument isn’t at its best and why sharing the stage with co-stars like Ne-Yo and Yolanda Adams meant everything. And those backstage guests? Patti LaBelle? Michelle Obama? Shania Twain? Dionne Warwick? Susan Sarandon? Cynthia Erivo? Casual. Host: William J Connolly Produced by: William J Connolly/Darren Bell hellskitchen.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 3 分
  • S12 Ep5: Denise Gough

    S12 Ep5: Denise Gough
    2026/01/24
    For this Olivier winner and Tony nominee, theatre isn’t a career choice — it’s survival. It’s the place that held her when nothing else could, the place that quite literally saved her.From her time outside theatres on Shaftesbury Avenue to seeing her own face illuminated above their very doors, it’s a career of absolute dedication to her craft matched with a showering of recognition from both industry and audiences alike.And now, as she steps into a new world – a kinder and more generous one to her soul, albeit still putting her work first – she takes to the stage in the premiere of High Noon, opposite the Billy Crudup.In this exclusive conversation, she opens up about becoming Amy in Thea Sharrock and Eric Roth’s new play High Noon — the power of inhabiting a character not driven by trauma, grounding herself in peace, and finding her voice again through singing for the first time in 30 years.We also return to her seismic performance as Emma in People, Places and Things — “the work of my life,” in her own words — and why theatre will always be a place of profound healing for her. Plus, how she draws inspiration from the fearless brilliance of industry peers like now Oscar-nominee, Jessie Buckley.And in a raw, breathtaking final moment, she shares how the nightly ritual of live theatre “continues to save my life daily.”The Gough Theatre? We should all be so honoured. Host: William J Connolly Produced by: William J Connolly/Darren Bell highnoontheplay.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 分
  • S12 Ep4: Tye Blue

    S12 Ep4: Tye Blue
    2026/01/19
    As Titanique marks its milestone first anniversary in London’s West End and Broadway sets sail this Spring, the Olivier-winning director and co-writer invites us inside his brilliantly unhinged mind to reveal how his love for the ultimate Canadian music icon helped build a global theatrical phenomenon. We dive into the show’s key development stages — from cut songs and jokes that didn’t survive the final draft to the iconic leading ladies who’ve steered the production around the world — and why no two performances aboard the Ship of Dreams are ever the same. He also unpacks the joyful chaos of the improv section, shares some of his favourite outrageous moments from the original Céline and co-creator Marla Mindelle, and explains why “punching up” is essential when making a show of this style — including how Titanique always honours the lives lost on the infamous ship. Plus: how a bottle of wine and a “what if?” launched Broadway dreams, the alternate titles that nearly happened, and what he thinks Céline herself would make of it all. Note: This episode was recorded before the announcement of Titanique setting sail on Broadway this Spring. Host: William J Connolly Produced by: William J Connolly/Darren Bell titaniquemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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    54 分
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